Nick goss: margaritas at the mall, Vistrup Madsen, Kristian

Автор: Patzschke, Theresa Madsen, Kristian Vistrup
Название: Tobias spichtig: pretty fine
ISBN: 3864423333 ISBN-13(EAN): 9783864423338
Издательство: Неизвестно
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Цена: 24420.00 T
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Описание: Early in the twentieth century, families lured by American business entrepreneurship immigrated to the United States -but only some of the resulting businesses survived the Great Depression and America`s entry into World War II. Twentieth-Century Boys is about one of those family businesses and how it changed in order to survive through three generations and countless national crises.

Автор: Madsen, Kristian Vistrup
Название: Doing time: essays on using people
ISBN: 3981910842 ISBN-13(EAN): 9783981910841
Издательство: Неизвестно
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Цена: 33660.00 T
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Описание: The Comprehensive Course for the Beginning Pianist. The Academy Piano Course explores modern techniques of instruction introduces creative elements as early as possible, works with pattern and shape for reading music rote teaching for technique and features music across a range of styles including classical, folk, and ensemble pieces. Both books divide into three sections with ten lessons in each. At the end of book 1 students will understand notation and play hands together. At the end of book 2 students will have played pieces up to and including Grade 1 standard.

Автор: Felix Zdenek, Madsen Kristian Vistrup
Название: Werner Buettner: Undichte Schluesselloecher: Exhibition Catalogue Cfa Contemporary Fine Arts Berlin
ISBN: 3864423287 ISBN-13(EAN): 9783864423284
Издательство: Неизвестно
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Цена: 27540.00 T
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Описание: Has Werner Buettner's world of images indeed grown funnier, more colorful, or should one, follow­ing Kristian Vistrup Madsen's observations, consider it to be invariably gloomy and oppressive? The latter certainly applies to a work such as "Brueder (Kain + Abel)" from 1983, but no longer in such ­exclusivity to his most recent works. Here, the bitter singing of NO-FUTURE by the protagonists of the 1980s is accompanied by a good portion of ironic melancholy and caustic mockery. His use of color has also changed--the earthy tones giving way to a certain signal-like quality, yet without severing the connection to his earlier works. But what led to such a melancholy softening of his worldview? Is it a general consequence of getting older? Or is it based on the more specific consciousness of now actually being too old for the Not-wanting-to-become-like-the-old-folk (in the 1980s)? Or does everything have its rather simple reason in the realization: Alcohol (dis-)solves everything--or is it self-knowledge which outshines everything, but still can hardly prevent that madness and confusion that continues to play their game with us?