Race, Culture and the Video Game Industry, 

Название: Race, Culture and the Video Game Industry
ISBN: 1032407158 ISBN-13(EAN): 9781032407159
Издательство: Taylor&Francis
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Цена: 137810.00 T
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Название: Cultures of video game concerns
ISBN: 3837639347 ISBN-13(EAN): 9783837639346
Издательство: Gazelle Book Services
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Цена: 64330.00 T
Наличие на складе: Невозможна поставка.
Описание: The eighth edition of this popular and manageably sized casebook retains the general structure of the prior edition, with its emphasis on practical skills and comparative material. New cases, statutes and notes have been added where appropriate to provide current information. One of the main changes is the addition of the 2015 Obergefell opinion by the U. S. Supreme Court regarding gay marriage.

Автор: Smith Alexander
Название: They Create Worlds
ISBN: 1138389900 ISBN-13(EAN): 9781138389908
Издательство: Taylor&Francis
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Цена: 71450.00 T
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Описание: They Create Worlds: The Story of the People and Companies That Shaped the Video Game Industry, Vol. 1 is the first in a three-volume set that provides an in-depth analysis of the creation and evolution of the video game industry.

Автор: Smith, Alexander
Название: They Create Worlds
ISBN: 1138389927 ISBN-13(EAN): 9781138389922
Издательство: Taylor&Francis
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Цена: 148010.00 T
Наличие на складе: Невозможна поставка.
Описание: They Create Worlds: The Story of the People and Companies That Shaped the Video Game Industry, Vol. 1 is the first in a three-volume set that provides an in-depth analysis of the creation and evolution of the video game industry.

Автор: Zackariasson, Peter
Название: The Video Game Industry
ISBN: 0415896525 ISBN-13(EAN): 9780415896528
Издательство: Taylor&Francis
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Цена: 158230.00 T
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Автор: Zackariasson, Peter
Название: The Video Game Industry
ISBN: 1138803839 ISBN-13(EAN): 9781138803831
Издательство: Taylor&Francis
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Цена: 57150.00 T
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Автор: Chen
Название: The Chinese Video Game Industry
ISBN: 3031415035 ISBN-13(EAN): 9783031415036
Издательство: Springer
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Цена: 130430.00 T
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Описание: The recent and dramatic development of China’s economy and international political muscle is especially pronounced in the country’s video game industry. Now the largest of its kind in the world by gross revenue, the Chinese video game industry impacts every player in the global game market and has begun to directly influence the nature of the video game medium itself. From its conceptualization of the player as a category and commodity, to its approach to the design, development, and marketing of products and services, the Chinese game industry is engaging in a complex, innovative, and fascinating reimagining of the video game as a cultural and industrial force. The purpose of The Chinese Video Game Industry is to help introduce and investigate this industrial and cultural powerhouse. The book’s contributors array the industry across its history, economics, organization, politics, and cultures, documenting its rise, exploring its operational, cultural, and aesthetic characteristics, and capturing its context vis-?-vis the global media landscape. In so doing, the contributors provide a robust resource for anyone interested in studying, building, or even simply appreciating games.

Автор: Austin Fisher, Johnny Walker
Название: Grindhouse: Cultural Exchange on 42nd Street, and Beyond
ISBN: 1628927496 ISBN-13(EAN): 9781628927498
Издательство: Bloomsbury Academic
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Цена: 30610.00 T
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Описание: The pervasive image of New York’s 42nd Street as a hub of sensational thrills, vice and excess, is from where “grindhouse cinema,” the focus of this volume, stemmed. It is, arguably, an image that has remained unchanged in the mind’s eye of many exploitation film fans and academics alike. Whether in the pages of fanzines or scholarly works, it is often recounted how, should one have walked down this street between the 1960s and the 1980s, one would have undergone a kaleidoscopic encounter with an array of disparate “exploitation” films from all over the world that were being offered cheaply to urbanites by a swathe of vibrant movie theatres. The contributors to Grindhouse: Cultural Exchange on 42nd Street, and Beyond consider “grindhouse cinema” from a variety of cultural and methodological positions. Some seek to deconstruct the etymology of “grindhouse” itself, add flesh to the bones of its cadaverous history, or examine the term’s contemporary relevance in the context of both media production and consumerism. Others offer new inroads into hitherto unexamined examples of exploitation film history, presenting snapshots of cultural moments that many of us thought we already knew.

Автор: Oakley Charles Allen
Название: Where We Came in: Seventy Years of the British Film Industry
ISBN: 1138987107 ISBN-13(EAN): 9781138987104
Издательство: Taylor&Francis
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Цена: 43890.00 T
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Описание: Originally published in 1964, this book tells the history of the British cinematograph industry for the first time. It describes moments of splendid triumph and others of shattering failure. The mood switches from reckless optimism to demoralising pessimism, from years in which British films won the highest international awards to those when they were dismissed with scorn. It recalls a score of productions still ranked among the world's best, and the stars whose reputation was established in them. Attention is focused on the directors, those who kept to the fore during two and three decades and those with only one major success to their name. Behind them the men are identified who strove, often to their considerable financial loss, to gain a worthy place for British films in the world’s markets.

Автор: Austin Fisher, Johnny Walker
Название: Grindhouse: Cultural Exchange on 42nd Street, and Beyond
ISBN: 162892747X ISBN-13(EAN): 9781628927474
Издательство: Bloomsbury Academic
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Цена: 147840.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The pervasive image of New York’s 42nd Street as a hub of sensational thrills, vice and excess, is from where “grindhouse cinema,” the focus of this volume, stemmed. It is, arguably, an image that has remained unchanged in the mind’s eye of many exploitation film fans and academics alike. Whether in the pages of fanzines or scholarly works, it is often recounted how, should one have walked down this street between the 1960s and the 1980s, one would have undergone a kaleidoscopic encounter with an array of disparate “exploitation” films from all over the world that were being offered cheaply to urbanites by a swathe of vibrant movie theatres. The contributors to Grindhouse: Cultural Exchange on 42nd Street, and Beyond consider “grindhouse cinema” from a variety of cultural and methodological positions. Some seek to deconstruct the etymology of “grindhouse” itself, add flesh to the bones of its cadaverous history, or examine the term’s contemporary relevance in the context of both media production and consumerism. Others offer new inroads into hitherto unexamined examples of exploitation film history, presenting snapshots of cultural moments that many of us thought we already knew.

Автор: Erigha Maryann
Название: The Hollywood Jim Crow: The Racial Politics of the Movie Industry
ISBN: 1479886645 ISBN-13(EAN): 9781479886647
Издательство: Mare Nostrum (Eurospan)
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Цена: 74410.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The story of racial hierarchy in the American film industry  The #OscarsSoWhite campaign, and the content of the leaked Sony emails which revealed, among many other things, that a powerful Hollywood insider didn’t believe that Denzel Washington could “open” a western genre film, provide glaring evidence that the opportunities for people of color in Hollywood are limited.  In The Hollywood Jim Crow, Maryann Erigha tells the story of inequality, looking at the practices and biases that limit the production and circulation of movies directed by racial minorities. She examines over 1,300 contemporary films, specifically focusing on directors, to show the key elements at work in maintaining “the Hollywood Jim Crow.” Unlike the Jim Crow era where ideas about innate racial inferiority and superiority were the grounds for segregation, Hollywood’s version tries to use economic and cultural explanations to justify the underrepresentation and stigmatization of Black filmmakers.  Erigha exposes the key elements at work in maintaining Hollywood’s racial hierarchy, namely the relationship between genre and race, the ghettoization of Black directors to black films, and how Blackness is perceived by the Hollywood producers and studios who decide what gets made and who gets to make it.  Erigha questions the notion that increased representation of African Americans behind the camera is the sole answer to the racial inequality gap. Instead, she suggests focusing on the obstacles to integration for African American film directors.   Hollywood movies have an expansive reach and exert tremendous power in the national and global production, distribution, and exhibition of popular culture. The Hollywood Jim Crow fully dissects the racial inequality embedded in this industry, looking at alternative ways for African Americans to find success in Hollywood and suggesting how they can band together to forge their own career paths.   

Автор: Dal Yong Jin, Wendy Su
Название: Asia-Pacific Film Co-productions: Theory, Industry and Aesthetics
ISBN: 1138325333 ISBN-13(EAN): 9781138325333
Издательство: Taylor&Francis
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Цена: 117390.00 T
Наличие на складе: Невозможна поставка.
Описание: This book examines cross-regional film collaboration within the Asia-Pacific region. Through a mixed methods approach of political economy and industry, market and textual analysis, the book contributes to the understanding of the global fusion of cultural products and the reconfiguration of geographic, political, economic, and cultural relations. Issues covered include: cultural globalization and Asian regionalization; identity, regionalism, and industry practices and inter-Asian and trans-Pacific co-production practices among the U.S., China, South Korea, Japan, India, Hong Kong, Argentina, Australia, Taiwan, and New Zealand.