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Politics, Aesthetics and Practice in Moroccan Cinema, Florence Martin, Stefanie Van de Peer, Will Higbee


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Автор: Florence Martin, Stefanie Van de Peer, Will Higbee
Название:  Politics, Aesthetics and Practice in Moroccan Cinema
ISBN: 9781474462891
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1474462898
Обложка/Формат: Hardback
Страницы: 240
Вес: 0.84 кг.
Дата издания: 31.10.2023
Язык: English
Иллюстрации: 36 b/w illustrations
Размер: 234 x 156
Читательская аудитория: Professional & vocational
Ключевые слова: Film theory & criticism,Individual film directors, film-makers
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Поставляется из: Англии
Описание: The latest book in Paul Hoses tour de force Drumset for Beginners series takes aim at the behemoth genre of Jazz. Combining historical context and stylistic awareness with progressive technical exercises and performance pieces a comprehensive, cross-genre foundation is achieved. This beautifully illustrated book includes access to extensive online material, including performance tracks and play-alongs as well as video demonstrations.This dynamic series of books is not only for the beginner who has never played before, they are for those wishing to explore new areas of their playing and genres of music for the first time. They are

The Unmaking of Fascist Aesthetics

Автор: Ravetto, Kriss (Author)
Название: The Unmaking of Fascist Aesthetics
ISBN: 0816637431 ISBN-13(EAN): 9780816637430
Издательство: NBN International
Рейтинг:
Цена: 30960.00 T
Наличие на складе: Нет в наличии.
Описание: This book describes quantum chaos and quantum transport in microscopic billiards. Microscopic billiards are typical dynamical systems in which it is easy to see chaos classically and also to investigate effects of chaos on quantum phenomena. Owing to recent progress in microstructure fabrication technology, quantum chaos can now be studied experimentally rather than only as a sophisticated theory.

Skepticism Films: Knowing and Doubting the World in Contemporary Cinema

Автор: Philipp Schmerheim
Название: Skepticism Films: Knowing and Doubting the World in Contemporary Cinema
ISBN: 1501310976 ISBN-13(EAN): 9781501310973
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 158400.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Cinema has always displayed an affinity to characters with distorted or even hallucinatory relations to reality. With films such as The Truman Show, the Matrix films or Inception, contemporary filmmakers add another layer to this canon of film characters: unwitting ordinary victims of deception for whom the skepticist fear that the world is not real but a simulation, fake environment or a dream has become true. These are 'skepticism films': dramatized, fictional configurations of the thought experiments which are part and parcel of philosophical reflection on knowledge and doubt.

Skepticism Films: Knowing and Doubting the World in Contemporary Cinema introduces skepticism films as updated configurations of skepticist thought experiments which exemplify the pervasiveness of philosophical ideas in popular culture. Philipp Schmerheim defends a pluralistic film-philosophical position according to which films can be, but need not be, expressions of philosophical thought in their own right. It critically investigates the influence of ideas of skepticism on film-philosophical theories and develops a typology of skepticism films by analyzing The Truman Show, Inception, The Matrix, Vanilla Sky, The Thirteenth Floor, Moon and other contemporary skepticism films. With its focus on skepticism as one of the most significant philosophical problems, Skepticism Films provides a better understanding of the dynamic interplay between film, theories of film and philosophy.


Hands on Film: Actants, Aesthetics, Affects

Автор: Barry Monahan
Название: Hands on Film: Actants, Aesthetics, Affects
ISBN: 946372771X ISBN-13(EAN): 9789463727716
Издательство: NBN International
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Цена: 166150.00 T
Наличие на складе: Нет в наличии.
Описание: Hands on Film is a comprehensive study of the representations and on-screen uses of the human limb, spanning the history of the cinema from its birth to contemporary times. It examines how filmmakers have framed the hand for a variety of effects, from stylistic to thematic, and for the development of characterisation and narrative. The book offers insights into how films have created meaning by focusing on that part of the anatomy and, in turn, proposes a variety of ways in which its on-screen appearances might shed light on what it means to be sentient, cultured, and creative beings in the world.

Livecasting in Twenty-First-Century British Theatre: NT Live and the Aesthetics of Spectacle, Materiality and Engagement

Автор: Heidi Lucja Liedke
Название: Livecasting in Twenty-First-Century British Theatre: NT Live and the Aesthetics of Spectacle, Materiality and Engagement
ISBN: 1350340960 ISBN-13(EAN): 9781350340961
Издательство: Bloomsbury Academic
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Цена: 89760.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This significant contribution to the study of the live and recorded broadcasting of stage plays focuses on National Theatre Live a decade after its launch in 2009. Assessing livecasting through the concepts of spectacle, materiality and engagement, it examines the role played by audiences in livecasting. Illustrated by in-depth analyses of recent NT Live shows, including A Midsummer Night‘s Dream (2019), Antony and Cleopatra (2018) and Small Island (2019), the book is complemented by insights from practitioners involved in the making of the livecasts. Finally, livecasting is contextualized within recently emerged forms of Covidian (virtual) theatre during the pandemic in order to offer some thoughts on the future of the genre of theatrical performance.Combining lively analyses of recent theatre performances with auto-ethnographic accounts, Heidi Lucja Liedke turns to 20th-century thinkers such as Walter Benjamin and Bertolt Brecht in order to understand livecasting’s place in a continuum of developments taking place on the borders of media, film and performance for the past 100 years.As well as embedding livecasting in its historical context of 19th-century electrophone technology, Liedke assesses its position in contemporary discourses on the meaning of theatre for spectators in the pre- and post-pandemic moment, and points towards the form’s future.

Movement as Meaning in Experimental Cinema

Автор: Barnett Daniel
Название: Movement as Meaning in Experimental Cinema
ISBN: 1501349651 ISBN-13(EAN): 9781501349652
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 39060.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Movement as Meaning in Experimental Cinema offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valery's concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness. Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning.

The Cinema of Marguerite Duras: Multisensoriality and Female Subjectivity

Автор: Michelle Royer
Название: The Cinema of Marguerite Duras: Multisensoriality and Female Subjectivity
ISBN: 1474427855 ISBN-13(EAN): 9781474427852
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 17940.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examines how the films of Marguerite Duras create a multisensorial experience for spectators

The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.

Key features
  • Examines how the director's filmic innovations create a sensorial space for the female experience to be expressed
  • Builds on recent work on film as a multisensory medium
  • Covers Duras's entire film production, including short films and early adaptations

A Cinema of Poetry: Aesthetics of the Italian Art Film

Автор: Luzzi Joseph
Название: A Cinema of Poetry: Aesthetics of the Italian Art Film
ISBN: 1421411660 ISBN-13(EAN): 9781421411668
Издательство: Johns Hopkins University Press
Рейтинг:
Цена: 31410.00 T
Наличие на складе: Невозможна поставка.
Описание: Brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer.

Aesthetics, Ethics and Trauma and the Cinema of Pedro Almodo

Автор: Gutierrez-Albilla Julian Daniel
Название: Aesthetics, Ethics and Trauma and the Cinema of Pedro Almodo
ISBN: 1474431674 ISBN-13(EAN): 9781474431675
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 26390.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Reconceptualising Almodovar`s films as theoretical and political resources, this innovative book examines a neglected aspect of his cinema: its engagement with the traumatic past, with subjective and collective memory, and with the ethical and political meanings that result from this engagement.

The Shape of Motion: Cinema and the Aesthetics of Movement

Автор: Schonig Jordan
Название: The Shape of Motion: Cinema and the Aesthetics of Movement
ISBN: 0190093889 ISBN-13(EAN): 9780190093884
Издательство: Oxford Academ
Рейтинг:
Цена: 182010.00 T
Наличие на складе: Нет в наличии.
Описание: The Shape of Motion: Cinema and the Aesthetics of Movement develops a method for analyzing movement on screen by identifying patterns or shapes of motion-called "motion forms"-across a wide range of examples from the history of cinema. By examining a single motion form, each chapter rethinks persistent assumptions in film studies about cinema as a medium.

The Shape of Motion: Cinema and the Aesthetics of Movement

Автор: Schonig Jordan
Название: The Shape of Motion: Cinema and the Aesthetics of Movement
ISBN: 0190093897 ISBN-13(EAN): 9780190093891
Издательство: Oxford Academ
Рейтинг:
Цена: 62590.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Shape of Motion: Cinema and the Aesthetics of Movement develops a method for analyzing movement on screen by identifying patterns or shapes of motion-called "motion forms"-across a wide range of examples from the history of cinema. By examining a single motion form, each chapter rethinks persistent assumptions in film studies about cinema as a medium.

Автор: Matthias Grotkopp
Название: Cinematic Poetics of Guilt: Audiovisual Accusation as a Mode of Commonality
ISBN: 3110605112 ISBN-13(EAN): 9783110605112
Издательство: Walter de Gruyter
Цена: 86720.00 T
Наличие на складе: Нет в наличии.
Описание:

How do the temporal and dynamic patterns of media forms and practices create complex constructions of meaning, identity and value? How can we describe the way cinematic images generate and transform the affectively grounded structures that survey, confirm or revise a political community’s horizon of values?

Using the exemplary case of feelings of guilt, the author develops an approach that makes patterns of audiovisual compositions intelligible as aesthetic modulations of moral feelings. A sense of guilt is presented here as neither an individualistic psychological emotion nor an external social mechanism of control but as a paradigmatic case for understanding politics and history as based upon embodied affectivity and shared relations to the world.

By taking three distinct examples – German Post-War cinema, Hollywood Western and films on climate change – patterns of audiovisual composition and the inherent calculation of affect are analyzed as practices shaping the conditions of possibility of political communities and their historicity.


Transnational Moroccan Cinema Uncut

Автор: Will Higbee, Flo Martin, Jamal Bahmad
Название: Transnational Moroccan Cinema Uncut
ISBN: 1474477933 ISBN-13(EAN): 9781474477932
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 100320.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Assesses Moroccan cinema through a transnational lens to reframe its postcolonial legacy

  • Features interviews with key industry figures and filmmakers
  • Case studies include the controversial Much Loved, and an analysis of its reception within and outwith Morocco
  • Argues that Moroccan cinema has de-orbited from Francophone cinema and Morocco's postcolonial legacy to become a transnational cinema

This is the first book length study to consider the transnational dimension of Moroccan cinema. Over the past two decades, cinematic production has increased dramatically in Morocco, with Moroccan films leading at the domestic box office and being selected for prestigious international festivals such as Cannes and Berlin. And yet, Moroccan cinema remains little known outside of its national borders. This book asks why this might be and, in so doing, analyses the actual state of Moroccan national cinema beyond a post-colonial optic. Featuring interviews with filmmakers and key industry figures, such as Hicham Laari, Nadir Boumouch and Tala Hadid, the book explores Moroccan cinema's transnational reach through a focus on the cultural politics of international co-production, the role of international festivals as alternative distribution networks, piracy and digital disruption, film education and activism.



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