The Shape of Motion: Cinema and the Aesthetics of Movement, Schonig Jordan
Автор: Schonig Jordan Название: The Shape of Motion: Cinema and the Aesthetics of Movement ISBN: 0190093889 ISBN-13(EAN): 9780190093884 Издательство: Oxford Academ Рейтинг: Цена: 182010.00 T Наличие на складе: Нет в наличии. Описание: The Shape of Motion: Cinema and the Aesthetics of Movement develops a method for analyzing movement on screen by identifying patterns or shapes of motion-called "motion forms"-across a wide range of examples from the history of cinema. By examining a single motion form, each chapter rethinks persistent assumptions in film studies about cinema as a medium.
Автор: Luka Arsenjuk Название: Movement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis ISBN: 151790319X ISBN-13(EAN): 9781517903190 Издательство: Marston Book Services Цена: 91080.00 T Наличие на складе: Невозможна поставка. Описание: A social history of immigration and citizenship in Argentina in the late nineteenth and early twentieth centuries. Focusing on social welfare, education, religion, and the role of children, Benjamin Bryce analyzes the efforts of German-speaking immigrants to carve out a place for themselves in the broader landscape of an increasingly culturally plural society.
Автор: Mullarkey John Название: Bergson and the Art of Immanence ISBN: 1474404731 ISBN-13(EAN): 9781474404730 Издательство: Bloomsbury Academic Рейтинг: Цена: 31670.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Immanence is a theory of divine presence, in which the divine is found in the material world, not outside of it. This collection brings the major 20th century French philosopher Henri Bergson`s work on immanence together with fresh ideas in art theory and the practice of immanent art as found in painting, photography and film.
Автор: Hedberg Olenina Ana Название: Psychomotor Aesthetics: Movement and Affect in Modern Literature and Film ISBN: 0190051264 ISBN-13(EAN): 9780190051266 Издательство: Oxford Academ Рейтинг: Цена: 74260.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In 1721 a 20-year-old soprano employed at the princely court in Kthen married the courts Kapellmeister, set to become the greatest composer of the age. As his second wife she married into a young family with four children, and a busy household filled with music. The music book that Johann Sebastian Bach presented to his new wife Anna Magdalena in 1722, and replaced more lavishly in 1725, treats us to a tantalizing glimpse inside this unique family, allowing us to sit beside Bach as a composer, teacher, husband and father. Over the years, these notebooks became a place for the family to share instructional exercises, favourite pieces
Автор: Hockenhull Stella Название: Aesthetics and Neoromanticism in Film ISBN: 1848859015 ISBN-13(EAN): 9781848859012 Издательство: Bloomsbury Academic Рейтинг: Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.
Автор: Bruce Isaacs Название: The Orientation of Future Cinema: Technology, Aesthetics, Spectacle ISBN: 1628924314 ISBN-13(EAN): 9781628924312 Издательство: Bloomsbury Academic Рейтинг: Цена: 34840.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: An ambitious and highly original analysis of the terrain of contemporary and future film theory, production and practice.
Автор: Tarja Laine Название: Feeling Cinema: Emotional Dynamics in Film Studies ISBN: 1623561507 ISBN-13(EAN): 9781623561505 Издательство: Bloomsbury Academic Рейтинг: Цена: 30610.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
There is an upsurge of interest in contemporary film theory towards cinematic emotions. Tarja Laine's innovative study proposes a methodology for interpreting affective encounters with films, not as objectively readable texts, but as emotionally salient events. Laine argues convincingly that film is not an immutable system of representation that is meant for (one-way) communication, but an active, dynamic participant in the becoming of the cinematic experience.
Through a range of chapters that include Horror, Hope, Shame and Love - and through close readings of films such as The Shining, American Beauty and Eternal Sunshine of the Spotless Mind, Laine demonstrates that cinematic emotions are more than mere indicators of the properties of their objects. They are processes that are intentional in a phenomenological sense, supporting the continuous, shifting, and reciprocal exchange between the film's world and the spectator's world. Grounded in continental philosophy, this provocative book explores the affective dynamics of cinema as an interchange between the film and the spectator in a manner that transcends traditional generic patterns.
Автор: Ozlem Koksal Название: Aesthetics of Displacement: Turkey and its Minorities on Screen ISBN: 1501306464 ISBN-13(EAN): 9781501306464 Издательство: Bloomsbury Academic Рейтинг: Цена: 137280.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Displacement does not only have an effect on groups' and individuals' ways of relating to their identity and their past but the knowledge and experience of it also has an impact on its representation. Looking at films that represent the experience of displacement in relation to Turkey's minorities, Aesthetics of Displacement argues that there is a particular aesthetic continuity among the otherwise unrelated films. Ozlem Koksal focuses on films that bring taboo issues concerning the repression of minorities into visibility, arguing that the changing political and social conditions determine not only the types of stories told but also the ways in which these stories are told.
Focusing on aesthetic and narrative continuities, the films discussed include Ararat, Waiting for the Clouds and Once Upon a Time in Anatolia among others. Each film is examined in light of major historical event(s) and their context (political and social) as well as the impact these events had on the construction of both minority and Turkish identity.
Автор: Tompkins Cynthia Название: Experimental Latin American Cinema: History and Aesthetics ISBN: 0292762097 ISBN-13(EAN): 9780292762091 Издательство: Wiley EDC Рейтинг: Цена: 26300.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
While there are numerous film studies that focus on one particular grouping of films—by nationality, by era, or by technique—here is the first single volume that incorporates all of the above, offering a broad overview of experimental Latin American film produced over the last twenty years.
Analyzing seventeen recent films by eleven different filmmakers from Argentina, Brazil, Cuba, Mexico, Paraguay, and Peru, Cynthia Tompkins uses a comparative approach that finds commonalities among the disparate works in terms of their influences, aesthetics, and techniques. Tompkins introduces each film first in its sociohistorical context before summarizing it and then subverting its canonical interpretation. Pivotal to her close readings of the films and their convergences as a collective cinema is Tompkins’s application of Deleuzian film theory and the concept of the time-image as it pertains to the treatment of time and repetition. Tompkins also explores such topics as the theme of decolonization, the consistent use of montage, paratactically structured narratives, and the fusion of documentary conventions and neorealism with drama. An invaluable contribution to any dialogue on the avant-garde in general and to filmmaking both in and out of Latin America, Experimental Latin American Cinema is also a welcome and insightful addition to Latin American studies as a whole.
Название: Thinking media aesthetics ISBN: 3631642970 ISBN-13(EAN): 9783631642979 Издательство: Peter Lang Рейтинг: Цена: 74650.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Thinking Media Aesthetics investigates the field between media studies and the aesthetic disciplines. It presents an interdisciplinary program for aesthetic analysis and theoretical reflection. It stages a conversation around basic concepts in the field, like "medium" and "media", and about how we might best go about studying these terms.
Автор: Jordan-haladyn, Miriam Название: Dialogic materialism ISBN: 1433124459 ISBN-13(EAN): 9781433124457 Издательство: Peter Lang Рейтинг: Цена: 81430.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Dialogic Materialism: Bakhtin, Embodiment and Moving Image Art argues for the relevance of Mikhail Bakhtin’s theories of dialogism as a means of examining the interdisciplinary nature of contemporary moving image art forms. The volume comprises six chapters divided into two sections. The first section, Part I, illustrates the key concepts in Bakhtin’s multifaceted dialogism and develops these ideas in relation to moving image art. The main focus of this first part is the proposal of what the author terms dialogic materialism, which builds upon the Marxism inherent in Bakhtin, examining the material processes of cultural exchange with a particular emphasis on multi-perspective subjective relations. Part II consists of case studies that apply dialogic materialism to the moving image artwork of three artists: Stan Douglas, Jamelie Hassan and Chris Marker. Applying Bakhtinian theory to the field of the visual arts provides a means of examining the fundamentally dialogic nature of moving image art making and viewing, a perspective that is not fully developed within the existing literature.
Автор: Books, Julie N. Название: What is film? ISBN: 143313408X ISBN-13(EAN): 9781433134081 Издательство: Peter Lang Рейтинг: Цена: 84140.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In What Is Film?, Julie N. Books critically evaluates three philosophical doctrines of film realism (transparency, illusionism, and perceptual realism) and defends her view that films are creative works of art. By examining contemporary films, such as computer-animated films and films with computer-generated images, Dr. Books shows how films are creative works of art, thereby undermining the long-held view that films are slavish recordings of reality. This book is ideal for academics and courses on the philosophy of film, film theory, film history, filmmaking, metaphysics, and the philosophy of art.
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