Rubens, Vel?zquez, and the King of Spain, Georgievska-Shine

Название: Bosch - Bruegel - Rubens - Rembrandt : Masterworks from the Albertina Collection
ISBN: 3775732950 ISBN-13(EAN): 9783775732956
Издательство: Hatje Cantz
Цена: 38310.00 T
Наличие на складе: Нет в наличии.
Описание: Incomparable masterpieces of Netherlandish drawing from the collection of Vienna’s Albertina. The entire artistic spectrum is opened up page by page: landscapes, seascapes, topographical views, portraits, rural genre scenes, and still lifes. The Albertina owns one of the world’s most important collections of Netherlandish drawings dating from the period 1430 to 1650.

Автор: Lusheck, Catherine H.
Название: Rubens and the eloquence of drawing
ISBN: 147247712X ISBN-13(EAN): 9781472477125
Издательство: Taylor&Francis
Рейтинг:
Цена: 148010.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book demonstrates the roles that Senecan eclecticism and a classicizing approach to emulation played in Rubens`s joining of form to matter in his formative drawings practice, and arguably in his early ambitions to strengthen art for a new and troubled age.

Автор: Anne Woollett
Название: Rubens and Brueghel: A Working Friendship (Getty Trust Publications: J. Paul Getty Museum) by Anne Woollett
ISBN: 0892368470 ISBN-13(EAN): 9780892368471
Издательство: ORCA BOOK SERVICES
Рейтинг:
Цена: 64350.00 T
Наличие на складе: Поставка под заказ.
Описание: Truly collaborative paintings, that is, not simply mechanical but also conceptual co-productions, are rare in the history of art. This gorgeously illustrated catalogue explores just such an extraordinary partnership between Antwerp's most eminent painters of the early seventeenth century, Peter Paul Rubens (1577 - 1640) and Jan Brueghel the Elder (1568 - 1625). Rubens and Brueghel executed approximately twenty-five works together between around 1597 and Brueghel's death in 1625.

Highly prized and sought after by collectors throughout Europe, the collaborative works of Rubens and Brueghel were distinguished by an extremely high level of quality, further enhanced by the status of the artists themselves. Published to coincide with an exhibition at the Getty Museum to be held July 5 to September 24, 2006, the catalogue features twenty-six colour plates of such Rubens/Brueghel paintings as "The Return from War", "The Feast of Achelous", "Garden of Eden with the Fall of Man", "Allegory of Sight", "Battle of the Amazons", "Nature Adored by the Graces", and "Madonna and Child in a Garland of Flowers", along with Rubens and Brueghel's collaborations with important contemporaries such as Frans Snyders and Hendrick van Balen. An essay by Anne Woollett explores the social and artistic milieu of Antwerp during this period and discusses Rubens and Brueghel's personal and working relationship, its origins, and their service to the Archdukes Albert and Isabella.

Another essay, by Mark Leonard, Tiarna Doherty, and Jorgen Wadum, analyzes the artists' collaborative technique and offers new findings based on scientific discoveries. This is the first such publication to fully address and reproduce these works in depth. Coinciding with an exhibition at the Getty Museum to be held July 5 to September 24, 2006, this is the first such publication to fully address and reproduce these works in depth.

Автор: Georgievska-shine, Aneta
Название: Rubens and the archaeology of myth, 1610 1620
ISBN: 1138265985 ISBN-13(EAN): 9781138265981
Издательство: Taylor&Francis
Рейтинг:
Цена: 43890.00 T
Наличие на складе: Невозможна поставка.
Описание: Focusing on four Rubens paintings created between 1610 and 1620 - Prometheus Bound, The Rape of the Daughters of Leucippus, Juno and Argus, and The Finding of Erichthonius - this book re-examines the artist's approach to classical mythology. These theoretically-informed readings provide a fuller understanding of the dynamics of Rubens's copious visual language, and can serve as methodological templates for looking at, and reading of, many other of his complex inventions. Even by the standards of erudition commonly applied to Rubens's oeuvre as a whole, these four paintings were created during a period characterized by a particularly intense engagement on his part with questions of artistic originality and ideal style. Furthermore, the learned themes of these images clearly point to a rarefied audience that could appreciate the intertextual qualities of ancient myths. Like the artist himself, these ideal beholders cultivated a mode of viewing steeped in classical and renaissance theories of literary and rhetorical composition. Thus through these close readings, the author illuminates the manner in which the rhetorical and poetic conventions of the period, as well as the growing appreciation for the various allegorical layers of fables, lead to a better understanding of Rubens's pictorial archaeology of classical myths.