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The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange, Sarah Posman, Anne Reverseau, David Ayers, Sascha Bru, Benedikt Hjartarson


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Автор: Sarah Posman, Anne Reverseau, David Ayers, Sascha Bru, Benedikt Hjartarson
Название:  The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange
ISBN: 9783110317541
Издательство: Walter de Gruyter
Классификация: ISBN-10: 3110317540
Обложка/Формат: Mixed media product
Страницы: 435
Вес: 0.00 кг.
Дата издания: 29.10.2013
Серия: Literature/Literary Studies
Язык: English
Читательская аудитория: Professional and scholarly
Ключевые слова: LITERARY CRITICISM / General
Поставляется из: Германии
Описание: This volume proposes an in-depth exploration of the materiality of art and writing in modernism and the avant-garde. The essays explore how the avant-gardes and modernism attempted to establish the material specificity and hybridityof media and art forms. The collection sheds light on the full range and import of the aesthetics of matter in avant-garde and modernist practice across all art forms from the 19th century to the present day.

Brill`s Companion to the Reception of Classics in International Modernism and the Avant-Garde

Автор: Adam J. Goldwyn
Название: Brill`s Companion to the Reception of Classics in International Modernism and the Avant-Garde
ISBN: 9004276505 ISBN-13(EAN): 9789004276505
Издательство: Brill
Цена: 167360.00 T
Наличие на складе: Нет в наличии.
Описание: Brill’s Companion to the Reception of Classics in International Modernism and the Avant-Garde examines how the writers and artists who lived from roughly the last quarter of the nineteenth century to the middle of the twentieth sought to build a new world from the ashes of one marked by two world wars, global economic depression, the rise of nationalism, and the collapse of empires. By surveying the modernist appropriation of Ancient Greece and Rome, the fourteen chapters in this volume demonstrate how the Classics, as foundational texts of the old order, were nevertheless adapted to suit the stylistic innovation and formal experimentation that characterized modernist and avant-garde literature and art.

Projections of Memory: Romanticism, Modernism, and the Aesthetics of Film

Автор: Suchenski Richard I.
Название: Projections of Memory: Romanticism, Modernism, and the Aesthetics of Film
ISBN: 0190274115 ISBN-13(EAN): 9780190274115
Издательство: Oxford Academ
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Цена: 36420.00 T
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Описание: Projections of Memory argues that the long-form modernist art film of the twentieth century is more or less the direct conceptual descendant of the eighteenth-century Romantic traditions that originated in literature, painting, and architecture.

Beyond Aesthetics and Politics: Philosophical and Axiological Studies on the Avant-Garde, Pragmatism, and Postmodernism

Автор: Krzysztof Piotr Skowronski
Название: Beyond Aesthetics and Politics: Philosophical and Axiological Studies on the Avant-Garde, Pragmatism, and Postmodernism
ISBN: 9042036850 ISBN-13(EAN): 9789042036857
Издательство: Brill
Цена: 71730.00 T
Наличие на складе: Невозможна поставка.
Описание: The book presents five philosophical and axiological studies devoted to the relationship between aesthetics and politics. It shows this relationship throughout the works of some avant-gardists, pragmatists, and postmodernists. It is also a voice in the discussion about the meaning of the fine arts and aesthetics in the context of the political aims and norms. This voice claims that the political dimension of art and aesthetics should be studied much more seriously than it has been till today, and needs more courageous re-interpretations and re-readings.

The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange

Автор: Sarah Posman, Anne Reverseau, David Ayers, Sascha
Название: The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange
ISBN: 3110317370 ISBN-13(EAN): 9783110317374
Издательство: Walter de Gruyter
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Цена: 148700.00 T
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Описание: Forschungsinitiativen zum Thema Avantgarde und Moderne nehmen in der europaischen Forschungslandschaft weiterhin zu. Die experimentellen Literaturen und die Kunste in Europa zwischen ca. 1850 und 1950 und ihre Nachwirkungen sind als Lehr- und Forschungsbereiche an den europaischen Forschungsinstitutionen und in den Lehrplanen heutzutage nicht mehr wegzudenken. Avantgarde und Moderne haben sich in den letzten Jahrzehnten zu unterschiedlichen, aber mehrfach miteinander verzahnten Forschungsgebieten entwickelt. Innerhalb der franzosischen und deutschen akademischen Welt bleibt der Sammelbegriff „modernism" weniger gelaufig – „die (klassische) Moderne" und „modernite" fungieren hier als nahe liegende Aquivalente zu demjenigen, was im internationalen Kontext als eine zeitliche und raumliche Ko-Okkurenz kunstlerischer Ausdrucksformen und asthetischer Theorien namhaft gemacht werden kann, die ungefahr zwischen 1850 und 1950 angesiedelt werden kann. Auf ahnliche Weise entfaltet die Bezeichnung „Avantgarde" eine Reihe haufig widerspruchlicher Konnotationen. Fur manche bedeutet die Avantgarde den radikalsten experimentellen Bruch der Kunste und Literaturen mit den Darstellungs- und Erzahlkonventionen des 19. Jahrhundert: Im fruhen zwanzigsten Jahrhundert zeugen davon Avantgardebewegungen wie Futurismus, Expressionismus, Dada und Surrealismus, d.h. Stromungen, die als die „heroische" Phase der Avantgarde bezeichnet werden konnen. Fur andere gehort die Avantgarde zu einer kulturellen und konzeptuellen Ordnung, die sich weitgehend von der 'modernistischen' unterscheidet oder sogar abhebt: Die avantgardistischen Experimente ab den funfziger Jahren des zwanzigsten Jahrhunderts kommen in dieser Hinsicht weitgehend ohne modernistische Begleiterscheinung aus. Die Buchreihe Studien zur Europaischen Avantgarde und Moderne mochte der Kompliziertheit der unterschiedlichen europaischen Forschungstraditionen gerecht werden und strebt danach, die breite linguistische, terminologische und methodologische Vielfalt abzudecken. Anhand einer zweijahrlichen Sammlung von Beitragen in englischer, franzosischer und deutscher Sprache mochte die Reihe nicht nur die franzosisch-, deutsch- und englischsprachigen, sondern auch die nord-, sud-, zentral- und osteuropaischen Ergebnisse der Avantgarde- und Moderne-Forschung einbeziehen. Die Reihe sammelt die neuesten und ertragreichsten Beitrage zur Forschung und widmet sich der Erforschung der gesamten europaischen Avantgarde und Moderne, ihrer Vorlaufer und ihrem Nachklang im Laufe des 19. und 20. Jahrhunderts. Die Studien zur Europaischen Avantgarde und Moderne fordern die interdisziplinare und intermediale Erforschung experimenteller Asthetiken und Poetiken und setzen es sich zum Ziel, das Interesse an den kulturellen Zusammenhangen und Kontexten der Avantgarde und der Moderne in Europa anzuregen. Beitrage werden internationalen Experten zur anonymen Begutachtung vorgelegt. Chefredakteure: Sascha Bru (Leuven University) und Peter Nicholls (New York University). Redaktionsausschuss: Jan Baetens (Universitat Leuven), Hubert van den Berg (Universitat Groningen), Benedikt Hjartarson (University of Iceland) undTania Orum (Universitat Kopenhagen). Beratungsausschuss: Dawn Ades (University of Essex), Wolfgang Asholt (Universitat Osnabruck), Karlheinz Barck (Zentrum fur Literatur- und Kulturforschung Berlin), Henri Behar (Paris III, Sorbonne nouvelle), Timothy O. Benson (LACMA), Gunter Berghaus (University of Bristol), Stefano Boeri (Multiplicity & Universita luav di Venezia), Endre Bojtar (Central European University, Budapest), Christina von Braun (Humboldt Universitat zu Berlin), Peter Burger (Universitat Bremen), Matei Calinescu (University of Indiana), Claus Cluver (University of Indiana), Antoine Compagnon (College de France), Maria Delaperriere (INALCO, Paris), Pascal Dethurens (Universite de Strasbourg), Eva Forgacs (College of Design, Pasadena), Hans Gunther (Universitat Bielefeld), Cornelia Klinger (Eberhard-Karls Universitat Tubingen), Rudolf Kuenzli (University of Iowa), Bruno Latour (Institut d'Etudes Politiques de Paris), Paul Michael Lutzeler (Washington University of St. Louis), Laura Marcus (University of Edinburgh), Richard Murphy (University of Sussex), Francois Noudelmann (Universite de Paris VIII), Krisztina Passuth (University of Budapest), Marjorie Perloff (Stanford University/University of Southern California), Michel Poivert (Paris I, Pantheon-Sorbonne), Susan Rubin-Suleiman (Harvard University), Rainer Rumold (Northwestern University), Jean-Yves Tadie (Paris IV, Sorbonne), Brandon Taylor (University of Southhampton), Andrew Webber (Churchill College, Cambridge).

Modernism and Food Studies: Politics, Aesthetics, and the Avant-Garde

Автор: Jessica Martell, Philip Keel Geheber, Adam Fajardo
Название: Modernism and Food Studies: Politics, Aesthetics, and the Avant-Garde
ISBN: 0813056152 ISBN-13(EAN): 9780813056159
Издательство: Mare Nostrum (Eurospan)
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Цена: 71060.00 T
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Описание: Transnational in scope, this much-needed volume explores how modernist writers and artists address and critique dramatic changes to food systems that took place in the early twentieth century. In this period, small farms were being replaced with industrial agriculture, political upheavals exacerbated food scarcity in many countries, and globalization opened up new modes of distributing culinary commodities.Looking at a unique variety of texts by authors from Ireland, Italy, France, the United States, India, the former Soviet Union, and New Zealand, contributors draw attention to modernist representations of food. Among other topics, they consider Oscar Wilde’s aestheticization of food, Katherine Mansfield’s use of eggs as a feminist symbol, Langston Hughes’s frequent use of chocolate as a metaphor for blackness, Futurist cuisine and avant-garde cookbooks, and the effects of national famines in the work of James Joyce, Viktor Shklovsky, and Tarashankar Bandyopadhyay. The diverse topics and methodologies assembled here illustrate how food studies can enrich research in the literary and visual arts. A milestone volume, this collection introduces possibilities for understanding the connection between modernist aesthetics and the emerging food cultures of a globalizing world.

The Pulse of Modernism: Physiological Aesthetics in Fin-de-Si?cle Europe

Автор: Robert Michael Brain
Название: The Pulse of Modernism: Physiological Aesthetics in Fin-de-Si?cle Europe
ISBN: 0295993219 ISBN-13(EAN): 9780295993218
Издательство: Mare Nostrum (Eurospan)
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Цена: 29260.00 T
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Описание:

Robert Brain traces the origins of artistic modernism to specific technologies of perception developed in late-nineteenth-century laboratories. Brain argues that the thriving fin-de-siecle field of "physiological aesthetics," which sought physiological explanations for the capacity to appreciate beauty and art, changed the way poets, artists, and musicians worked and brought a dramatic transformation to the idea of art itself.


Feminism and Avant-Garde Aesthetics in the Levantine Novel

Автор: K. Hanna
Название: Feminism and Avant-Garde Aesthetics in the Levantine Novel
ISBN: 1349714895 ISBN-13(EAN): 9781349714896
Издательство: Springer
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Цена: 55890.00 T
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Описание: Writing in response to war and national crisis, al-SammAn, KhalA-feh, BarakAt, and others introduced into the Arabic literary canon aesthetic forms capable of carrying Levantine women`s experiences. By assessing their feminism in such a way, this book aims to revive a critical emphasis on aesthetics in Arab women`s writing. "

Political Aesthetics of the Armenian Avant-Garde

Автор: Harutyunyan Angela
Название: Political Aesthetics of the Armenian Avant-Garde
ISBN: 1526139367 ISBN-13(EAN): 9781526139368
Издательство: NBN International
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Цена: 77100.00 T
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Описание: Sheds light on artistic production and the emergence of contemporary art in Armenia from the ruins of the socialist utopian project and the failure to realise the romanticised consumerism of the capitalist West. -- .

Material Difference: Modernism and the Allegories of Discourse

Автор: William D. Melaney
Название: Material Difference: Modernism and the Allegories of Discourse
ISBN: 9042034483 ISBN-13(EAN): 9789042034488
Издательство: Brill
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Цена: 95630.00 T
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Описание: Material Difference: Modernism and the Allegories of Discourse argues that deconstruction can be employed in conjunction with the historically-oriented approach to cultural experience that is favored by Critical Theory. The two discourses that inform this comparative study situate Modernism between evolving traditions that begin with Hegel and Nietzsche, leading on to Adorno’s commitment to philosophical aesthetics and Derrida’s concern for writing (ecriture). Interrelated discussions of eight major authors, working in four different languages, are presented to show how allegorical Modernism foreshadows the possibility of cultural history. Joyce, Kafka, Malraux, Rilke, and Stevens are among the authors discussed in this book. The notion of material difference allows literature to be redefined in semiotic terms and demonstrates how the allegorical imagination mediates between art and time.

Food, Poetry, and the Aesthetics of Consumption: Eating the Avant-Garde

Автор: Michel Delville
Название: Food, Poetry, and the Aesthetics of Consumption: Eating the Avant-Garde
ISBN: 0415512883 ISBN-13(EAN): 9780415512886
Издательство: Taylor&Francis
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Цена: 57150.00 T
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Описание: The essays in this book examine the importance of food as a pivotal element - both materially and conceptually - in the history of the Western avant-garde.

Feminism and Avant-Garde Aesthetics in the Levantine Novel

Автор: K. Hanna
Название: Feminism and Avant-Garde Aesthetics in the Levantine Novel
ISBN: 1137548703 ISBN-13(EAN): 9781137548702
Издательство: Springer
Рейтинг:
Цена: 65210.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Writing in response to war and national crisis, al-Samman, Khalifeh, Barakat, and others introduced into the Arabic literary canon aesthetic forms capable of carrying Levantine women`s experiences. By assessing their feminism in such a way, this book aims to revive a critical emphasis on aesthetics in Arab women`s writing.

Adorno`s Modernism

Автор: Hammer
Название: Adorno`s Modernism
ISBN: 1107121590 ISBN-13(EAN): 9781107121591
Издательство: Cambridge Academ
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Цена: 95040.00 T
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Описание: Situating Adorno`s aesthetics in the context of post-Kantian European philosophy, this book explores his contribution to an understanding of modernism in the arts. Espen Hammer also discusses the philosophical significance of aesthetic modernism. The volume is of particular interest to scholars and students of social philosophy, art, and aesthetics.


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