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Dada Magazines: The Making of a Movement, Emily Hage


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Автор: Emily Hage
Название:  Dada Magazines: The Making of a Movement
ISBN: 9781501342660
Издательство: Bloomsbury Academic
Классификация:



ISBN-10: 1501342665
Обложка/Формат: Hardback
Страницы: 256
Вес: 0.72 кг.
Дата издания: 28.01.2021
Серия: Arts
Язык: English
Иллюстрации: 10 colour and 58 bw illus
Размер: 229 x 152 x 18
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Art & design styles: Postmodernism,Art & design styles: Surrealism & Dada,Theory of art, ART / Collections, Catalogs, Exhibitions / General,ART / Criticism & Theory,ART / History / Contemporary (1945-)
Подзаголовок: The making of a movement
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Поставляется из: Англии
Описание: Dada magazines made Dada what it was: diverse, non-hierarchical, transnational, and defiant of the most fundamental artistic conventions. This book, the first of its kind to critically examine the place of Dada periodicals within the art movement, redefines the story of Dada by demonstrating the centrality of these graphically inventive, provocative periodicals: Dada, New York Dada, Dada Jok, and dozens more that began crossing enemy lines during World War I. Including magazines from the well-known Dada cities of New York and Paris, as well as the lesser-known cities of Zagreb and Bucharest, the book reveals that Dada continued to inspire art journals well into the 1920s. Anchored in close material analysis within a historical and theoretical framework, Dada Magazines models a novel, multifaceted methodology for assessing many kinds of periodicals. The book traces how the Dadaists—Marcel Duchamp, Tristan Tzara, Dragan Aleksic, Hannah Hoch, and many others—compiled, printed, distributed, and exchanged these publications. At the same time, it recognizes the journals as active agents that engendered the Dada network, and its thematic, chronological structure captures the constant exchanges that took place in this network. With in-depth scrutiny of these magazines—and 1970s “Dadazines” inspired by them—Dada Magazines is a vital source in the histories of art and design, periodical studies, and modernist studies.

Dada and Surrealism

Автор: Hopkins
Название: Dada and Surrealism
ISBN: 0192802542 ISBN-13(EAN): 9780192802545
Издательство: Oxford Academ
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Цена: 3600.00 T
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Описание: Explores the range of media employed by both Dada and Surrealism, whilst at the same time establishing the aesthetic differences between the movements. This book also examines the Dadaist obsession with the body-as-mechanism in relation to the Surrealists` return to the fetishized/eroticized body.

Pablo Picasso: The Interaction between Collectors, Dealers and Exhibitions

Автор: Enrique Mallen
Название: Pablo Picasso: The Interaction between Collectors, Dealers and Exhibitions
ISBN: 1845199863 ISBN-13(EAN): 9781845199869
Издательство: Wiley
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Цена: 40050.00 T
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Описание: This book explores the interaction between collectors, dealers and exhibitions in Pablo Picasso's entire career. The former two often played a determining role in which artworks were included in expositions, as well as their availability and value in the art market. The term collector/dealer must often be used in combination since the distinction between both is often unclear; Heinz Berggruen, for instance, identified himself primarily as a collector, although he also sold quite a few Picassos through his Paris gallery. While some dealers were above all professional gallery owners; most were mainly collectors who sporadically sold items from their collection. The book is organized chronologically and discusses the interaction between Picasso's collectors, dealers and exhibitions as they take place. Once collectors acquired an artwork, their willingness to lend them to exhibitions or their necessity to submit them to auction had a direct impact on Picasso's prominence in the art world.

Modernist Magazines and the Social Ideal

Автор: Tim Satterthwaite
Название: Modernist Magazines and the Social Ideal
ISBN: 150134160X ISBN-13(EAN): 9781501341601
Издательство: Bloomsbury Academic
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Цена: 126720.00 T
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Описание: The new photo-illustrated magazines of the 1920s traded in images of an ideal modernity, promising motorised leisure, scientific progress, and social and sexual emancipation. This is a pioneering history of these periodicals, focusing on two of the leading European titles: the German monthly UHU, and the French news journal VU.This book is the first major study of UHU, and the first scholarly work on VU in English. It explores, in particular, the striking use of regularity and repetition in photographs of modernity, reading these repetitious images as symbolic of modernist ideals of social order in the aftermath of the First World War. The book’s novel methodology, called pattern theory, represents a cautious, empirical attempt to apply the science of perceptual organisation to critical practice. Modernist Magazines and the Social Ideal provides synoptic accounts of interwar magazine culture, followed by detailed case studies of UHU and VU, as representative of the broad class of popular titles launched in the 1920s. Comparisons and contrasts with rival publications are woven into the book’s thematic chapters, which describe the evolution of the two magazines’ photography in the tumultuous years up to 1933. A final chapter considers the visual culture of popular magazines in the era of Nazism and the Popular Front.

A Companion to Dada and Surrealism

Автор: David Hopkins
Название: A Companion to Dada and Surrealism
ISBN: 1118476182 ISBN-13(EAN): 9781118476185
Издательство: Wiley
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Цена: 178410.00 T
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Описание: This excellent overview of new research on Dada and Surrealism blends expert synthesis of the latest scholarship with completely new research, offering historical coverage as well as in-depth discussion of thematic areas ranging from criminality to gender.

Avant-Garde Art in Ukraine, 1910a 1930: Contested Memory

Название: Avant-Garde Art in Ukraine, 1910a 1930: Contested Memory
ISBN: 1618119753 ISBN-13(EAN): 9781618119759
Издательство: Mare Nostrum (Eurospan)
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Цена: 88710.00 T
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Описание: Many of the greatest avant-garde artists of the early twentieth century were Ukrainians. This book traces the avant-garde development from its pre-war years in Paris to the late 1920s in Kyiv. It includes chapters on the political dilemmas faced by this generation, the contribution of Jewish artists, and the work of several emblematic figures.

Neue Sachlichkeit and Avant-Garde

Название: Neue Sachlichkeit and Avant-Garde
ISBN: 9042036400 ISBN-13(EAN): 9789042036406
Издательство: Brill
Цена: 143450.00 T
Наличие на складе: Невозможна поставка.
Описание: One of the aims of the book is to shed more light on the notion Neue Sachlichkeit in its appearance in a variety of fields as painting, architecture, music, photography and literature, in order to get a clearer idea of its scope. Several contributions will do so by analysing the heterogeneity in the use of the term concerning its function in the fight for recognition in the art-fields around 1930 - in other words, Neue Sachlichkeit will be analysed as a positioning strategy. Especially its participation in the broader discourse on modernity, as well as its international and intermedial dimension will be highlighted, often using the historical avant-garde as point of reference. From this perspective, the present volume wants to be read as a plea for a differentiated description of the many shared aspects and some differences between the avant-garde and Neue Sachlichkeit.

Pablo Picasso and Dora Maar: A Period of Conflict (19361946)

Автор: Enrique Mallen
Название: Pablo Picasso and Dora Maar: A Period of Conflict (19361946)
ISBN: 1789760968 ISBN-13(EAN): 9781789760965
Издательство: Gazelle Book Services
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Цена: 121550.00 T
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Описание: Although Pablo Picasso spotted Dora Maar at a cafe in January 1936 it is highly likely that she had come to his attention prior. As Brassai, a Hungarian-French photographer, recalled, It was at Les Deux-Magots that, one day in autumn 1935, [he] met Dora On an earlier day, he had already noticed the grave, drawn face of the young woman at a nearby table, the attentive look in her light-colored eyes, sometimes disturbing in its fixity. When Picasso saw her in the same cafe in the company of the surrealist poet Paul Eluard, who knew her, the poet introduced her to Picasso (Brassai, a.k.a. Gyula Halasz, Conversations with Picasso [University of Chicago Press, 1999]). Tinged with a seductive mix of violence and dark eroticism, this first meeting has attained mythical status in the story of the artists life. It reads like an unreal fantasy. A mysterious and feline beauty, which Man Ray had captured in the pictures he took of her, a companion of Georges Bataille, Dora was an accomplished photographer, close to the Surrealists revolutionary aesthetics. Picasso addressed her in French, which he assumed to be her language; she replied in Spanish, which she knew to be his. For the next decade, the painter would translate not just his fascination with the woman who had seduced him on the spot, but also his desire to escape the grip of someone who, for the first time, could intellectually aspire to be his equal. Dora would appear in his works as a female Minotaur, a Sphinx, a lunar goddess and a muse. Because of her intense artistic sensibility, her poetic gifts and her ability to participate in suffering, she was especially qualified to resonate Picassos own inner torments during these troubled years.

Enchanted ground

Автор: Parkinson, Dr Gavin (senior Lecturer In European Modernism, Courtauld Institute Of Art, Uk)
Название: Enchanted ground
ISBN: 1501375644 ISBN-13(EAN): 9781501375644
Издательство: Bloomsbury Academic
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Цена: 28500.00 T
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Описание: Enchanted Ground is about the challenge to modernist criticism by Surrealist writers—mainly Andre Breton but also Louis Aragon, Pierre Mabille, Rene Magritte, Charles Estienne, Rene Huyghe and others—who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism—Paul Cezanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh—became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.

Dada Presentism: An Essay on Art and History

Автор: Maria Stavrinaki
Название: Dada Presentism: An Essay on Art and History
ISBN: 0804794243 ISBN-13(EAN): 9780804794244
Издательство: Mare Nostrum (Eurospan)
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Цена: 75240.00 T
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Описание:

Dada is often celebrated for its strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki provides a new picture of Dada art and writings as a lucid reflection on history and the role of art within it. The original (Berlin-based) Dadaists' acute historical consciousness and their modern experience of time, she contends, anticipated the formulations of major historians such as Reinhart Koselleck and, more recently, Fran?ois Hartog. The book explores Dada temporalities and concepts of history in works of art, artistic discourse, and in the photographs of the Berlin Dada movement. These photographs—including the famous one of the First International Dada Fair—are presented not as simple, transparent documents, but as formal deployments conforming to a very concrete theory of history. This approach allows Stavrinaki to link Dada to more contemporary artistic movements and practices interested in history and the archive. At the same time, she investigates what seems to be a real oxymoron of the movement: its simultaneous claim to the ephemeral and its compulsive writing of its own history. In this way, Dada Presentism also interrogates the limits between history and fiction.


Gaston bachelard: a philosophy of the surreal

Автор: Kotowicz Zbigniew
Название: Gaston bachelard: a philosophy of the surreal
ISBN: 1474432239 ISBN-13(EAN): 9781474432238
Издательство: Bloomsbury Academic
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Цена: 26390.00 T
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Описание: Zbigniew Kotowicz gives us the first English language, in-depth presentation of the entire spectrum of Bachelard`s work: epistemology, poetic imagination and temporality. And he explores an old philosophical tradition that Bachelard`s thought opens up atomism a doctrine that has been almost forgotten and is much misunderstood.

Robert Rauschenberg and Surrealism: Art, `Sensibility` and War in the 1960s

Автор: Gavin Parkinson
Название: Robert Rauschenberg and Surrealism: Art, `Sensibility` and War in the 1960s
ISBN: 1501358294 ISBN-13(EAN): 9781501358296
Издательство: Bloomsbury Academic
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Цена: 95040.00 T
Наличие на складе: Невозможна поставка.
Описание: The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69.In the face of Rauschenberg’s avowals of his own ‘literalism’ and insistence on his art as ‘facts,’ this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg’s art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist’s work was turned towards political interpretation. By analysing Rauschenberg’s art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.

Women, Destruction, and the Avant-Garde: A Paradigm for Animal Liberation

Автор: Kim Socha
Название: Women, Destruction, and the Avant-Garde: A Paradigm for Animal Liberation
ISBN: 9042034238 ISBN-13(EAN): 9789042034235
Издательство: Brill
Цена: 95630.00 T
Наличие на складе: Невозможна поставка.
Описание: This interdisciplinary study fuses analysis of feminist literature and manifestos, radical political theory, critical vanguard studies, women’s performance art, and popular culture to argue for the animal liberation movement as successor to the liberationist visions of the early twentieth-century avant-gardes, most especially the Surrealists. These vanguard groups are judiciously critiqued for their refusal to confront their own misogyny, a quandary that continues to plague animal activists, thereby disallowing for cohesion and full recognition of women’s value within a culturally marginalized cause.This volume is of interest to anyone who is concerned about the continued—indeed, escalating—violence against nonhumans. More broadly, it will interest those seeking new pathways to challenge the dominant power constructions through which oppression of humans, nonhumans, and the environment thrives. Women, Destruction, and the Avant-Garde ultimately poses the animal liberation movement as having serious political and cultural implications for radical social change, destruction of hierarchy and for a world without shackles and cages, much as the Surrealists envisioned.


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