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Authentic Blackness: The Folk in the New Negro Renaissance, J. Martin Favor


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Автор: J. Martin Favor
Название:  Authentic Blackness: The Folk in the New Negro Renaissance
ISBN: 9780822323457
Издательство: Wiley EDC
Классификация:


ISBN-10: 0822323451
Обложка/Формат: Paperback
Страницы: 200
Вес: 0.45 кг.
Дата издания: 1999-07-14
Серия: New americanists
Язык: English
Размер: 206 x 154 x 16
Читательская аудитория: Professional & vocational
Основная тема: Literature: history & criticism, LITERARY CRITICISM / American / African American & Black,LITERARY CRITICISM / American / General
Подзаголовок: The folk in the new negro renaissance
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание:
What constitutes “blackness” in American culture? And who gets to define whether or not someone is truly African American? Is a struggling hip-hop artist more “authentic” than a conservative Supreme Court justice? In Authentic Blackness J. Martin Favor looks to the New Negro Movement—also known as the Harlem Renaissance—to explore early challenges to the idea that race is a static category.
Authentic Blackness looks at the place of the “folk”—those African Americans “furthest down,” in the words of Alain Locke—and how the representation of the folk and the black middle class both spurred the New Negro Movement and became one of its most serious points of contention. Drawing on vernacular theories of African American literature from such figures as Henry Louis Gates Jr. and Houston Baker as well as theorists Judith Butler and Stuart Hall, Favor looks closely at the work of four Harlem Renaissance fiction writers: James Weldon Johnson, Nella Larsen, George Schuyler, and Jean Toomer. Arguing that each of these writers had, at best, an ambiguous relationship to African American folk culture, Favor demonstrates how they each sought to redress the notion of a fixed black identity. Authentic Blackness illustrates how “race” has functioned as a type of performative discourse, a subjectivity that simultaneously builds and conceals its connections with such factors as class, gender, sexuality, and geography.



Дополнительное описание: Acknowledgments vii
1 Discourses of Black Identity: The Elements of Authenticity 1
2 For a Mess of Pottage: James Weldon Johnson's Ex-Colored Man as (In)authentic Man 25
3 "Colored; Cold. Wrong somewhere.": Jean Toomer's Cane 53


Art in Renaissance Italy 1350-1500

Автор: Welch
Название: Art in Renaissance Italy 1350-1500
ISBN: 019284279X ISBN-13(EAN): 9780192842794
Издательство: Oxford Academ
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Цена: 24810.00 T
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Описание: The Italian Renaissance is a pivotal episode in the history of Western culture. This book discusses a range of works from across Italy, examines the issues of materials, workshop practices and artist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour.

The Harlem Renaissance and the Idea of a New Negro Reader

Автор: Shawn Anthony Christian
Название: The Harlem Renaissance and the Idea of a New Negro Reader
ISBN: 1625342004 ISBN-13(EAN): 9781625342003
Издательство: Mare Nostrum (Eurospan)
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Цена: 98870.00 T
Наличие на складе: Невозможна поставка.
Описание: Argues that print-based addresses to African Americans are a defining but under studied component of the Harlem Renaissance. Drawing on research from print culture studies, histories of racial uplift, and studies of modernism, Christian demonstrates the importance of this focus on the African American reader in influential periodicals.

Roots of the Black Chicago Renaissance: New Negro Writers, Artists, and Intellectuals, 1893-1930

Автор: Richard A. Courage, Christopher Robert Reed
Название: Roots of the Black Chicago Renaissance: New Negro Writers, Artists, and Intellectuals, 1893-1930
ISBN: 0252084926 ISBN-13(EAN): 9780252084928
Издательство: Mare Nostrum (Eurospan)
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Цена: 23410.00 T
Наличие на складе: Нет в наличии.
Описание:

The Black Chicago Renaissance emerged from a foundational stage that stretched from the 1893 World's Columbian Exposition to the start of the Great Depression. During this time, African American innovators working across the landscape of the arts set the stage for an intellectual flowering that redefined black cultural life.

Richard A. Courage and Christopher Robert Reed have brought together essays that explore the intersections in the backgrounds, education, professional affiliations, and public lives and achievements of black writers, journalists, visual artists, dance instructors, and other creators working in the late nineteenth and early twentieth centuries. Organized chronologically, the chapters unearth transformative forces that supported the emergence of individuals and social networks dedicated to work in arts and letters. The result is an illuminating scholarly collaboration that remaps African American intellectual and cultural geography and reframes the concept of urban black renaissance.

Contributors: Richard A. Courage, Mary Jo Deegan, Brenda Ellis Fredericks, James C. Hall, Bonnie Claudia Harrison, Darlene Clark Hine, John McCluskey Jr., Amy M. Mooney, Christopher Robert Reed, Clovis E. Semmes, Margaret Rose Vendryes, and Richard Yarborough


The Politics and Aesthetics of New Negro Literature

Автор: Wintz, Cary D.
Название: The Politics and Aesthetics of New Negro Literature
ISBN: 0815322135 ISBN-13(EAN): 9780815322139
Издательство: Taylor&Francis
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Цена: 148010.00 T
Наличие на складе: Нет в наличии.

Roots of the Black Chicago Renaissance: New Negro Writers, Artists, and Intellectuals, 1893-1930

Автор: Richard A. Courage, Christopher Robert Reed
Название: Roots of the Black Chicago Renaissance: New Negro Writers, Artists, and Intellectuals, 1893-1930
ISBN: 0252043057 ISBN-13(EAN): 9780252043055
Издательство: Wiley EDC
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Цена: 114400.00 T
Наличие на складе: Поставка под заказ.
Описание:

The Black Chicago Renaissance emerged from a foundational stage that stretched from the 1893 World's Columbian Exposition to the start of the Great Depression. During this time, African American innovators working across the landscape of the arts set the stage for an intellectual flowering that redefined black cultural life.

Richard A. Courage and Christopher Robert Reed have brought together essays that explore the intersections in the backgrounds, education, professional affiliations, and public lives and achievements of black writers, journalists, visual artists, dance instructors, and other creators working in the late nineteenth and early twentieth centuries. Organized chronologically, the chapters unearth transformative forces that supported the emergence of individuals and social networks dedicated to work in arts and letters. The result is an illuminating scholarly collaboration that remaps African American intellectual and cultural geography and reframes the concept of urban black renaissance.

Contributors: Richard A. Courage, Mary Jo Deegan, Brenda Ellis Fredericks, James C. Hall, Bonnie Claudia Harrison, Darlene Clark Hine, John McCluskey Jr., Amy M. Mooney, Christopher Robert Reed, Clovis E. Semmes, Margaret Rose Vendryes, and Richard Yarborough


Word, Image, and the New Negro: Representation and Identity in the Harlem Renaissance

Автор: Anne Elizabeth Carroll
Название: Word, Image, and the New Negro: Representation and Identity in the Harlem Renaissance
ISBN: 0253219191 ISBN-13(EAN): 9780253219190
Издательство: Wiley EDC
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Цена: 22870.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book focuses on the collaborative illustrated volumes published during the Harlem Renaissance, in which African Americans used written and visual texts to shape ideas about themselves and to redefine African American identity. Anne Elizabeth Carroll argues that these volumes show how participants in the movement engaged in the processes of representation and identity formation in sophisticated and largely successful ways. Though they have received little scholarly attention, these volumes constitute an important aspect of the cultural production of the Harlem Renaissance. Word, Image, and the New Negro marks the beginning of a long-overdue recovery of this legacy and points the way to a greater understanding of the potential of texts to influence social change.

Goodbye Christ?: Christianity, Masculinity, and the New Negro Renaissance

Автор: Peter Kerry Powers
Название: Goodbye Christ?: Christianity, Masculinity, and the New Negro Renaissance
ISBN: 1621905187 ISBN-13(EAN): 9781621905189
Издательство: Mare Nostrum (Eurospan)
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Цена: 29220.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Despite the proliferation of criticism on the cultural work of the Harlem Renaissance over the course of the past two decades, surprisingly few critics have focused on the ways in which religious contexts shaped the works of New Negro writers and artists during that time. In Goodbye Christ? Peter Kerry Powers fills this scholarly void, exploring how the intersection of race, religion, and gender during the Harlem Renaissance impacted the rhetoric and imagination of prominent African-American writers of the early twentieth century. In order to best understand the secular academic thought that arose during the Harlem Renaissance period, Powers emphasises that readers must first understand the religious contexts from which it grew. By illustrating how religion informed the New Negro movement, and through his analysis of a range of texts, Powers delineates the ways in which New Negro writers of the early twentieth century sought to loosen the grip of Christianity on the racial imagination, thereby clearing a space for their own cultural work - and for the development of a secular African American intelligentsia generally. In addition to his examination of well-known authors, including W.E.B. Du Bois, Langston Hughes, and Zora Neale Hurston, Powers also offers an illuminating perspective on lesser-known figures, including Reverdy Ransom and Frederick Cullen. In his exploration of the role of race and religion at the time, Powers employs an intersectional approach to religion and gender, and especially masculinity, in his discussion. Goodbye Christ? answers the call for a body of work that considers religion as a relevant precursor to the secular intelligentsia that grew during the Harlem Renaissance in the early 1900s. By offering a complete look at the tensions that arose between churches and Harlem Renaissance writers and artists, readers can gain a better understanding of the work that Harlem Renaissance writers undertook during the early decades of the twentieth century.

Yo Soy Negro: Blackness in Peru

Автор: Golash-Boza Tanya Maria
Название: Yo Soy Negro: Blackness in Peru
ISBN: 0813044499 ISBN-13(EAN): 9780813044491
Издательство: Mare Nostrum (Eurospan)
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Цена: 24030.00 T
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Описание: Addresses what it means to be black in Peru. Based on extensive ethnographic work in the country and informed by more than eighty interviews with Peruvians of African descent, this ground breaking study explains how ideas of race, colour, and mestizaje in Peru differ greatly from those held in other Latin American nations.

Literature, Politics and Law in Renaissance England

Автор: E. Sheen; L. Hutson
Название: Literature, Politics and Law in Renaissance England
ISBN: 134943051X ISBN-13(EAN): 9781349430512
Издательство: Springer
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Цена: 74530.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This collection features the work of both established and up-and-coming scholars in the UK and US, with contributors including Peter Goodrich, Lorna Hutson, Erica Sheen and David Colclough studying the period of the English Renaissance from the 1520s to the 1660s.

Same-Sex Marriage in Renaissance Rome: Sexuality, Identity, and Community in Early Modern Europe

Автор: Gary Ferguson
Название: Same-Sex Marriage in Renaissance Rome: Sexuality, Identity, and Community in Early Modern Europe
ISBN: 1501755269 ISBN-13(EAN): 9781501755262
Издательство: Mare Nostrum (Eurospan)
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Цена: 23370.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

From the tenor of contemporary discussions, it would be easy to conclude that the idea of marriage between two people of the same sex is a uniquely contemporary phenomenon. Not so, argues Gary Ferguson in Same-Sex Marriage in Renaissance Rome.

Making use of substantial fragments of trial transcripts Gary Ferguson brings the story of a same-sex marriage to life in striking detail. He unearths an incredible amount of detail about the men, their sex lives, and how others responded to this information, which allows him to explore attitudes toward marriage, sex, and gender at the time. Emphasizing the instability of marriage in premodern Europe, Ferguson argues that same-sex unions should be considered part of the institution's complex and contested history.


Crime and consequence in early modern literature and law

Автор: Hudson, Judith
Название: Crime and consequence in early modern literature and law
ISBN: 1474454356 ISBN-13(EAN): 9781474454353
Издательство: Bloomsbury Academic
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Цена: 89760.00 T
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Описание: Traces the ways in which changing ideas about criminal sanction were reflected in and engaged with in early modern English society.

Blotted Lines: Early Modern English Literature and the Poetics of Discomposition

Автор: Adhaar Noor Desai
Название: Blotted Lines: Early Modern English Literature and the Poetics of Discomposition
ISBN: 1501769847 ISBN-13(EAN): 9781501769849
Издательство: Mare Nostrum (Eurospan)
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Цена: 27550.00 T
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Описание:

Blotted Lines rebuffs centuries of mythologization about the creative process—the idea that William Shakespeare "never blotted out line"—to argue that by studying how early modern writers faced the challenges of writing poetry, instructors today can empower their students' approaches to critical writing. Adhaar Noor Desai offers deeply researched accounts of how poetic labor intersected with early modern rhetorical theory, material culture, and social networks.

Tracing the productive struggles of such writers as George Gascoigne, Philip Sidney, John Davies of Hereford, Lady Anne Southwell, and Shakespeare across their manuscripts, Desai identifies in their work instances of discomposition: frustration, hesitation, self-doubt, and insecurity. Inspired to unmake their poems so that they might remake them, these poets welcomed discomposition because it catalyzed ongoing thinking and learning. Blotted Lines brings literary scholarship into conversation with modern composition studies, challenging early modern literary studies to treat writing as both noun and verb and foregrounding the ways poetry and criticism alike can model for students the cultivation of patience, collaboration, and risk in their writing.



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