Babylon Girls is a groundbreaking cultural history of the African American women who performed in variety shows—chorus lines, burlesque revues, cabaret acts, and the like—between 1890 and 1945. Through a consideration of the gestures, costuming, vocal techniques, and stagecraft developed by African American singers and dancers, Jayna Brown explains how these women shaped the movement and style of an emerging urban popular culture. In an era of U.S. and British imperialism, these women challenged and played with constructions of race, gender, and the body as they moved across stages and geographic space. They pioneered dance movements including the cakewalk, the shimmy, and the Charleston—black dances by which the “New Woman” defined herself. These early-twentieth-century performers brought these dances with them as they toured across the United States and around the world, becoming cosmopolitan subjects more widely traveled than many of their audiences.
Investigating both well-known performers such as Ada Overton Walker and Josephine Baker and lesser-known artists such as Belle Davis and Valaida Snow, Brown weaves the histories of specific singers and dancers together with incisive theoretical insights. She describes the strange phenomenon of blackface performances by women, both black and white, and she considers how black expressive artists navigated racial segregation. Fronting the “picaninny choruses” of African American child performers who toured Britain and the Continent in the early 1900s, and singing and dancing in The Creole Show (1890), Darktown Follies (1913), and Shuffle Along (1921), black women variety-show performers of the early twentieth century paved the way for later generations of African American performers. Brown shows not only how these artists influenced transnational ideas of the modern woman but also how their artistry was an essential element in the development of jazz.
Автор: Halifu Osumare Название: Dancing the Afrofuture: Hula, Hip-Hop, and the Dunham Legacy ISBN: 0813080347 ISBN-13(EAN): 9780813080345 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 29260.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A Black dancer chronicles her career as ascholar writing the stories of global hip-hop and Black culture is the story of a dancer with a long career of artistry and activism who transitioned from performing Black dance to writing it into history as a Black studies scholar. Following the personal journey of her artistic development told in Dancingin Blackness, Halifu Osumare now reflects on how that first career—which began during the 1960s Black Arts Movement—has influenced her growth as an academic, tracingher teaching and research against a political and cultural backdrop that extends to the twenty-first century with Black Lives Matter and a potent speculative Afrofuture.
Osumare describes her decision to step away from full-time involvement in dance and community activism to earn a doctorate in American studies from the University of Hawai'i. She emulated the model of her mentor Katherine Dunham by studying and performing hula, and her research on hip-hop youth culture took her from Hawai'i to Africa, Europe, and South America as a professor at the University of California, Davis. Throughout her scholarly career, Osumare has illuminated the resilience of African-descendant peoples through a focus on performance and the lens of Afrofuturism.
Respected for her work as both professional dancer and trailblazing academic, Osumare shares experiences from her second career that show the potential of scholarship in revealing and documenting underrecognized stories of Black dance and global pop culture. In this memoir, Osumare dances across several fields of study while ruminating on how the Black past reveals itself in the Afro-present that is transforming into the Afrofuture.
Автор: Halifu Osumare Название: Dancing the Afrofuture: Hula, Hip-Hop, and the Dunham Legacy ISBN: 0813069874 ISBN-13(EAN): 9780813069876 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 75240.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A Black dancer chronicles her career as ascholar writing the stories of global hip-hop and Black culture is the story of a dancer with a long career of artistry and activism who transitioned from performing Black dance to writing it into history as a Black studies scholar. Following the personal journey of her artistic development told in Dancingin Blackness, Halifu Osumare now reflects on how that first career—which began during the 1960s Black Arts Movement—has influenced her growth as an academic, tracingher teaching and research against a political and cultural backdrop that extends to the twenty-first century with Black Lives Matter and a potent speculative Afrofuture.
Osumare describes her decision to step away from full-time involvement in dance and community activism to earn a doctorate in American studies from the University of Hawai'i. She emulated the model of her mentor Katherine Dunham by studying and performing hula, and her research on hip-hop youth culture took her from Hawai'i to Africa, Europe, and South America as a professor at the University of California, Davis. Throughout her scholarly career, Osumare has illuminated the resilience of African-descendant peoples through a focus on performance and the lens of Afrofuturism.
Respected for her work as both professional dancer and trailblazing academic, Osumare shares experiences from her second career that show the potential of scholarship in revealing and documenting underrecognized stories of Black dance and global pop culture. In this memoir, Osumare dances across several fields of study while ruminating on how the Black past reveals itself in the Afro-present that is transforming into the Afrofuture.
Автор: Braziel Jana Evans Название: Artists, Performers, and Black Masculinity in the Haitian Diaspora ISBN: 0253219787 ISBN-13(EAN): 9780253219787 Издательство: Wiley EDC Рейтинг: Цена: 24010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Jana Evans Braziel examines how Haitian diaspora writers, performance artists, and musicians address black masculinity through the Haitian Creole concept of gwo n?gs, or "big men." She focuses on six artists and their work: writer Dany Laferri?re, director Raoul Peck, rap artist Wyclef Jean, artist Jean-Michel Basquiat, drag queen performer and poet Assotto Saint, and queer drag king performer Dr?d (a.k.a. Mildr?d Gerestant). For Braziel, these individuals confront the gendered, sexualized, and racialized boundaries of America's diaspora communities and openly resist "domestic" imperialism that targets immigrants, minorities, women, gays, and queers. This is a groundbreaking study at the intersections of gender and sexuality with race, ethnicity, nationality, and diaspora.
Автор: Baker Christina N. Название: Black Women Directors ISBN: 1978813341 ISBN-13(EAN): 9781978813342 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 56850.00 T Наличие на складе: Нет в наличии. Описание: Black women have long recognized the power of film for storytelling. For far too long, however, the cultural and historical narratives about film have not accounted for the contributions of Black women directors. This book remedies this omission by highlighting the trajectory of the culturally significant work of Black women directors in the United States, from the under-examined pioneers of the silent era, to the documentarians who sought to highlight the voices and struggles of Black women, and the contemporary Black women directors in Hollywood. Applying a Black feminist perspective, this book examines the ways that Black women filmmakers have made a way for themselves and their work by resisting the dominant cultural expectations for Black women and for the medium of film, as a whole.
Автор: Baker Christina N. Название: Black Women Directors ISBN: 1978813333 ISBN-13(EAN): 9781978813335 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 17510.00 T Наличие на складе: Нет в наличии. Описание: Black women have long recognized the power of film for storytelling. For far too long, however, the cultural and historical narratives about film have not accounted for the contributions of Black women directors. This book remedies this omission by highlighting the trajectory of the culturally significant work of Black women directors in the United States, from the under-examined pioneers of the silent era, to the documentarians who sought to highlight the voices and struggles of Black women, and the contemporary Black women directors in Hollywood. Applying a Black feminist perspective, this book examines the ways that Black women filmmakers have made a way for themselves and their work by resisting the dominant cultural expectations for Black women and for the medium of film, as a whole.
Автор: Winkler Erin N. Название: Learning Race, Learning Place: Shaping Racial Identities and Ideas in African American Childhoods ISBN: 0813554292 ISBN-13(EAN): 9780813554297 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 27720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In an American society both increasingly diverse and increasingly segregated, the signals children receive about race are more confusing than ever. In this context, how do children negotiate and make meaning of multiple and conflicting messages to develop their own ideas about race? Learning Race, Learning Place engages this question using in-depth interviews with an economically diverse group of African American children and their mothers.Through these rich narratives, Erin N. Winkler seeks to reorient the way we look at how children develop their ideas about race through the introduction of a new framework—comprehensive racial learning—that shows the importance of considering this process from children's points of view and listening to their interpretations of their experiences, which are often quite different from what the adults around them expect or intend. At the children's prompting, Winkler examines the roles of multiple actors and influences, including gender, skin tone, colour-blind rhetoric, peers, family, media, school, and, especially, place. She brings to the fore the complex and understudied power of place, positing that while children's racial identities and experiences are shaped by a national construction of race, they are also specific to a particular place that exerts both direct and indirect influence on their racial identities and ideas.
Автор: Wertheim, Arthur Frank Название: Vaudeville wars ISBN: 1403968268 ISBN-13(EAN): 9781403968265 Издательство: Springer Рейтинг: Цена: 60550.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Illuminates the intriguing story about how the tycoons of the two most powerful circuits, Keith-Albee in the East and the Orpheum in the West, conspired to control the big time. Despite the battles between the performers and the circuit moguls, the vaudeville wars forged an electrifying entertainment that at its zenith brought joy to millions.
Автор: Stephens, Emery Helton, Caroline Название: Singing down the barriers ISBN: 1538169924 ISBN-13(EAN): 9781538169926 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 42240.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Representing a historical cross-section of performance and training in Western music since the seventeenth century, Five Lives in Music brings to light the private and performance lives of five remarkable women musicians and composers. Elegantly guiding readers through the Thirty Years War in central Europe, elite courts in Germany, urban salons in Paris, Nazi control of Germany and Austria, and American musical life today, as well as personal experiences of marriage, motherhood, and widowhood, Cecelia Hopkins Porter provides valuable insights into the culture in which each woman was active.
Porter begins with the Duchess Sophie-Elisabeth of Braunschweig-Lueneberg, a harpsichordist who also presided over seventeenth-century North German court music as an impresario. At the forefront of French Baroque composition, composer Elisabeth-Claude Jacquet de La Guerre bridged a widening cultural gap between the Versailles nobility and the urban bourgeoisie of Paris. A century later, Josephine Lang, a prodigiously talented pianist and dedicated composer, participated at various times in the German Romantic world of lieder through her important arts salon. Lastly, the twentieth century brought forth two exceptional women: Baroness Maria Bach, a composer and pianist of twentieth-century Vienna's upper bourgeoisie and its brilliant musical milieu in the era of Gustav Mahler, Richard Strauss, Arnold Schoenberg, and Erich Korngold; and Ann Schein, a brilliant and dauntless American piano prodigy whose career, ongoing today though only partially recognized, led her to study with the legendary virtuosos Arthur Rubinstein and Myra Hess.
Mining musical autographs, unpublished letters and press reviews, interviews, and music archives in the United States and Europe, Porter probes each musician's social and economic status, her education and musical training, the cultural expectations within the traditions and restrictions of each woman's society, and other factors. Throughout the lively and focused portraits of these five women, Porter finds common threads, both personal and contextual, that extend to a larger discussion of the lives and careers of female composers and performers throughout centuries of music history.
Автор: Jennifer M Gomez Название: Cultural Betrayal: From Violent Silencing to Healing from Sexual Abuse for Black Women & Girls ISBN: 1433838885 ISBN-13(EAN): 9781433838880 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 35110.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book provides a theoretical framework for empirically examining the impact of violence on marginalized peoples across the lifespan. With anti-Black racism uniquely impacting Black women and girls who are sexually victimized, a unifying, empirically testable framework with a critical race perspective to examine Black women and girls' experiences of sexual violence is warranted. Dr. Jennifer M. G amp oacute mez created cultural betrayal trauma theory (CBTT) to expand the limiting assumption in the dominant theoretical and methodological literature on the impact of violence that traumas, such as rape, are solely interpersonal. In CBTT, Dr. G amp oacute mez builds on Black feminist scholarship, ethnic minority trauma psychology, and betrayal trauma theory to provide a theoretical framework for examining the impact of violence on marginalized peoples across the lifespan.The Cultural Betrayal of Black Women and Girls is the first book to use the CBTT research to contribute to academic and national discussions regarding anti-Black racism and sexual abuse. Using CBTT as a foundation, this book incorporates transdisciplinary scholarship on racism, intersectional oppression and intersectionality, sexual abuse against Black women and girls, cultural competency and critical consciousness in therapy, and healing in the community into a single resource for understanding and addressing oppression and sexual abuse on individual, institutional, and societal levels.
Автор: Alicia Kozma Название: The Cinema of Stephanie Rothman: Radical Acts in Filmmaking ISBN: 1496840992 ISBN-13(EAN): 9781496840998 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 91960.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The rare woman director working in second-wave exploitation, Stephanie Rothman (b. 1936) directed seven successful feature films, served as the vice president of an independent film company, and was the first woman to win the Directors Guild of America’s student filmmaking prize. Despite these career accomplishments, Rothman retired into relative obscurity. In The Cinema of Stephanie Rothman: Radical Acts in Filmmaking, author Alicia Kozma uses Rothman’s career as an in-depth case study, intertwining historical, archival, industrial, and filmic analysis to grapple with the past, present, and future of women’s filmmaking labor in Hollywood. Understanding second wave exploitation filmmaking as a transitory space for the industrial development of contemporary Hollywood that also opened up opportunities for women practitioners, Kozma argues that understudied film production cycles provide untapped spaces for discovering women’s directorial work. The professional career and filmography of Rothman exemplify this claim. Rothman also serves as an apt example for connecting the structure of film histories to the persistent strictures of rhetorical language used to mark women filmmakers and their labor. Kozma traces these imbrications across historical archives. Adopting a diverse methodological approach, The Cinema of Stephanie Rothman shines a needed spotlight on the problems and successes of the memorialization of women’s directorial labor, connecting historical and contemporary patterns of gendered labor disparity in the film industry. This book is simultaneously the first in-depth scholarly consideration of Rothman, the debut of the most substantive archival materials collected on Rothman, and a feminist political intervention into the construction of film histories.
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