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French Cinema, Powrie, Phil


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Автор: Powrie, Phil
Название:  French Cinema
ISBN: 9780415530651
Издательство: Taylor&Francis
Классификация:

ISBN-10: 0415530652
Обложка/Формат: Mixed media product
Страницы: 1828
Вес: 3.18 кг.
Дата издания: 21.11.2013
Серия: Critical concepts in media and cultural studies
Язык: English
Размер: 249 x 173 x 137
Читательская аудитория: Undergraduate
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Поставляется из: Европейский союз

Cinema of sofia coppola

Автор: Ferriss, Professor Suzanne (nova Southeastern University, Usa)
Название: Cinema of sofia coppola
ISBN: 1350178071 ISBN-13(EAN): 9781350178076
Издательство: Bloomsbury Academic
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Цена: 30610.00 T
Наличие на складе: Есть
Описание: The Cinema of Sofia Coppola provides the first comprehensive analysis of Coppola’s oeuvre that situates her work broadly in relation to contemporary artistic, social and cultural currents. Suzanne Ferriss considers the central role of fashion - in its various manifestations - to Coppola’s films, exploring fashion’s primacy in every cinematic dimension: in film narrative; production, costume and sound design; cinematography; marketing, distribution and auteur branding. She also explores the theme of celebrity, including Coppola’s own director-star persona, and argues that Coppola’s auteur status rests on an original and distinct visual style, derived from the filmmaker’s complex engagement with photography and painting. Ferriss analyzes each of Coppola’s six films, categorizing them in two groups: films where fashion commands attention (Marie Antoinette, The Beguiled and The Bling Ring) and those where clothing and material goods do not stand out ostentatiously, but are essential in establishing characters’ identities and relationships (The Virgin Suicides, Lost in Translation and Somewhere). Throughout, Ferriss draws on approaches from scholarship on fashion, film, visual culture, art history, celebrity and material culture to capture the complexities of Coppola’s engagement with fashion, culture and celebrity. The Cinema of Sofia Coppola is beautifully illustrated with color images from her films, as well as artworks and advertising artefacts.

Elizabeth Taylor: A Private Life for Public Consumption

Автор: Ellis Cashmore
Название: Elizabeth Taylor: A Private Life for Public Consumption
ISBN: 1628920696 ISBN-13(EAN): 9781628920697
Издательство: Bloomsbury Academic
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Цена: 19950.00 T
Наличие на складе: Есть
Описание: The first volume to examine the iconic Elizabeth Taylor in this light, Elizabeth Taylor: A Private Life for Public Consumption paints Taylor as the seminal representation of “celebrity.” A figure of enormous charisma and cultural sway, she intrigued a global audience with her marriages and extra-marital improprieties, as well as her extravagant jewelry, her never-ending illnesses, her dependency on alcohol, and her perplexing friendship with Michael Jackson. Despite her continued world-renown, however, most people would be hard-pressed to name even three of her films, though she made over seventy. Ellis Cashmore traces our modern, hyperactive celebrity culture back to a single instant in Taylor’s life: the publicizing of her scandalous affair with Richard Burton by photographer Marcelo Geppetti in 1962, which announced the arrival of a new generation of predatory photojournalists and, along with them, a strange conflation between the public and private lives of celebrities. Taylor’s life and public reception, Cashmore reveals, epitomizes the modern phenomenon of “celebrity.”

French cinema: a very short introduction

Автор: Andrew, Dudley (professor Of Film And Comparative Literature, Yale University)
Название: French cinema: a very short introduction
ISBN: 0198718616 ISBN-13(EAN): 9780198718611
Издательство: Oxford Academ
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Цена: 9490.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.

Reframing the European Other: Identity and Belonging in Contemporary French and German Cinema

Автор: Kamil Zapasnik
Название: Reframing the European Other: Identity and Belonging in Contemporary French and German Cinema
ISBN: 1800799268 ISBN-13(EAN): 9781800799264
Издательство: Peter Lang
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Цена: 63360.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

During the last three decades, Europe has undergone numerous periods of economic and political instability. The process of European integration, once hailed as a beacon of a peaceful co-operation between many, if not all, European nations appears to be stagnating, giving rise to notoriously more frequent manifestations of xenophobic violence, nationalism and right-wing fundamentalism. This book evaluates the portrayal of the migrant Other in selected examples of contemporary French and German cinema from the period 1989–2020 in the context of the ongoing debate about European identity and its socio-political significance. It focuses on the films of some of Europe’s most prolific contemporary filmmakers, such as Michael Haneke, Claire Denis and Fatih Akin. It examines cinema’s importance not only in reference to various theoretical evaluations of the concept of European identity, but also many notable events that have taken place in Europe in the last thirty years, such as the collapse of the ‘Iron Curtain’ in 1989, the historical expansion of the European Union in 2004, the migration ‘crisis’ of 2015, ‘Brexit’ and the war in Ukraine.


Cinema at the Shore: The Beach in French Film

Автор: Fiona Handyside
Название: Cinema at the Shore: The Beach in French Film
ISBN: 180374202X ISBN-13(EAN): 9781803742021
Издательство: Peter Lang
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Цена: 68640.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From Brigitte Bardot in her bikini at the Cannes Film Festival, to Fran?ois Ozon’s intimate portrayals of grief and loss, some of the most iconic and challenging moments in French cinema are associated with the beach. Cinema at the Shore argues that the Parisian cityscape is not the only significant definition of space in French cinema and instead explores the industrial, aesthetic and thematic relations of French cinema to the beach.
Examining a range of films from the 1950s to the present day – including popular comedies by Jacques Tati and Patrice Leconte, the lively and ruminative documentaries of Agn?s Varda, the classicism of Eric Rohmer, and the provocations of Catherine Breillat – this book showcases the dynamism and importance of the beach as a site for the reconfiguration of French cinematic identity itself. The beach offers a unique crystallization of our attitudes towards nature, culture, the body, space and time. In its constant mobility, its close, yet distinctive, relationship with nature, and its paradoxical centrality in the French cultural imaginary as a site of relaxation and holidays, the beachscape, re-framed and re-imaged by the camera, offers new ways of conceiving of the spatial politics of French cinema.

Dubbing, film and performance

Автор: Bosseaux, Charlotte
Название: Dubbing, film and performance
ISBN: 3034302355 ISBN-13(EAN): 9783034302357
Издательство: Peter Lang
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Цена: 73290.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Research on dubbing in audiovisual productions has been prolific in the past few decades, which has helped to expand our understanding of the history and impact of dubbing worldwide. Much of this work, however, has been concerned with the linguistic aspects of audiovisual productions, whereas studies emphasizing the importance of visual and acoustic dimensions are few and far between.
Against this background, Dubbing, Film and Performance attempts to fill a gap in Audiovisual Translation (AVT) research by investigating dubbing from the point of view of film and sound studies. The author argues that dubbing ought to be viewed and analysed holistically in terms of its visual, acoustic and linguistic composition. The ultimate goal is to raise further awareness of the changes dubbing brings about by showing its impact on characterization. To this end, a tripartite model has been devised to investigate how visual, aural and linguistic elements combine to construct characters and their performance in the original productions and how these are deconstructed and reconstructed in translation through dubbing. To test the model, the author analyses extracts of the US television series Buffy the Vampire Slayer and its French dubbed version.

Reflecting Remembrance: Contemporary French Cinema and the Second World War

Название: Reflecting Remembrance: Contemporary French Cinema and the Second World War
ISBN: 1526154064 ISBN-13(EAN): 9781526154064
Издательство: NBN International
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Цена: 174730.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Reframing remembrance is an investigation into French cinema`s representation of the Second World War. Focusing on films released between 1995 and 2015, it argues that Jacques Chirac`s 1995 Vel` d`Hiv speech heralded a generational shift in WWII commemoration in French cinematic storytelling. -- .

Contemporary french cinema

Автор: Singerman, Alan J. Bissiere, Michele
Название: Contemporary french cinema
ISBN: 1585108936 ISBN-13(EAN): 9781585108930
Издательство: Gazelle Book Services
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Цена: 65770.00 T
Наличие на складе: Невозможна поставка.
Описание: Like its French-language companion volume Le Cinema francais contemporain: Manuel de classe , Alan Singerman and Michele Bissieres Contemporary French Cinema: A Students Book offers a detailed look at recent French cinema through its analyses of twenty notable and representative French films that have appeared since 1980. Sure to delight Anglophone fans of French film, it can be used with equal success in English-language courses and, when paired with its companion volume, dual-language ones. Acclaim for Le Cinema francais contemporain: Manuel de classe "From Le Dernier Metro to Intouchables , Bissiere and Singerman cover the latest trends of French cinema, emphasizing context and analytical method as Singerman did in Apprentissage du cinema francais (Focus 2004). The authors offer a selection of films most French cinephiles will applaud, and they incorporate insights from some of the best critical work on French cinema. Students of French film will also find all the bibliographical pointers they need to dig deeper, and instructors will appreciate the pedagogical components included in the chapters." —Jonathan Walsh, Department of French Studies, Wheaton College , Massachusetts "This remarkable book comes to us from two seasoned teachers and critics and beautifully complements an earlier work, Alan Singermans Apprentissage du cinema francais . The time period covered, more targeted here than in the preceding text, is admirably well chosen, and the breakdown by broad category, each offering multiple options, guides the teacher while offering a choice among an abundance of interesting films. The preliminary chapters, both succinct and informative, give students an excellent overview of French cinema as a whole and of the technical knowledge needed for film analysis. Each of the subsequent chapters offers an indispensable introduction discussing the plot, director, production, actors, reception, and context of the film in question and also provides a very useful filmography and bibliography… an exemplary work." —Brigitte E. Humbert, Department of French and Francophone Studies, Middlebury College

Subtitling african american english into french

Автор: Mevel, Pierre-alexis
Название: Subtitling african american english into french
ISBN: 3034318979 ISBN-13(EAN): 9783034318976
Издательство: Peter Lang
Рейтинг:
Цена: 69190.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

In Spike Lee’s Do the Right Thing, African American character Mookie throws a rubbish bin through the window of the pizzeria he works for, which is owned by an Italian American family. Translators often find themselves in a position of moral ambiguity similar to that of Mookie: at the nexus between cultures, translators have to make clear statements through their choices, with sometimes dramatic consequences.

Drawing on the fields of translation studies, sociolinguistics and film studies, this book analyses the French subtitling of African American English in a corpus of films from the United States. After describing African American English and analysing how this variety is often portrayed in films, the book explores the implications of resorting to the use of non-standard forms in the French subtitles to portray linguistic variation, paying special attention to the consequences of juxtaposing two linguistic varieties on screen. This book goes beyond the mere case study and examines the relevance of the concepts of domestication and foreignization in the context of subtitling.


The French Screen Goddess: Film Stardom and the Modern Woman in 1930s France

Автор: Driskell Jonathan
Название: The French Screen Goddess: Film Stardom and the Modern Woman in 1930s France
ISBN: 1780767005 ISBN-13(EAN): 9781780767000
Издательство: Bloomsbury Academic
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Цена: 126720.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Long before Brigitte Bardot and Catherine Deneuve, the French cinema produced a host of glamorous female stars designed to rival their Hollywood counterparts. This book examines how these stars influenced the narratives and look of their films.

Historical Dictionary of French Cinema (Dayna Oscherwitz)

Название: Historical Dictionary of French Cinema (Dayna Oscherwitz)
ISBN: 0810854910 ISBN-13(EAN): 9780810854918
Издательство: NBN International
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Цена: 194310.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: It can be argued that cinema was created in France by Louis Lumi re in 1895 with the invention of the cin matographe, the first true motion-picture camera and projector. While there were other cameras and devices invented earlier that were capable of projecting intermittent motion of images, the cin matographe was the first device capable of recording and externally projecting images in such a way as to convey motion. Early films such as Lumi re's La Sortie de l'usine, a minute-long film of workers leaving the Lumi re factory, captured the imagination of the nation and quickly inspired the likes of Georges M li s, Alice Guy, and Charles Path . Through the years, French cinema has been responsible for producing some of the world's best directors-Jean Renoir, Jean-Luc Godard, Fran ois Truffaut, and Louis Malle-and actors-Charles Boyer, Catherine Deneuve, G rard Depardieu, and Audrey Tautou. The Historical Dictionary of French Cinema covers the history of French film from the silent era to the present in a concise and up to date volume detailing the development of French cinema and major theoretical and cultural issues related to it. This is done through a chronology, an introduction, photographs, a bibliography, and hundreds of cross-referenced dictionary entries on many of the major actors, directors, films, movements, producers, and studios associated with French cinema. Going beyond mere biographical information, entries also discuss the impact and significance of each individual, film, movement, or studio included. This detailed, scholarly analysis of the development of film in France is useful to both the novice and the expert alike.

Battle of the Sexes in French Cinema, 1930 1956

Автор: Burch Noel
Название: Battle of the Sexes in French Cinema, 1930 1956
ISBN: 0822355612 ISBN-13(EAN): 9780822355618
Издательство: Wiley EDC
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Цена: 27450.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

In The Battle of the Sexes in French Cinema, 1930–1956, Noël Burch and Geneviève Sellier adopt a sociocultural approach to films made in France before, during, and after World War II, paying particular attention to the Occupation years (1940–44). The authors contend that the films produced from the 1930s until 1956—when the state began to subsidize the movie industry, facilitating the emergence of an "auteur cinema"—are important, both as historical texts and as sources of entertainment.

Citing more than 300 films and providing many in-depth interpretations, Burch and Sellier argue that films made in France between 1930 and 1956 created a national imaginary that equated masculinity with French identity. They track the changing representations of masculinity, explaining how the strong patriarch who saved fallen or troubled women from themselves in prewar films gave way to the impotent, unworthy, or incapable father figure of the Occupation. After the Liberation, the patriarch reemerged as protector and provider alongside assertive women who figured as threats not only to themselves but to society as a whole.



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