The Harlem Renaissance and the Idea of a New Negro Reader, Shawn Anthony Christian
Автор: Crawford Evelyn Louise, Patterson Marylouise, Hugh Название: Letters from Langston: From the Harlem Renaissance to the Red Scare and Beyond ISBN: 0520285344 ISBN-13(EAN): 9780520285347 Издательство: Wiley Рейтинг: Цена: 26400.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Langston Hughes, one of America`s greatest writers, was an innovator of jazz poetry and a leader of the Harlem Renaissance whose poems and plays resonate widely today. This indispensable volume of letters between Hughes and four leftist confidants sheds light on his life and politics.
Название: Heroine of the harlem renaissance and beyond ISBN: 0271080965 ISBN-13(EAN): 9780271080963 Издательство: Неизвестно Рейтинг: Цена: 87310.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Explores the role of writer Gwendolyn Bennett as an important contributor to the Harlem Renaissance. Includes Bennett`s published and unpublished poetry, fiction, essays, diaries, letters, and artwork.
Автор: Haidarali Laila Название: Brown Beauty: Color, Sex, and Race from the Harlem Renaissance to World War II ISBN: 1479802085 ISBN-13(EAN): 9781479802081 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 33440.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Examines how the media influenced ideas of race and beauty among African American women from the Harlem Renaissance to World War II.
Between the Harlem Renaissance and the end of World War II, a complicated discourse emerged surrounding considerations of appearance of African American women and expressions of race, class, and status. Brown Beauty considers how the media created a beauty ideal for these women, emphasizing different representations and expressions of brown skin.
Haidarali contends that the idea of brown as a "respectable shade" was carefully constructed through print and visual media in the interwar era. Throughout this period, brownness of skin came to be idealized as the real, representational, and respectable complexion of African American middle class women. Shades of brown became channels that facilitated discussions of race, class, and gender in a way that would develop lasting cultural effects for an ever-modernizing world.
Building on an impressive range of visual and media sources--from newspapers, journals, magazines, and newsletters to commercial advertising--Haidarali locates a complex, and sometimes contradictory, set of cultural values at the core of representations of women, envisioned as "brown-skin." She explores how brownness affected socially-mobile New Negro women in the urban environment during the interwar years, showing how the majority of messages on brownness were directed at an aspirant middle-class. By tracing brown's changing meanings across this period, and showing how a visual language of brown grew into a dynamic racial shorthand used to denote modern African American womanhood, Brown Beauty demonstrates the myriad values and judgments, compromises and contradictions involved in the social evaluation of women. This book is an eye-opening account of the intense dynamics between racial identity and the influence mass media has on what, and who we consider beautiful.
The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature.
The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.
Eric Walrond (1898-1966) was a writer, journalist, caustic critic, and fixture of 1920s Harlem. His short story collection, Tropic Death, was one of the first efforts by a black author to depict Caribbean lives and voices in American fiction. Restoring Walrond to his proper place as a luminary of the Harlem Renaissance, this biography situates Tropic Death within the author's broader corpus and positions the work as a catalyst and driving force behind the New Negro literary movement in America.
James Davis follows Walrond from the West Indies to Panama, New York, France, and finally England. He recounts his relationships with New Negro authors such as Countйe Cullen, Charles S. Johnson, Zora Neale Hurston, Alain Locke, and Gwendolyn Bennett, as well as the white novelist Carl Van Vechten. He also recovers Walrond's involvement with Marcus Garvey's journal Negro World and the National Urban League journal Opportunity and examines the writer's work for mainstream venues, including Vanity Fair.
In 1929, Walrond severed ties with Harlem, but he did not disappear. He contributed to the burgeoning anticolonial movement and print culture centered in England and fueled by C. L. R. James, George Padmore, and other Caribbean expatriates. His history of Panama, shelved by his publisher during the Great Depression, was the first to be written by a West Indian author. Unearthing documents in England, Panama, and the United States, and incorporating interviews, criticism of Walrond's fiction and journalism, and a sophisticated account of transnational black cultural formations, Davis builds an eloquent and absorbing narrative of an overlooked figure and his creation of modern American and world literature.
Автор: Christopher Varlack Название: Harlem Renaissance ISBN: 1619258226 ISBN-13(EAN): 9781619258228 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 87780.00 T Наличие на складе: Невозможна поставка. Описание: Outstanding, in-depth scholarship by renowned literary critics; great starting point for students seeking an introduction to the theme and the critical discussions surrounding it.Critical Insights: Harlem Renaissance presents the period of unparallel growth in art and literature from the African American Community, also known as the Harlem Renaissance. With its production of key authors, from Langston Hughes to Claude McKay, among others, the Harlem Renaissance saw the rise in creative endeavors by black artists and writers eager to celebrate the unique characteristics of black life and to challenge the institutionalized racial hierarchy pervasive within twentieth-century American society. These creative thinkers, certainly intellectuals in their own right, used their poetry, short stories, novels, and plays as a vehicle to critique the longstanding issues within society that limited socioeconomic mobility for blacks, while perpetuating startling stereotypes about a community too long oppressed. Because of its undeniable impact in shaping the American cultural imagination regarding blacks and on the larger American literary canon, the Harlem Renaissance has since been heavily studied as the most significant period of artistic as well as cultural development the African American community has ever experienced.This title seeks to offer not only expanded readings of the central themes that have long captivated the attention of scholars across time, but also providing valuable insight into the texts, authors, and critical perspectives too often overlooked.Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of ""Works Cited,"" along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources: About This Volume; Critical Context: Original Introductory Essays; Critical Readings: Original In-Depth Essays; Further Readings; Detailed Bibliography; Detailed Bio of the Editor; General Subject Index.
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