Dhrupad: Tradition and Performance in Indian Music, Sanyal, Ritwik Widdess, Richard

Автор: McPherson Gary
Название: The Oxford Handbook of Music Performance, Volume 1
ISBN: 0190056282 ISBN-13(EAN): 9780190056285
Издательство: Oxford Academ
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Цена: 118800.00 T
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Описание: The two-volume Oxford Handbook of Music Performance provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interestor expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it importantfor the results of their research to be practically useful for musicians and music educators.

Автор: McPherson Gary
Название: The Oxford Handbook of Music Performance, Volume 2
ISBN: 0190058862 ISBN-13(EAN): 9780190058869
Издательство: Oxford Academ
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Цена: 118800.00 T
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Описание: The two-volume Oxford Handbook of Music Performance provides a resource that musicians, scholars and educators will use as the most important and authoritative overview of work within the areas of music psychology and performance science. The 80 experts from 13 countries who prepared the 53 chapters in this handbook are leaders in the fields of music psychology, performance science, musicology, psychology, education and music education. Chapters in theHandbook provide a broad coverage of the area with considerable expansion of the topics that are normally covered in a resource of this type.

Designed around eight distinct sections - Development and Learning, Proficiencies, Performance Practices, Psychology, Enhancements, Health & Wellbeing, Science, andInnovations - the range and scope of The Oxford Handbook of Music Performance is much wider than other publications through the inclusion of chapters from related disciplines such as performance science (e.g., optimizing performance, mental techniques, talent development in non-music areas), and education (e.g., human development, motivation, learning and teaching styles) as well as the attention given to emerging critical issues in the field (e.g., wellbeing, technology,gender, diversity, inclusion, identity, resilience and buoyancy, diseases, and physical and mental disabilities). Within each chapter, authors have selected what they consider to be the most important scientific and artistic material relevant to their topic. They begin their chapters by surveying theoretical views on eachtopic and then, in the final part of the chapter, highlight practical implications of the literature that performers will be able to apply within their daily musical lives.

Автор: Farraj, Johnny,
Название: Inside arabic music
ISBN: 0190658363 ISBN-13(EAN): 9780190658366
Издательство: Oxford Academ
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Цена: 41170.00 T
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Описание: What makes hundreds of listeners cheer ecstatically at the same instant during a live concert by Egyptian diva Umm Kulthum? What is the unspoken language behind a taqsim (traditional instrumental improvisation) that performers and listeners implicitly know? How can Arabic music be so rich and
diverse without resorting to harmony? Why is it so challenging to transcribe Arabic music from a recording? Inside Arabic Music answers these and many other questions from the perspective of two "insiders" to the practice of Arabic music, by documenting a performance culture and a know-how that is
largely passed on orally.

Arabic music has spread across the globe, influencing music from Greece all the way to India in the mid-20th century through radio and musical cinema, and global popular culture through Raqs Sharqi, known as "Bellydance" in the West. Yet despite its popularity and influence, Arabic music, and the
maqam scale system at its heart, remain widely misunderstood. Inside Arabic Music de-mystifies maqam with an approach that draws theory directly from practice, and presents theoretical insights that will be useful to practitioners, from the beginner to the expert - as well as those interested in the
related Persian, Central Asian, and Turkish makam traditions. Inside Arabic Music's discussion of maqam and improvisation widens general understanding of music as well, by bringing in ideas from Saussurean linguistics, network theory, and Lakoff and Johnson's theory of cognition as metaphor, with an
approach parallel to Gjerdingen's analysis of Galant-period music - offering a lens into the deeper relationships among music, culture, and human community.

Автор: Hellaby, Julian
Название: Musical Topics and Musical Performance
ISBN: 1032110856 ISBN-13(EAN): 9781032110851
Издательство: Taylor&Francis
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Цена: 127600.00 T
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Название: Twentieth- and Twenty-First-Century Song Cycles
ISBN: 0367220261 ISBN-13(EAN): 9780367220266
Издательство: Taylor&Francis
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Цена: 38780.00 T
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Описание: Twentieth- and Twenty-First-Century Song Cycles: Analytical Pathways Toward Performance presents analyses of fourteen song cycles composed after the turn of the twentieth century, offering "ways into" the musical and poetic structure of each cycle to performers, scholars, and students alike.

Автор: Susan Bennett
Название: Theory for Theatre Studies: Sound
ISBN: 1474246478 ISBN-13(EAN): 9781474246477
Издательство: Bloomsbury Academic
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Цена: 16890.00 T
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Описание:

Sound provides a lively and engaging overview of relevant critical theory for students and researchers in theatre and performance studies. Addressing sound across history and through progressive developments in relevant technologies, the volume opens up the study of theatrical production and live performance to understand conceptual and pragmatic concerns about the sonic. By way of developed case studies (including Aristophanes's The Frogs, Shakespeare's The Tempest, Cocteau's The Human Voice, and Rimini Protokoll's Situation Rooms), readers can explore new methodologies and approaches for their own work on sound as a performance component. In an engagement with the burgeoning interdisciplinary field of sound studies, this book samples exciting new thinking relevant to theatre and performance studies.

Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Sound provides a balance of essential background information and new scholarship, and is grounded in detailed examples that illuminate and equip readers for their own sonic explorations. Volumes follow a consistent three-part structure: a historical overview of how the term has been understood within the discipline; more recent developments illustrated by substantive case studies; and emergent trends and interdisciplinary connections. Volumes are supported by further online resources including chapter overviews, illustrative material and guiding questions.

Online resources to accompany this book are available at:
https: //bloomsbury.com/uk/theory-for-theatre-studies-sound-9781474246460/

Автор: Everist Mark
Название: Cambridge History of Medieval Music 2 Volume Hardback Set
ISBN: 0521513480 ISBN-13(EAN): 9780521513487
Издательство: Cambridge Academ
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Цена: 230210.00 T
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Описание: The only authoritative exploration of music in Western Europe during the medieval period for over a quarter-century, this volume is essential for students of the early history of music. Leading names investigate key figures and genres within their social, cultural and geographical contexts and trace the interactions between them.

Автор: De Lacey, Alex
Название: Level up: live performance and creative process in grime music
ISBN: 1032282185 ISBN-13(EAN): 9781032282183
Издательство: Taylor&Francis
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Цена: 122490.00 T
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Автор: Williamon, Aaron (professor Of Performance Science, Professor Of Performance Science, Royal College Of Music) Ginsborg, Jane (associate Director Of Re
Название: Performing music research
ISBN: 0198714548 ISBN-13(EAN): 9780198714545
Издательство: Oxford Academ
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Цена: 46980.00 T
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Описание: Performing Music Research is a comprehensive guide to planning, conducting, analyzing, and communicating research in music performance. The book examines the approaches and strategies that underpin research in music education, psychology, and performance science.

Автор: Beech
Название: Organising Music
ISBN: 1107421675 ISBN-13(EAN): 9781107421677
Издательство: Cambridge Academ
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Цена: 40130.00 T
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Описание: Dispelling the myth that the logic of creativity and business are opposed, this book sets up a unique dialogue between leading organisational theorists and music professionals to explore new ways to enhance performance. Balancing theory with a range of tales from the field, this innovative book will have wide appeal.

Автор: Gardner Matthew
Название: Music and the Benefit Performance in Eighteenth-Century Brit
ISBN: 1108492932 ISBN-13(EAN): 9781108492935
Издательство: Cambridge Academ
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Цена: 99270.00 T
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Описание: Explores the history of the benefit performance in eighteenth-century Britain, revealing how benefits helped musicians establish themselves within the commercial structures of Britain`s urban centres. This book is for anyone interested in British musical history, particularly its performers, audiences, and institutions.

Автор: Diane V. Silverthorne
Название: Music, Art and Performance from Liszt to Riot Grrrl: The Musicalization of Art
ISBN: 1501330136 ISBN-13(EAN): 9781501330131
Издательство: Bloomsbury Academic
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Цена: 137280.00 T
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Описание: Opening with an account of print portraiture facilitating Franz Liszt's celebrity status and concluding with Riot Grrrl's noisy politics of feminism and performance, this interdisciplinary anthology charts the relationship between music and the visual arts from late Romanticism and the birth of modernism to 'postmodernism', while crossing from Western art to the Middle East. Focused on music as a central experience of art and life, these essays scrutinize ‘the musicalisation of art’ focusing on the visual and performing arts and detailing significant instances of intra-art relations between c. 1840 and the present day. Essays reflect on the aesthetic relationships of music to painting, performance and installation, sound-and- silence, time-and-space. The insistent influence of Wagner is considered as well as the work and ideas of Manet, Satie and Cage, Thomas Wilfred, La Monte Young and Eliasson. What distinguishes these studies are the convictions that music is never alone and that a full understanding of the “isms” of the last two hundred years is best achieved when music’s influential presence in the visual arts is acknowledged and interrogated.