Figuring Faith and Female Power in the Art of Rubens, J. Vanessa Lyon
Автор: Georgievska-Shine Название: Rubens, Vel?zquez, and the King of Spain ISBN: 113825164X ISBN-13(EAN): 9781138251649 Издательство: Taylor&Francis Рейтинг: Цена: 58170.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This study provides a new analysis of the pictorial ensemble of the Torre de la Parada, the hunting lodge of King Philip IV of Spain. Created in the late 1630s by a group of artists led by Peter Paul Rubens, this cycle of mythological imagery and hunting scenes was completed by Diego Velazquez. Despite the lack of a written program, surviving works provide eloquent testimony of several basic themes that embody Neostoic ideals of self-restraint and prudent governance. While Rubens set the moral tone through his serio-comic Ovidian narratives, Velazquez added an important grace note with his portraits of ancient philosophers, and royals and fools of the court. This study is the first to consider in depth their joint artistic contributions and shared ambition. Through analysis of individual works, the authors situate these pictorial inventions within broader intellectual currents in both Spanish Flanders and Spain, especially in the advice literature and drama presented to the Spanish king. Moreover, they point to the lasting resonance of Torre de la Parada for Velazquez, especially within his late masterworks, Las Meninas and Las Hilanderas. Ultimately, this study illuminates the dialogical nature of this ensemble in which Rubens and Velazquez offer a set of complementary views on subjects ranging from the nature of classical gods to the role of art as a mirror of the prince.
Автор: Lusheck, Catherine H. Название: Rubens and the eloquence of drawing ISBN: 0367334089 ISBN-13(EAN): 9780367334086 Издательство: Taylor&Francis Рейтинг: Цена: 47970.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book demonstrates the roles that Senecan eclecticism and a classicizing approach to emulation played in Rubens`s joining of form to matter in his formative drawings practice, and arguably in his early ambitions to strengthen art for a new and troubled age.
Автор: Lusheck, Catherine H. Название: Rubens and the eloquence of drawing ISBN: 147247712X ISBN-13(EAN): 9781472477125 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book demonstrates the roles that Senecan eclecticism and a classicizing approach to emulation played in Rubens`s joining of form to matter in his formative drawings practice, and arguably in his early ambitions to strengthen art for a new and troubled age.
Автор: Georgievska-shine, Aneta Название: Rubens and the archaeology of myth, 1610 1620 ISBN: 1138265985 ISBN-13(EAN): 9781138265981 Издательство: Taylor&Francis Рейтинг: Цена: 43890.00 T Наличие на складе: Невозможна поставка. Описание: Focusing on four Rubens paintings created between 1610 and 1620 - Prometheus Bound, The Rape of the Daughters of Leucippus, Juno and Argus, and The Finding of Erichthonius - this book re-examines the artist's approach to classical mythology. These theoretically-informed readings provide a fuller understanding of the dynamics of Rubens's copious visual language, and can serve as methodological templates for looking at, and reading of, many other of his complex inventions. Even by the standards of erudition commonly applied to Rubens's oeuvre as a whole, these four paintings were created during a period characterized by a particularly intense engagement on his part with questions of artistic originality and ideal style. Furthermore, the learned themes of these images clearly point to a rarefied audience that could appreciate the intertextual qualities of ancient myths. Like the artist himself, these ideal beholders cultivated a mode of viewing steeped in classical and renaissance theories of literary and rhetorical composition. Thus through these close readings, the author illuminates the manner in which the rhetorical and poetic conventions of the period, as well as the growing appreciation for the various allegorical layers of fables, lead to a better understanding of Rubens's pictorial archaeology of classical myths.
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