Politics, Aesthetics and Practice in Moroccan Cinema, Florence Martin, Stefanie Van de Peer, Will Higbee
Автор: Ravetto, Kriss (Author) Название: The Unmaking of Fascist Aesthetics ISBN: 0816637431 ISBN-13(EAN): 9780816637430 Издательство: NBN International Рейтинг: Цена: 30960.00 T Наличие на складе: Нет в наличии. Описание: This book describes quantum chaos and quantum transport in microscopic billiards. Microscopic billiards are typical dynamical systems in which it is easy to see chaos classically and also to investigate effects of chaos on quantum phenomena. Owing to recent progress in microstructure fabrication technology, quantum chaos can now be studied experimentally rather than only as a sophisticated theory.
Cinema has always displayed an affinity to characters with distorted or even hallucinatory relations to reality. With films such as The Truman Show, the Matrix films or Inception, contemporary filmmakers add another layer to this canon of film characters: unwitting ordinary victims of deception for whom the skepticist fear that the world is not real but a simulation, fake environment or a dream has become true. These are 'skepticism films': dramatized, fictional configurations of the thought experiments which are part and parcel of philosophical reflection on knowledge and doubt.
Skepticism Films: Knowing and Doubting the World in Contemporary Cinema introduces skepticism films as updated configurations of skepticist thought experiments which exemplify the pervasiveness of philosophical ideas in popular culture. Philipp Schmerheim defends a pluralistic film-philosophical position according to which films can be, but need not be, expressions of philosophical thought in their own right. It critically investigates the influence of ideas of skepticism on film-philosophical theories and develops a typology of skepticism films by analyzing The Truman Show, Inception, The Matrix, Vanilla Sky, The Thirteenth Floor, Moon and other contemporary skepticism films. With its focus on skepticism as one of the most significant philosophical problems, Skepticism Films provides a better understanding of the dynamic interplay between film, theories of film and philosophy.
Автор: Barry Monahan Название: Hands on Film: Actants, Aesthetics, Affects ISBN: 946372771X ISBN-13(EAN): 9789463727716 Издательство: NBN International Рейтинг: Цена: 166150.00 T Наличие на складе: Нет в наличии. Описание: Hands on Film is a comprehensive study of the representations and on-screen uses of the human limb, spanning the history of the cinema from its birth to contemporary times. It examines how filmmakers have framed the hand for a variety of effects, from stylistic to thematic, and for the development of characterisation and narrative. The book offers insights into how films have created meaning by focusing on that part of the anatomy and, in turn, proposes a variety of ways in which its on-screen appearances might shed light on what it means to be sentient, cultured, and creative beings in the world.
Автор: Heidi Lucja Liedke Название: Livecasting in Twenty-First-Century British Theatre: NT Live and the Aesthetics of Spectacle, Materiality and Engagement ISBN: 1350340960 ISBN-13(EAN): 9781350340961 Издательство: Bloomsbury Academic Рейтинг: Цена: 89760.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This significant contribution to the study of the live and recorded broadcasting of stage plays focuses on National Theatre Live a decade after its launch in 2009. Assessing livecasting through the concepts of spectacle, materiality and engagement, it examines the role played by audiences in livecasting. Illustrated by in-depth analyses of recent NT Live shows, including A Midsummer Night‘s Dream (2019), Antony and Cleopatra (2018) and Small Island (2019), the book is complemented by insights from practitioners involved in the making of the livecasts. Finally, livecasting is contextualized within recently emerged forms of Covidian (virtual) theatre during the pandemic in order to offer some thoughts on the future of the genre of theatrical performance.Combining lively analyses of recent theatre performances with auto-ethnographic accounts, Heidi Lucja Liedke turns to 20th-century thinkers such as Walter Benjamin and Bertolt Brecht in order to understand livecasting’s place in a continuum of developments taking place on the borders of media, film and performance for the past 100 years.As well as embedding livecasting in its historical context of 19th-century electrophone technology, Liedke assesses its position in contemporary discourses on the meaning of theatre for spectators in the pre- and post-pandemic moment, and points towards the form’s future.
Автор: Barnett Daniel Название: Movement as Meaning in Experimental Cinema ISBN: 1501349651 ISBN-13(EAN): 9781501349652 Издательство: Bloomsbury Academic Рейтинг: Цена: 39060.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Movement as Meaning in Experimental Cinema offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valery's concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness. Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning.
Автор: Michelle Royer Название: The Cinema of Marguerite Duras: Multisensoriality and Female Subjectivity ISBN: 1474427855 ISBN-13(EAN): 9781474427852 Издательство: Bloomsbury Academic Рейтинг: Цена: 17940.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Examines how the films of Marguerite Duras create a multisensorial experience for spectators
The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.
Key features
Examines how the director's filmic innovations create a sensorial space for the female experience to be expressed
Builds on recent work on film as a multisensory medium
Covers Duras's entire film production, including short films and early adaptations
Автор: Luzzi Joseph Название: A Cinema of Poetry: Aesthetics of the Italian Art Film ISBN: 1421411660 ISBN-13(EAN): 9781421411668 Издательство: Johns Hopkins University Press Рейтинг: Цена: 31410.00 T Наличие на складе: Невозможна поставка. Описание: Brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer.
Автор: Gutierrez-Albilla Julian Daniel Название: Aesthetics, Ethics and Trauma and the Cinema of Pedro Almodo ISBN: 1474431674 ISBN-13(EAN): 9781474431675 Издательство: Bloomsbury Academic Рейтинг: Цена: 26390.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Reconceptualising Almodovar`s films as theoretical and political resources, this innovative book examines a neglected aspect of his cinema: its engagement with the traumatic past, with subjective and collective memory, and with the ethical and political meanings that result from this engagement.
Автор: Schonig Jordan Название: The Shape of Motion: Cinema and the Aesthetics of Movement ISBN: 0190093889 ISBN-13(EAN): 9780190093884 Издательство: Oxford Academ Рейтинг: Цена: 182010.00 T Наличие на складе: Нет в наличии. Описание: The Shape of Motion: Cinema and the Aesthetics of Movement develops a method for analyzing movement on screen by identifying patterns or shapes of motion-called "motion forms"-across a wide range of examples from the history of cinema. By examining a single motion form, each chapter rethinks persistent assumptions in film studies about cinema as a medium.
Автор: Schonig Jordan Название: The Shape of Motion: Cinema and the Aesthetics of Movement ISBN: 0190093897 ISBN-13(EAN): 9780190093891 Издательство: Oxford Academ Рейтинг: Цена: 62590.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Shape of Motion: Cinema and the Aesthetics of Movement develops a method for analyzing movement on screen by identifying patterns or shapes of motion-called "motion forms"-across a wide range of examples from the history of cinema. By examining a single motion form, each chapter rethinks persistent assumptions in film studies about cinema as a medium.
How do the temporal and dynamic patterns of media forms and practices create complex constructions of meaning, identity and value? How can we describe the way cinematic images generate and transform the affectively grounded structures that survey, confirm or revise a political community’s horizon of values?
Using the exemplary case of feelings of guilt, the author develops an approach that makes patterns of audiovisual compositions intelligible as aesthetic modulations of moral feelings. A sense of guilt is presented here as neither an individualistic psychological emotion nor an external social mechanism of control but as a paradigmatic case for understanding politics and history as based upon embodied affectivity and shared relations to the world.
By taking three distinct examples – German Post-War cinema, Hollywood Western and films on climate change – patterns of audiovisual composition and the inherent calculation of affect are analyzed as practices shaping the conditions of possibility of political communities and their historicity.
Автор: Tarja Laine Название: Feeling Cinema: Emotional Dynamics in Film Studies ISBN: 1623561507 ISBN-13(EAN): 9781623561505 Издательство: Bloomsbury Academic Рейтинг: Цена: 30610.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
There is an upsurge of interest in contemporary film theory towards cinematic emotions. Tarja Laine's innovative study proposes a methodology for interpreting affective encounters with films, not as objectively readable texts, but as emotionally salient events. Laine argues convincingly that film is not an immutable system of representation that is meant for (one-way) communication, but an active, dynamic participant in the becoming of the cinematic experience.
Through a range of chapters that include Horror, Hope, Shame and Love - and through close readings of films such as The Shining, American Beauty and Eternal Sunshine of the Spotless Mind, Laine demonstrates that cinematic emotions are more than mere indicators of the properties of their objects. They are processes that are intentional in a phenomenological sense, supporting the continuous, shifting, and reciprocal exchange between the film's world and the spectator's world. Grounded in continental philosophy, this provocative book explores the affective dynamics of cinema as an interchange between the film and the spectator in a manner that transcends traditional generic patterns.
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