Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics, Mara-Johanna Kolmel, Sarah Hegenbart
Автор: Will Atkin Название: Surrealist Sorcery: Objects, Theories, and Practices of Magic in the Surrealist Movement ISBN: 135022748X ISBN-13(EAN): 9781350227484 Издательство: Bloomsbury Academic Рейтинг: Цена: 84480.00 T Наличие на складе: Поставка под заказ. Описание: Often regarded as an artistic movement of interwar Paris, Surrealism comprised an international community of artists, writers, and intellectuals who have aspired to change the conditions of life itself over the course of the past century. Consisting of a wide range of dedicated case studies from the 1920s to the 1970s, this book highlights the international dimensions of the Surrealist Movement, and the radical chains of thought that linked its followers across the globe: from France to Romania, and from Canada to the former Czechoslovakia. From very early on, the surrealists approached magic as a means of bypassing, discrediting, and combatting rationalism, capitalism, and other institutionalized systems and values that they saw to be constraining influences upon modern life. Surrealist Sorcery maps out how this interest in magic developed into a major area of surrealist research that led not only to theoretical but also practical explorations of the subject. Taking an international perspective, Atkin surveys this important quality of the movement and how it's remained an important element in the surrealist project and its ongoing legacy.
Автор: Parkinson, Dr Gavin (senior Lecturer In European Modernism, Courtauld Institute Of Art, Uk) Название: Enchanted ground ISBN: 1501375644 ISBN-13(EAN): 9781501375644 Издательство: Bloomsbury Academic Рейтинг: Цена: 28500.00 T Наличие на складе: Невозможна поставка. Описание: Enchanted Ground is about the challenge to modernist criticism by Surrealist writers—mainly Andre Breton but also Louis Aragon, Pierre Mabille, Rene Magritte, Charles Estienne, Rene Huyghe and others—who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism—Paul Cezanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh—became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.
Автор: Kim Socha Название: Women, Destruction, and the Avant-Garde: A Paradigm for Animal Liberation ISBN: 9042034238 ISBN-13(EAN): 9789042034235 Издательство: Brill Цена: 95630.00 T Наличие на складе: Невозможна поставка. Описание: This interdisciplinary study fuses analysis of feminist literature and manifestos, radical political theory, critical vanguard studies, women’s performance art, and popular culture to argue for the animal liberation movement as successor to the liberationist visions of the early twentieth-century avant-gardes, most especially the Surrealists. These vanguard groups are judiciously critiqued for their refusal to confront their own misogyny, a quandary that continues to plague animal activists, thereby disallowing for cohesion and full recognition of women’s value within a culturally marginalized cause.This volume is of interest to anyone who is concerned about the continued—indeed, escalating—violence against nonhumans. More broadly, it will interest those seeking new pathways to challenge the dominant power constructions through which oppression of humans, nonhumans, and the environment thrives. Women, Destruction, and the Avant-Garde ultimately poses the animal liberation movement as having serious political and cultural implications for radical social change, destruction of hierarchy and for a world without shackles and cages, much as the Surrealists envisioned.
Автор: Colette Leinman Название: Les catalogues d`expositions surrealistes a Paris entre 1924 et 1939 ISBN: 9042039175 ISBN-13(EAN): 9789042039179 Издательство: Brill Цена: 98290.00 T Наличие на складе: Невозможна поставка. Описание: Cet ouvrage apporte un eclairage nouveau a l’histoire litteraire et artistique du surrealisme par un biais inedit : l’etude du catalogue d’expositions surrealistes (CES). Se penchant sur un genre interdisciplinaire jusque-la peu etudie, le catalogue d’exposition, il en retrace les fonctions definies par l’institution Royale du XVIIe siecle et son developpement pour montrer comment les surrealistes subvertissent les formes traditionnelles liees a la description, l’explication et l’evaluation des ?uvres exposees.Apres avoir recense les catalogues surrealistes et decrit leur facture, le livre entreprend une analyse du discours singulier qui s’y deploie. Au-dela des differences individuelles, apparait une logique scripturale commune. Les CES contribuent a l’elaboration de l’identite et de l’image collective du groupe d’avant-garde. Caracterise par des discours de violence dont la dimension manifestaire produit un double mouvement de polarisation et d’exclusion, le CES gere l’heterogeneite de l’ensemble de ses membres et disqualifie ses detracteurs.Contre toute attente, les textes, au premier abord opaques et purement ludiques, s’emploient a presenter un metadiscours sur l’art dont le dispositif critique presente une rhetorique d’invention, de creativite qui n’englobe pas la dipositio rhetorique d’un raisonnement. S’attaquant tout particulierement a la doxa, le CES, microcosme des ecrits sur l’art, vehicule differentes strategies discursives qui ciblent un public diversifie.« S’emparant d’un objet et d’un questionnement qui retiennent de plus en plus les historiens de l’art et les specialistes des ecrits sur l’art, Colette Leinman nous livre la premiere synthese sur le catalogue d’exposition surrealiste. » - Bernard Vouilloux
Автор: Jo Evans, Breixo Viejo Название: Luis Bunuel: A Life in Letters ISBN: 1501312588 ISBN-13(EAN): 9781501312588 Издательство: Bloomsbury Academic Рейтинг: Цена: 35890.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Luis Bunuel: A Life in Letters provides access for the first time to an annotated English-language version of around 750 of the most important and most widely relevant of these letters. Bunuel (1900-1983) came to international attention with his first films, Un Chien Andalou (with Dali, 1929) and L’Age d’Or (1930): two surprisingly avant-garde productions that established his position as the undisputed master of Surrealist filmmaking. He went on to make 30 full-length features in France, the US and Mexico, and consolidated his international reputation with a Palme d’Or for Viridiana in 1961, and an Academy Award in 1973 for The Discreet Charm of the Bourgeoisie . He corresponded with some of the most famous writers, directors, actors and artists of his generation and the list of these correspondents reads like a roll call of major twentieth-century cultural icons: Fellini, Truffaut, Vigo, Aragon, Dali, Unik - and yet none of this material has been accessible outside specialist archives and a very small number of publications in Spanish and French.
Автор: Emily Hage Название: Dada Magazines: The Making of a Movement ISBN: 1501342665 ISBN-13(EAN): 9781501342660 Издательство: Bloomsbury Academic Рейтинг: Цена: 89760.00 T Наличие на складе: Поставка под заказ. Описание: Dada magazines made Dada what it was: diverse, non-hierarchical, transnational, and defiant of the most fundamental artistic conventions. This book, the first of its kind to critically examine the place of Dada periodicals within the art movement, redefines the story of Dada by demonstrating the centrality of these graphically inventive, provocative periodicals: Dada, New York Dada, Dada Jok, and dozens more that began crossing enemy lines during World War I.
Including magazines from the well-known Dada cities of New York and Paris, as well as the lesser-known cities of Zagreb and Bucharest, the book reveals that Dada continued to inspire art journals well into the 1920s. Anchored in close material analysis within a historical and theoretical framework, Dada Magazines models a novel, multifaceted methodology for assessing many kinds of periodicals. The book traces how the Dadaists—Marcel Duchamp, Tristan Tzara, Dragan Aleksic, Hannah Hoch, and many others—compiled, printed, distributed, and exchanged these publications. At the same time, it recognizes the journals as active agents that engendered the Dada network, and its thematic, chronological structure captures the constant exchanges that took place in this network. With in-depth scrutiny of these magazines—and 1970s “Dadazines” inspired by them—Dada Magazines is a vital source in the histories of art and design, periodical studies, and modernist studies.
Автор: Carlaftes Peter, Georges Kat Название: Maintenant 15: A Journal of Contemporary Dada Writing and Art ISBN: 1953103065 ISBN-13(EAN): 9781953103062 Издательство: Неизвестно Рейтинг: Цена: 22990.00 T Наличие на складе: Нет в наличии. Описание: A collection art and writing by more than 250 contemporary dada creators from 33 countries examining the theme "Humanity: The Reboot."
The first biography in English of Tristan Tzara, a founder of Dada and one of the most important figures in the European avant-garde.
Tristan Tzara, one of the most important figures in the twentieth century's most famous avant-garde movements, was born Samuel Rosenstock (or Samueli Rosenștok) in a provincial Romanian town, on April 16 (or 17, or 14, or 28) in 1896. Tzara became Tzara twenty years later at the Cabaret Voltaire in Zurich, when he and others (including Marcel Janco, Hugo Ball, Richard Huelsenbeck, and Hans Arp) invented Dada with a series of chaotic performances including multilingual (and nonlingual) shouting, music, drumming, and calisthenics. Within a few years, Dada (largely driven by Tzara) became an international artistic movement, a rallying point for young artists in Paris, New York, Barcelona, Berlin, and Buenos Aires. With TaTa Dada, Marius Hentea offers the first English-language biography of this influential artist.
As the leader of Dada, Tzara created "the moment art changed forever." But, Hentea shows, Tzara and Dada were not coterminous. Tzara went on to publish more than fifty books; he wrote one of the great poems of surrealism; he became a recognized expert on primitive art; he was an active antifascist, a communist, and (after the Soviet repression of the Hungarian Revolution) a former communist. Hentea offers a detailed exploration of Tzara's early life in Romania, neglected by other scholars; a scrupulous assessment of the Dada years; and an original examination of Tzara's life and works after Dada. The one thing that remained constant through all of Tzara's artistic and political metamorphoses, Hentea tells us, was a desire to unlock the secrets and mysteries of language.
Название: Dada and Beyond, Volume 2: Dada and its Legacies ISBN: 9042035897 ISBN-13(EAN): 9789042035898 Издательство: Brill Рейтинг: Цена: 107590.00 T Наличие на складе: Невозможна поставка. Описание: International, iconoclastic, inventive, born out of the institutionalised madness of the First World War, Dada erupted in cities throughout Europe and the USA, creating shock waves that offended polite society and destabilised the cultural and political status quo. In spite of its sporadic and ephemeral character, its rich and diverse legacy is still powerfully felt nearly a century later. Following on from Dada and Beyond Volume 1: Dada Discourses, the sixteen essays in this collection provide critical examinations of Dada, placing particular emphasis on the ongoing impact of its creative output. The chapters examine its pivotal figures as well as its more peripheral protagonists, their different geographic locations, and the extraordinary diversity of their practices that included poetry, painting, printmaking, dance, performance, theatre, textiles, readymades, photomontage and cinema.As the book’s authors reveal, Dada not only anticipates Surrealism but also foreshadows an extraordinary array of more recent tendencies including action painting, conceptual art, outsider art, performance art, environmental and land art. In its privileging of chance and automatism, its rejection of formal artistic institutions, its subversive exploitation of mass media and its constant self-reconstitution and self-redefinition, Dada deserves to be seen as a cultural phenomenon that is still powerfully relevant in the twenty-first century.
Автор: Plumer, Esra Название: Unica zurn ISBN: 1784530360 ISBN-13(EAN): 9781784530365 Издательство: Bloomsbury Academic Рейтинг: Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Diagnosed with schizophrenia in the 1950s, German writer and artist Unica Zurn produced a wealth of remarkable textual and visual material within psychiatric institutions across Germany and France. While Zurn is often discussed in relation to her partner, the controversial artist Hans Bellmer, this innovative book moves beyond the familiar model of the overlooked 'significant other' and re-introduces her as a member of the French Surrealist group. This is the first monograph on the life and work of the Unica Zurn in English. Esra Plumer presents Zurn's life and work in light of the artist's individual experiences with WWII, Post-war Surrealism and mental illness, at the same time revealing wider aspects of her artistic practice in relation to her contemporaries. She also reveals how the techniques of anagrams and automatism (writing and drawing methods designed to unlock the subconscious mind) form the pillars of Zurn's artistic creative output, which carry her work into the wider theoretical circles of psychoanalytic theory and post-structuralist thought.
Автор: Maria Stavrinaki Название: Dada Presentism: An Essay on Art and History ISBN: 0804794243 ISBN-13(EAN): 9780804794244 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 75240.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Dada is often celebrated for its strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki provides a new picture of Dada art and writings as a lucid reflection on history and the role of art within it. The original (Berlin-based) Dadaists' acute historical consciousness and their modern experience of time, she contends, anticipated the formulations of major historians such as Reinhart Koselleck and, more recently, Fran?ois Hartog. The book explores Dada temporalities and concepts of history in works of art, artistic discourse, and in the photographs of the Berlin Dada movement. These photographs—including the famous one of the First International Dada Fair—are presented not as simple, transparent documents, but as formal deployments conforming to a very concrete theory of history. This approach allows Stavrinaki to link Dada to more contemporary artistic movements and practices interested in history and the archive. At the same time, she investigates what seems to be a real oxymoron of the movement: its simultaneous claim to the ephemeral and its compulsive writing of its own history. In this way, Dada Presentism also interrogates the limits between history and fiction.
Автор: Parkinson, Gavin (senior Lecturer In European Modernism, Courtauld Institute Of Art, Uk) Название: Enchanted ground ISBN: 1501337254 ISBN-13(EAN): 9781501337253 Издательство: Bloomsbury Academic Рейтинг: Цена: 137280.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Enchanted Ground is about the challenge to modernist criticism by Surrealist writers – mainly Andre Breton but also Louis Aragon, Pierre Mabille, Rene Magritte, Charles Estienne, Rene Huyghe and others – who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism – Paul Cezanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh – became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.
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