Doing time: essays on using people, Madsen, Kristian Vistrup
Автор: Patzschke, Theresa Madsen, Kristian Vistrup Название: Tobias spichtig: pretty fine ISBN: 3864423333 ISBN-13(EAN): 9783864423338 Издательство: Неизвестно Рейтинг: Цена: 24420.00 T Наличие на складе: Невозможна поставка. Описание: Early in the twentieth century, families lured by American business entrepreneurship immigrated to the United States -but only some of the resulting businesses survived the Great Depression and America`s entry into World War II. Twentieth-Century Boys is about one of those family businesses and how it changed in order to survive through three generations and countless national crises.
Автор: Vistrup Madsen, Kristian Название: Nick goss: margaritas at the mall ISBN: 3864423643 ISBN-13(EAN): 9783864423642 Издательство: Неизвестно Рейтинг: Цена: 19530.00 T Наличие на складе: Нет в наличии. Описание: This accessible guide will tell you everything you need to know about parenting a child with a hidden condition, such as autism, dyspraxia, ADHD or bipolar, whether or not a formal diagnosis has been received. With information on various conditions and diagnoses, it includes candid advice and strategies from parents as well as young adults who grew up with a hidden condition themselves.
Автор: Felix Zdenek, Madsen Kristian Vistrup Название: Werner Buettner: Undichte Schluesselloecher: Exhibition Catalogue Cfa Contemporary Fine Arts Berlin ISBN: 3864423287 ISBN-13(EAN): 9783864423284 Издательство: Неизвестно Рейтинг: Цена: 27540.00 T Наличие на складе: Невозможна поставка. Описание: Has Werner Buettner's world of images indeed grown funnier, more colorful, or should one, following Kristian Vistrup Madsen's observations, consider it to be invariably gloomy and oppressive? The latter certainly applies to a work such as "Brueder (Kain + Abel)" from 1983, but no longer in such exclusivity to his most recent works. Here, the bitter singing of NO-FUTURE by the protagonists of the 1980s is accompanied by a good portion of ironic melancholy and caustic mockery. His use of color has also changed--the earthy tones giving way to a certain signal-like quality, yet without severing the connection to his earlier works. But what led to such a melancholy softening of his worldview? Is it a general consequence of getting older? Or is it based on the more specific consciousness of now actually being too old for the Not-wanting-to-become-like-the-old-folk (in the 1980s)? Or does everything have its rather simple reason in the realization: Alcohol (dis-)solves everything--or is it self-knowledge which outshines everything, but still can hardly prevent that madness and confusion that continues to play their game with us?
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