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The Oxford Handbook of Music Performance, Volume 2, McPherson Gary


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Автор: McPherson Gary   (Гэри МакФерсон)
Название:  The Oxford Handbook of Music Performance, Volume 2
Перевод названия: Гэри МакФерсон: Оксфордский справочник по музыкальному исполнению, том 2
ISBN: 9780190058869
Издательство: Oxford Academ
Классификация:


ISBN-10: 0190058862
Обложка/Формат: Hardcover
Страницы: 648
Вес: 1.27 кг.
Дата издания: 03.02.2022
Серия: Oxford handbooks series
Язык: English
Размер: 25.55 x 18.08 x 4.17 cm
Читательская аудитория: General (us: trade)
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: The two-volume Oxford Handbook of Music Performance provides a resource that musicians, scholars and educators will use as the most important and authoritative overview of work within the areas of music psychology and performance science. The 80 experts from 13 countries who prepared the 53 chapters in this handbook are leaders in the fields of music psychology, performance science, musicology, psychology, education and music education. Chapters in theHandbook provide a broad coverage of the area with considerable expansion of the topics that are normally covered in a resource of this type.

Designed around eight distinct sections - Development and Learning, Proficiencies, Performance Practices, Psychology, Enhancements, Health & Wellbeing, Science, andInnovations - the range and scope of The Oxford Handbook of Music Performance is much wider than other publications through the inclusion of chapters from related disciplines such as performance science (e.g., optimizing performance, mental techniques, talent development in non-music areas), and education (e.g., human development, motivation, learning and teaching styles) as well as the attention given to emerging critical issues in the field (e.g., wellbeing, technology,gender, diversity, inclusion, identity, resilience and buoyancy, diseases, and physical and mental disabilities). Within each chapter, authors have selected what they consider to be the most important scientific and artistic material relevant to their topic. They begin their chapters by surveying theoretical views on eachtopic and then, in the final part of the chapter, highlight practical implications of the literature that performers will be able to apply within their daily musical lives.



The Guitar in Tudor England

Автор: Page
Название: The Guitar in Tudor England
ISBN: 1107108365 ISBN-13(EAN): 9781107108363
Издательство: Cambridge Academ
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Цена: 95040.00 T
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Описание: The guitar was played everywhere in the age of Elizabeth I and Shakespeare, from the royal court to the tavern. This groundbreaking book uses new literary and archival material, together with depictions in contemporary art, to explore the social and musical world of the instrument among courtiers, gentlemen and apprentices.

Perspectives on the Performance of French Piano Music

Автор: Mccarrey Scott
Название: Perspectives on the Performance of French Piano Music
ISBN: 1409400646 ISBN-13(EAN): 9781409400646
Издательство: Taylor&Francis
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Цена: 153120.00 T
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Описание: These essays offer a range of approaches central to the performance of French piano music of the nineteenth and twentieth centuries. The contributors include scholars and performers who see performance as a practice enriched by a wealth of historical and analytical approaches.

Schubert`s Late Music

Автор: Byrne Bodley
Название: Schubert`s Late Music
ISBN: 1107111293 ISBN-13(EAN): 9781107111295
Издательство: Cambridge Academ
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Цена: 126720.00 T
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Описание: This overview of current issues in Schubert studies captures the interdisciplinary diversity of contemporary scholarship on the composer`s late works. Contributions offer a revised exploration of Schubert`s compositional style including a close examination of the topical issue of `late` style.

Rock Music in Performance

Автор: Pattie
Название: Rock Music in Performance
ISBN: 1403947465 ISBN-13(EAN): 9781403947468
Издательство: Springer
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Цена: 93160.00 T
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Описание: In this new study, David Pattie examines the apparent contradiction between authenticity and theatricality in the live performance of rock music, and looks at the way in which various performers have dealt with this paradox from rock music`s early development in the 1960s up to the present day.

New Music at Darmstadt

Автор: Iddon
Название: New Music at Darmstadt
ISBN: 1107480019 ISBN-13(EAN): 9781107480018
Издательство: Cambridge Academ
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Цена: 33790.00 T
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Описание: The Darmstadt New Music Courses were the most significant institutional bastion of new music in post-war Europe. Yet until now there has been no full-length coverage of them in English. This volume shows the rise and fall of the `Darmstadt School`, through a wealth of primary sources and analytical commentary.

Studies in the Performance of Late Medieval Music

Автор: Boorman
Название: Studies in the Performance of Late Medieval Music
ISBN: 0521088313 ISBN-13(EAN): 9780521088312
Издательство: Cambridge Academ
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Цена: 42230.00 T
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Описание: This volume presents a series of important essays by American and European scholars on some of the problems involved in attempting to perform music of the late Middle Ages. The essays are based on papers read at a conference held at the New York University Center for Early Music in 1981.

Developing expression in brass performance and teaching

Автор: Jones, Gregory R.
Название: Developing expression in brass performance and teaching
ISBN: 1138929018 ISBN-13(EAN): 9781138929012
Издательство: Taylor&Francis
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Цена: 50010.00 T
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Описание:

Developing Expression in Brass Performance and Teaching helps university music teachers, high school band directors, private teachers, and students develop a vibrant and flexible approach to brass teaching and performance that keeps musical expression central to the learning process. Strategies for teaching both group and applied lessons will help instructors develop more expressive use of articulation, flexibility in sound production, and how to play with better intonation.

The author shares strategies from today's best brass instrument performers and teachers for developing creativity and making musical expression central to practicing and performing. These concepts presented are taken from over thirty years of experience with musicians like Wynton Marsalis, Barbara Butler, Charles Geyer, Donald Hunsberger, Leonard Candelaria, John Haynie, Bryan Goff, members of the Chicago Symphony and New York Philharmonic and from leading music schools such as the Eastman School of Music, The University of North Texas and The Florida State University.?

The combination of philosophy, pedagogy, and common sense methods for learning will ignite both musicians and budding musicians to inspired teaching and playing.


Mozart`s music of friends

Автор: Klorman, Edward
Название: Mozart`s music of friends
ISBN: 1107474663 ISBN-13(EAN): 9781107474666
Издательство: Cambridge Academ
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Цена: 40130.00 T
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Описание: Using the metaphor of artful conversation, this study examines chamber music in Mozart`s period as a sociable activity undertaken among friends. Edward Klorman draws on a wide variety of documentary and iconographic sources to analyze selected musical extracts in terms of social interplay.

Perspectives on the performance of french piano music

Автор: Wright, Lesley A.
Название: Perspectives on the performance of french piano music
ISBN: 1138269697 ISBN-13(EAN): 9781138269699
Издательство: Taylor&Francis
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Цена: 50010.00 T
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Описание: Perspectives on the Performance of French Piano Music offers a range of approaches central to the performance of French piano music of the nineteenth and twentieth centuries. The contributors include scholars and active performers who see performance not as an independent activity but as a practice enriched by a wealth of historical and analytical approaches. To underline the usefulness of contextual understanding for performance, each author highlights the choices performers must confront with examples drawn from particular repertoires and composers. Topics explored include editorial practice, the use of early recordings, emergent disciplines such as analysis-and-performance, and traditions passed down from teacher to student. Themes that emerge demonstrate the importance of editions as a form of communication, the challenges of notation, the significance of detail and of deeper continuity, the importance of performing and teaching traditions, and the influence of cross disciplinary frameworks. A link to a set of performed examples on the frenchpianomusic.com website allows readers to hear and compare performances and interpretations of the music discussed. The volume will appeal to musicologists and analysts interested in performance, performers, students, and piano teachers.

Guitar in Tudor England

Автор: Page Christopher
Название: Guitar in Tudor England
ISBN: 1107519373 ISBN-13(EAN): 9781107519374
Издательство: Cambridge Academ
Рейтинг:
Цена: 33790.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The guitar was played everywhere in the age of Elizabeth I and Shakespeare, from the royal court to the tavern. This groundbreaking book uses new literary and archival material, together with depictions in contemporary art, to explore the social and musical world of the instrument among courtiers, gentlemen and apprentices.

Style and Performance for Bowed String Instruments in French Baroque Music

Автор: Cyr
Название: Style and Performance for Bowed String Instruments in French Baroque Music
ISBN: 1138248371 ISBN-13(EAN): 9781138248373
Издательство: Taylor&Francis
Рейтинг:
Цена: 54090.00 T
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Описание: Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period from 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France.

Performance style of jascha heifetz

Автор: Sarlo, Dario
Название: Performance style of jascha heifetz
ISBN: 147244423X ISBN-13(EAN): 9781472444233
Издательство: Taylor&Francis
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Цена: 163330.00 T
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Описание: The violinist Jascha Heifetz (1901-1987) is considered among the most influential performers in history and still maintains a strong following among violinists around the world. Dario Sarlo contributes significantly to the growing field of analytical research into recordings and the history of performance style. Focussing on Heifetz and his under-acknowledged but extensive performing relationship with the Bach solo violin works (BWV 1001-1006), Sarlo examines one of the most successful performing musicians of the twentieth century along with some of the most frequently performed works of the violin literature. The book proposes a comprehensive method for analysing and interpreting the legacies of prominent historical performers in the wider context of their particular performance traditions. The study outlines this research framework and addresses how it can be transferred to related studies of other performers. By building up a comprehensive understanding of multiple individual performance styles, it will become possible to gain deeper insight into how performance style develops over time. The investigation is based upon eighteen months of archival research in the Library of Congress’s extensive Jascha Heifetz Collection. It draws on numerous methods to examine what and how Heifetz played, why he played that way, and how that way of playing compares to other performers. The book offers much insight into the ’music industry’ between 1915 and 1975, including touring, programming, audiences, popular and professional reception and recording. The study concludes with a discussion of Heifetz’s unique performer profile in the context of violin performance history.


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