Rubens and the eloquence of drawing, Lusheck, Catherine H.
Автор: Georgievska-shine, Aneta Название: Rubens and the archaeology of myth, 1610 1620 ISBN: 1138265985 ISBN-13(EAN): 9781138265981 Издательство: Taylor&Francis Рейтинг: Цена: 43890.00 T Наличие на складе: Невозможна поставка. Описание: Focusing on four Rubens paintings created between 1610 and 1620 - Prometheus Bound, The Rape of the Daughters of Leucippus, Juno and Argus, and The Finding of Erichthonius - this book re-examines the artist's approach to classical mythology. These theoretically-informed readings provide a fuller understanding of the dynamics of Rubens's copious visual language, and can serve as methodological templates for looking at, and reading of, many other of his complex inventions. Even by the standards of erudition commonly applied to Rubens's oeuvre as a whole, these four paintings were created during a period characterized by a particularly intense engagement on his part with questions of artistic originality and ideal style. Furthermore, the learned themes of these images clearly point to a rarefied audience that could appreciate the intertextual qualities of ancient myths. Like the artist himself, these ideal beholders cultivated a mode of viewing steeped in classical and renaissance theories of literary and rhetorical composition. Thus through these close readings, the author illuminates the manner in which the rhetorical and poetic conventions of the period, as well as the growing appreciation for the various allegorical layers of fables, lead to a better understanding of Rubens's pictorial archaeology of classical myths.
Автор: Lusheck, Catherine H. Название: Rubens and the eloquence of drawing ISBN: 147247712X ISBN-13(EAN): 9781472477125 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book demonstrates the roles that Senecan eclecticism and a classicizing approach to emulation played in Rubens`s joining of form to matter in his formative drawings practice, and arguably in his early ambitions to strengthen art for a new and troubled age.
Автор: Celine Carayon Название: Eloquence Embodied: Nonverbal Communication among French and Indigenous Peoples in the Americas ISBN: 1469652625 ISBN-13(EAN): 9781469652627 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 55440.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Taking a fresh look at the first two centuries of French colonialism in the Americas, this book answers the long-standing question of how and how well Indigenous Americans and the Europeans who arrived on their shores communicated with each other.
Автор: Georgievska-Shine Название: Rubens, Vel?zquez, and the King of Spain ISBN: 113825164X ISBN-13(EAN): 9781138251649 Издательство: Taylor&Francis Рейтинг: Цена: 58170.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This study provides a new analysis of the pictorial ensemble of the Torre de la Parada, the hunting lodge of King Philip IV of Spain. Created in the late 1630s by a group of artists led by Peter Paul Rubens, this cycle of mythological imagery and hunting scenes was completed by Diego Velazquez. Despite the lack of a written program, surviving works provide eloquent testimony of several basic themes that embody Neostoic ideals of self-restraint and prudent governance. While Rubens set the moral tone through his serio-comic Ovidian narratives, Velazquez added an important grace note with his portraits of ancient philosophers, and royals and fools of the court. This study is the first to consider in depth their joint artistic contributions and shared ambition. Through analysis of individual works, the authors situate these pictorial inventions within broader intellectual currents in both Spanish Flanders and Spain, especially in the advice literature and drama presented to the Spanish king. Moreover, they point to the lasting resonance of Torre de la Parada for Velazquez, especially within his late masterworks, Las Meninas and Las Hilanderas. Ultimately, this study illuminates the dialogical nature of this ensemble in which Rubens and Velazquez offer a set of complementary views on subjects ranging from the nature of classical gods to the role of art as a mirror of the prince.
This book discusses an important theme in art history - artistic emulation that emphasizes the exchange between Flemish and Dutch art in the seventeenth century. Since the Middle Ages, copying has been perceived as an important step in artistic training. Originality, on the other hand, has been considered an indispensable hallmark of great works of art since the Renaissance. Therefore, in the seventeenth century, ambitious painters frequently drew inspiration from other artists’ works, attempting to surpass them in various aspects of aesthetic appeal. Drawing on this perspective, this book considers the problems of imitation, emulation, and artistic rivalry in seventeenth-century Netherlandish art. It primarily focuses on Rubens and Rembrandt, but also discusses other masters like van Dyck and Hals. It particularly results in expanding the extant body of knowledge in relation to Rubens’s influence on Rembrandt and Hals. Moreover, it reveals certain new aspects of Rubens and Rembrandt as work-shop masters - collaboration with specialists, use of oil sketches, and teaching methods to pupils for example.
Автор: J. Vanessa Lyon Название: Figuring Faith and Female Power in the Art of Rubens ISBN: 9462985510 ISBN-13(EAN): 9789462985513 Издательство: NBN International Рейтинг: Цена: 180230.00 T Наличие на складе: Нет в наличии. Описание: Figuring Faith and Female Power in the Art of Rubens argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens’s paintings continue to be used -- and abused -- to prescribe and proscribe certain forms of femininity. Repositioning some of the artist’s best-known works within seventeenth-century Catholic theology and female court culture, this book provides a feminist corrective to a body of art historical scholarship in which studies of gender and religion are often mutually exclusive. Moving chronologically through Rubens’s lengthy career, the author shows that, in relation to the powerful women in his life, Rubens figured the female form as a transhistorical carrier of meaning whose devotional and rhetorical efficacy was heightened rather than diminished by notions of female difference and particularity.
Автор: Keysor Jennie Ellis Название: Great Artists: Raphael: Rubens: Murillo: Durer ISBN: 1861716907 ISBN-13(EAN): 9781861716903 Издательство: Неизвестно Цена: 31710.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
GREAT ARTISTS
RAPHAEL - RUBENS - MURILLO - D RER
By Jennie Ellis Keysor
Four of the celebrated masters of the history of art are explored in this book: Raphael Sanzio, Bartolom Esteban Murillo, Peter Paul Rubens and Albrecht D rer. Each chapter on the artists is accompanied by illustrations. The book is a general introduction to art and artists.
Fully illustrated. Bibliography and notes. Painters Series. 152 pages.
www.crmoon.com
Название: Rubens (Art & Ideas) ISBN: 0714834122 ISBN-13(EAN): 9780714834122 Издательство: Phaidon Press Ltd. Рейтинг: Цена: 18950.00 T Наличие на складе: Невозможна поставка. Описание: One of the most versatile and influential artists of northern Europe in the 7th century, Peter Paul Rubens (1577-1640) had a remarkable ability to bring his paintings intensely and joyfully alive. He was a successful businessman who ran an efficient studio, and was also a classical scholar, an enthusiastic collector of art and antiquities, and a respected diplomat on intimate terms with European royalty. Contemporaries admired his extraordinary artistic versatility. His paintings include portraits, altarpieces, allegories and landscapes; he also designed tapestries, book illustrations, silverware and his own home. In this study, Kristin Lohse Belkin shows that there is more to Rubens than the Rubenesque nude. She explores his techniques and workshop practices, the role of women in his life and art, and his engagement with contemporary issues of Church and state. She unravels the allegorical and iconographic content of key works, situating them within their original settings. Drawing on his extensive correspondence, she traces his involvement in the events of his time.
Автор: Anne Woollett Название: Rubens and Brueghel: A Working Friendship (Getty Trust Publications: J. Paul Getty Museum) by Anne Woollett ISBN: 0892368470 ISBN-13(EAN): 9780892368471 Издательство: ORCA BOOK SERVICES Рейтинг: Цена: 64350.00 T Наличие на складе: Поставка под заказ. Описание: Truly collaborative paintings, that is, not simply mechanical but also conceptual co-productions, are rare in the history of art. This gorgeously illustrated
catalogue explores just such an extraordinary partnership between Antwerp's most eminent painters of the early seventeenth century, Peter Paul Rubens (1577 - 1640) and Jan
Brueghel the Elder (1568 - 1625). Rubens and Brueghel executed approximately twenty-five works together between around 1597 and Brueghel's death in 1625.
Highly prized
and sought after by collectors throughout Europe, the collaborative works of Rubens and Brueghel were distinguished by an extremely high level of quality, further enhanced by the
status of the artists themselves. Published to coincide with an exhibition at the Getty Museum to be held July 5 to September 24, 2006, the catalogue features twenty-six colour plates
of such Rubens/Brueghel paintings as "The Return from War", "The Feast of Achelous", "Garden of Eden with the Fall of Man", "Allegory of Sight", "Battle of the Amazons", "Nature
Adored by the Graces", and "Madonna and Child in a Garland of Flowers", along with Rubens and Brueghel's collaborations with important contemporaries such as Frans Snyders and
Hendrick van Balen. An essay by Anne Woollett explores the social and artistic milieu of Antwerp during this period and discusses Rubens and Brueghel's personal and working
relationship, its origins, and their service to the Archdukes Albert and Isabella.
Another essay, by Mark Leonard, Tiarna Doherty, and Jorgen Wadum, analyzes the artists'
collaborative technique and offers new findings based on scientific discoveries. This is the first such publication to fully address and reproduce these works in depth. Coinciding with an
exhibition at the Getty Museum to be held July 5 to September 24, 2006, this is the first such publication to fully address and reproduce these
works in depth.
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