Modernism and Food Studies: Politics, Aesthetics, and the Avant-Garde, Jessica Martell, Philip Keel Geheber, Adam Fajardo

Автор: Sarah Posman, Anne Reverseau, David Ayers, Sascha
Название: The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange
ISBN: 3110317370 ISBN-13(EAN): 9783110317374
Издательство: Walter de Gruyter
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Описание: Forschungsinitiativen zum Thema Avantgarde und Moderne nehmen in der europaischen Forschungslandschaft weiterhin zu. Die experimentellen Literaturen und die Kunste in Europa zwischen ca. 1850 und 1950 und ihre Nachwirkungen sind als Lehr- und Forschungsbereiche an den europaischen Forschungsinstitutionen und in den Lehrplanen heutzutage nicht mehr wegzudenken. Avantgarde und Moderne haben sich in den letzten Jahrzehnten zu unterschiedlichen, aber mehrfach miteinander verzahnten Forschungsgebieten entwickelt. Innerhalb der franzosischen und deutschen akademischen Welt bleibt der Sammelbegriff „modernism" weniger gelaufig – „die (klassische) Moderne" und „modernite" fungieren hier als nahe liegende Aquivalente zu demjenigen, was im internationalen Kontext als eine zeitliche und raumliche Ko-Okkurenz kunstlerischer Ausdrucksformen und asthetischer Theorien namhaft gemacht werden kann, die ungefahr zwischen 1850 und 1950 angesiedelt werden kann. Auf ahnliche Weise entfaltet die Bezeichnung „Avantgarde" eine Reihe haufig widerspruchlicher Konnotationen. Fur manche bedeutet die Avantgarde den radikalsten experimentellen Bruch der Kunste und Literaturen mit den Darstellungs- und Erzahlkonventionen des 19. Jahrhundert: Im fruhen zwanzigsten Jahrhundert zeugen davon Avantgardebewegungen wie Futurismus, Expressionismus, Dada und Surrealismus, d.h. Stromungen, die als die „heroische" Phase der Avantgarde bezeichnet werden konnen. Fur andere gehort die Avantgarde zu einer kulturellen und konzeptuellen Ordnung, die sich weitgehend von der 'modernistischen' unterscheidet oder sogar abhebt: Die avantgardistischen Experimente ab den funfziger Jahren des zwanzigsten Jahrhunderts kommen in dieser Hinsicht weitgehend ohne modernistische Begleiterscheinung aus. Die Buchreihe Studien zur Europaischen Avantgarde und Moderne mochte der Kompliziertheit der unterschiedlichen europaischen Forschungstraditionen gerecht werden und strebt danach, die breite linguistische, terminologische und methodologische Vielfalt abzudecken. Anhand einer zweijahrlichen Sammlung von Beitragen in englischer, franzosischer und deutscher Sprache mochte die Reihe nicht nur die franzosisch-, deutsch- und englischsprachigen, sondern auch die nord-, sud-, zentral- und osteuropaischen Ergebnisse der Avantgarde- und Moderne-Forschung einbeziehen. Die Reihe sammelt die neuesten und ertragreichsten Beitrage zur Forschung und widmet sich der Erforschung der gesamten europaischen Avantgarde und Moderne, ihrer Vorlaufer und ihrem Nachklang im Laufe des 19. und 20. Jahrhunderts. Die Studien zur Europaischen Avantgarde und Moderne fordern die interdisziplinare und intermediale Erforschung experimenteller Asthetiken und Poetiken und setzen es sich zum Ziel, das Interesse an den kulturellen Zusammenhangen und Kontexten der Avantgarde und der Moderne in Europa anzuregen. Beitrage werden internationalen Experten zur anonymen Begutachtung vorgelegt. Chefredakteure: Sascha Bru (Leuven University) und Peter Nicholls (New York University). Redaktionsausschuss: Jan Baetens (Universitat Leuven), Hubert van den Berg (Universitat Groningen), Benedikt Hjartarson (University of Iceland) undTania Orum (Universitat Kopenhagen). Beratungsausschuss: Dawn Ades (University of Essex), Wolfgang Asholt (Universitat Osnabruck), Karlheinz Barck (Zentrum fur Literatur- und Kulturforschung Berlin), Henri Behar (Paris III, Sorbonne nouvelle), Timothy O. Benson (LACMA), Gunter Berghaus (University of Bristol), Stefano Boeri (Multiplicity & Universita luav di Venezia), Endre Bojtar (Central European University, Budapest), Christina von Braun (Humboldt Universitat zu Berlin), Peter Burger (Universitat Bremen), Matei Calinescu (University of Indiana), Claus Cluver (University of Indiana), Antoine Compagnon (College de France), Maria Delaperriere (INALCO, Paris), Pascal Dethurens (Universite de Strasbourg), Eva Forgacs (College of Design, Pasadena), Hans Gunther (Universitat Bielefeld), Cornelia Klinger (Eberhard-Karls Universitat Tubingen), Rudolf Kuenzli (University of Iowa), Bruno Latour (Institut d'Etudes Politiques de Paris), Paul Michael Lutzeler (Washington University of St. Louis), Laura Marcus (University of Edinburgh), Richard Murphy (University of Sussex), Francois Noudelmann (Universite de Paris VIII), Krisztina Passuth (University of Budapest), Marjorie Perloff (Stanford University/University of Southern California), Michel Poivert (Paris I, Pantheon-Sorbonne), Susan Rubin-Suleiman (Harvard University), Rainer Rumold (Northwestern University), Jean-Yves Tadie (Paris IV, Sorbonne), Brandon Taylor (University of Southhampton), Andrew Webber (Churchill College, Cambridge).

Автор: Pamela Kachurin
Название: Making Modernism Soviet: The Russian Avant-Garde in the Early Soviet Era, 1918-1928
ISBN: 0810131307 ISBN-13(EAN): 9780810131309
Издательство: Mare Nostrum (Eurospan)
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Описание: Making Modernism Soviet provides a new understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the relationship between power brokers and cultural institutions under conditions of state patronage, Pamela Kachurin lays to rest the myth of the imposition of control from above upon a victimized artistic community. Drawing on extensive archival research, she shows that Russian modernists used their positions within the expanding Soviet arts bureaucracy to build up networks of like-minded colleagues. Their commitment to one another and to the task of creating a socially transformative visual language for the new Soviet context allowed them to produce some of their most famous works of art. But it also contributed to the "Sovietization" of the art world that eventually sealed their fate.

Автор: Aimee Armande Wilson
Название: Conceived in Modernism: The Aesthetics and Politics of Birth Control
ISBN: 1501307134 ISBN-13(EAN): 9781501307133
Издательство: Bloomsbury Academic
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Описание: Current debates about birth control can be surprisingly volatile, especially given the near-universal use of contraception among American and British women. Conceived in Modernism: The Aesthetics and Politics of Birth Control offers a new perspective on these debates by demonstrating that the political positions surrounding birth control have roots in literary concerns, specifically those of modernist writers. Whereas most scholarship treats modernism and birth control activism as parallel, but ultimately separate, movements, Conceived in Modernism shows that they were deeply intertwined. This book argues not only that literary concerns exerted a lasting influence on the way activists framed the emerging politics of contraception, but that birth control activism helped shape some of modernism’s most innovative concepts. By revealing the presence of literary aesthetics in the discourse surrounding birth control, Conceived in Modernism helps us see this discourse as a variable facet rather than a permanent bulwark of reproductive rights debates.

Автор: Aimee Armande Wilson
Название: Conceived in Modernism: The Aesthetics and Politics of Birth Control
ISBN: 150133395X ISBN-13(EAN): 9781501333958
Издательство: Bloomsbury Academic
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Цена: 40120.00 T
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Описание: Current debates about birth control can be surprisingly volatile, especially given the near-universal use of contraception among American and British women. Conceived in Modernism: The Aesthetics and Politics of Birth Control offers a new perspective on these debates by demonstrating that the political positions surrounding birth control have roots in literary concerns, specifically those of modernist writers. Whereas most scholarship treats modernism and birth control activism as parallel, but ultimately separate, movements, Conceived in Modernism shows that they were deeply intertwined. This book argues not only that literary concerns exerted a lasting influence on the way activists framed the emerging politics of contraception, but that birth control activism helped shape some of modernism’s most innovative concepts. By revealing the presence of literary aesthetics in the discourse surrounding birth control, Conceived in Modernism helps us see this discourse as a variable facet rather than a permanent bulwark of reproductive rights debates.

Автор: Michel Delville
Название: Food, Poetry, and the Aesthetics of Consumption: Eating the Avant-Garde
ISBN: 0415512883 ISBN-13(EAN): 9780415512886
Издательство: Taylor&Francis
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Описание: The essays in this book examine the importance of food as a pivotal element - both materially and conceptually - in the history of the Western avant-garde.

Автор: Suchenski Richard I.
Название: Projections of Memory: Romanticism, Modernism, and the Aesthetics of Film
ISBN: 0190274115 ISBN-13(EAN): 9780190274115
Издательство: Oxford Academ
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Цена: 36420.00 T
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Описание: Projections of Memory argues that the long-form modernist art film of the twentieth century is more or less the direct conceptual descendant of the eighteenth-century Romantic traditions that originated in literature, painting, and architecture.

Автор: K. Hanna
Название: Feminism and Avant-Garde Aesthetics in the Levantine Novel
ISBN: 1137548703 ISBN-13(EAN): 9781137548702
Издательство: Springer
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Цена: 65210.00 T
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Описание: Writing in response to war and national crisis, al-Samman, Khalifeh, Barakat, and others introduced into the Arabic literary canon aesthetic forms capable of carrying Levantine women`s experiences. By assessing their feminism in such a way, this book aims to revive a critical emphasis on aesthetics in Arab women`s writing.

Автор: K. Hanna
Название: Feminism and Avant-Garde Aesthetics in the Levantine Novel
ISBN: 1349714895 ISBN-13(EAN): 9781349714896
Издательство: Springer
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Цена: 55890.00 T
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Описание: Writing in response to war and national crisis, al-SammAn, KhalA-feh, BarakAt, and others introduced into the Arabic literary canon aesthetic forms capable of carrying Levantine women`s experiences. By assessing their feminism in such a way, this book aims to revive a critical emphasis on aesthetics in Arab women`s writing. "

Автор: Pease
Название: Modernism, Mass Culture, and the Aesthetics of Obscenity
ISBN: 052110095X ISBN-13(EAN): 9780521100953
Издательство: Cambridge Academ
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Цена: 41170.00 T
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Описание: This book explores the relationship between art and pornography from the eighteenth to the twentieth century. Allison Pease focuses on how writers such as Swinburne, Joyce and Lawrence and artist Aubrey Beardsley shifted the boundaries between aesthetics and pornography first established in the 1700s to reinforce class distinctions.

Автор: Emmett Stinson
Название: Satirizing Modernism: Aesthetic Autonomy, Romanticism, and the Avant-Garde
ISBN: 1501329081 ISBN-13(EAN): 9781501329081
Издательство: Bloomsbury Academic
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Цена: 137280.00 T
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Описание: Satirizing Modernism examines 20th-century novels that satirize avant-garde artists and authors while also using experimental techniques associated with literary modernism. These novels—such as Wyndham Lewis’s The Apes of God, William Gaddis’s The Recognitions, and Gilbert Sorrentino’s Imaginative Qualities of Actual Things—were under-recognized and received poor reviews at the time of publication, but have increasingly been acknowledged as both groundbreaking and deeply influential. Satirizing Modernism analyzes these novels in order to present an alternative account of literary modernism, which should be viewed neither as a radical break with the past nor an outmoded set of aesthetics overtaken by a later postmodernism. In self-reflexively critiquing their own aesthetics, these works express an unconventional modernism that both revises literary history and continues to be felt today.

Автор: William D. Melaney
Название: Material Difference: Modernism and the Allegories of Discourse
ISBN: 9042034483 ISBN-13(EAN): 9789042034488
Издательство: Brill
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Цена: 95630.00 T
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Описание: Material Difference: Modernism and the Allegories of Discourse argues that deconstruction can be employed in conjunction with the historically-oriented approach to cultural experience that is favored by Critical Theory. The two discourses that inform this comparative study situate Modernism between evolving traditions that begin with Hegel and Nietzsche, leading on to Adorno’s commitment to philosophical aesthetics and Derrida’s concern for writing (ecriture). Interrelated discussions of eight major authors, working in four different languages, are presented to show how allegorical Modernism foreshadows the possibility of cultural history. Joyce, Kafka, Malraux, Rilke, and Stevens are among the authors discussed in this book. The notion of material difference allows literature to be redefined in semiotic terms and demonstrates how the allegorical imagination mediates between art and time.

Автор: Melissa Dinsman
Название: Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics During World War II
ISBN: 1350028452 ISBN-13(EAN): 9781350028456
Издательство: Bloomsbury Academic
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Цена: 40120.00 T
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Описание: As the Second World War raged throughout Europe, modernist writers often became crucial voices in the propaganda efforts of both sides. Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics During World War II is a comprehensive study of the role modernist writers’ radio works played in the propaganda war and the relationship between modernist literary aesthetics and propaganda. Drawing on new archival research, the book covers the broadcast work of such key figures as George Orwell, Orson Welles, Dorothy L. Sayers, Louis MacNeice, Mulk Raj Anand, T.S. Eliot, and P.G. Wodehouse. In addition to the work of Anglo-American modernists, Melissa Dinsman also explores the radio work of exiled German writers, such as Thomas Mann, as well as Ezra Pound’s notorious pro-fascist broadcasts. In this way, the book reveals modernism’s engagement with new technologies that opened up transnational boundaries under the pressures of war.