The Pulse in Cinema: The Aesthetics of Horror, Sharon Jane Mee
Автор: Wassmann Claudia Название: Therapy and Emotions in Film and Television: The Pulse of Our Times ISBN: 1349578894 ISBN-13(EAN): 9781349578894 Издательство: Springer Рейтинг: Цена: 24330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Therapy and Emotions in Film and Television explores, from an interdisciplinary perspective, the shifts in our emotional preferences, styles, and `emotional regimes` in western societies from the 1920s to today, as viewed through the lens of film and television.
Автор: Mullarkey John Название: Bergson and the Art of Immanence ISBN: 1474404731 ISBN-13(EAN): 9781474404730 Издательство: Bloomsbury Academic Рейтинг: Цена: 31670.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Immanence is a theory of divine presence, in which the divine is found in the material world, not outside of it. This collection brings the major 20th century French philosopher Henri Bergson`s work on immanence together with fresh ideas in art theory and the practice of immanent art as found in painting, photography and film.
Автор: Harvey, James (anglia Ruskin University) Название: Jacques ranciгївївѕre and the politics of art cinema ISBN: 1474423787 ISBN-13(EAN): 9781474423786 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Drawing on case studies of films including Charlie Kaufman`s `Synecdoche, New York`, Nuri Bilge Ceylan`s `Climates` and John Akomfrah`s `The Nine Muses`, this books asks to what extent is politics shaping art cinema? And, in turn, could art cinema possibly affect the political structure of the world as we know it?
Автор: Garrett Stewart Название: Cinesthesia: Museum Cinema and the Curated Screen ISBN: 1927852099 ISBN-13(EAN): 9781927852095 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 11090.00 T Наличие на складе: Невозможна поставка. Описание: Discourses of cinephilia old and new have displayed a certain anxiety about opening film up and out to the unprogrammed zones of the museum, a space too dispersed and variable for the invested look. The museumised 'movie', with a spectator who is ambulatory rather than passive, demands a form of attention quite different from the theatrically-projected film or the mobilised platform. Breaking with the modes of intimacy and absorption associated with these more common movie-viewing experiences, galleries have gone public with the extracted, looped or otherwise installed moving image, in everything from its fetishized 35mm form through to the latest participatory virtual reality. When kinetic imaging enters the museum, it becomes one among the 'media' in a new way: a time-based artefact under figurative 'reframing' among other modes of picture making, its material parameters investigated as objet rather than dispositif . Garrett Stewart explores the reciprocal redefinition of both moving images and wall art initiated by this museal estrangement of the 'motion picture'. As the title suggests as well, this often entails a dimension of strained synesthesia in the disjunctures of non-synchronised recording. Altogether, curation re-frames both the audiovisual pace and plasticity of the seventh art in the rear-view mirror of media archaeology.
Автор: Jean-Luc Godard Название: Introduction to a True History of Cinema and Television ISBN: 0981191428 ISBN-13(EAN): 9780981191423 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 106260.00 T Наличие на складе: Невозможна поставка. Описание:
In 1978, Jean-Luc Godard improvised a series of fourteen talks for a projected history of cinema on video. These talks, published in French in 1980 and long out of print, have never before been translated into English. This edition, based on the sole videotape copies of the lectures, corrects the faulty and incomplete French version and is the only complete edition in any language. The volume is accompanied by an essay by Michael Witt thoroughly documenting Godard's various film history projects and by 56 full-page film stills manipulated by Godard and 24 illustrations in his own hand. For this project, Godard screened his own famous films of the 1960s alongside single reels of some of the films which most influenced his work. Working at the dawn of video, a technology essential to his completion of the project many years later, as the visual essay Histoire(s) du cinйma, Godard used pieces of 35mm film, projected in an auditorium, to approximate the historical montage he was groping towards. He then held forth, in an experience he describes as a form of 'public self-psychoanalysis', on his personal and professional relationships, working methods, aesthetic preferences, political beliefs and, on the cusp of 50, his philosophy of life. The result is the most extensive and revealing account ever of his work and critical opinions. Never has Godard been as loquacious, lucid and disarmingly frank as he is here. This volume is one of the great classics of film literature, by perhaps the wittiest and most idiosyncratic genius the cinema has known.
Explores the aesthetic frames that mediate the sense(s) and experiences of justice
Close analysis of films such as Pan’s Labyrinth, High Heels, Common Wealth, The Method, No Rest for the Wicked, Unit 7
Engages with legal theory, film studies, aesthetics, and politics
Approaches law and film as multisensory, embodied practices
Draws on European case studies in a field largely dominated by Anglo-American discourse
Sensing Justice examines the aesthetic frames that mediate the sensory perception and signification of law and justice in the context of 21st century Spain. What senses do these frames privilege or downgrade? What kind of subjects do they show, construct, and address? What kind of affective and ethical responses do they invite? What kind of judgments do they invite? The book addresses these questions by moving away from the focus on narrative and through a close analysis of selected contemporary Spanish films—such as Pan’s Labyrinth, High Heels, Common Wealth, The Method, No Rest for the Wicked, Unit 7. By creating new frames of perception and signification, the films analyzed challenge the senses of law and justice traditionally taken for granted and reconfigure them anew. Engaging with legal theory, film studies, aesthetics, and politics, Sensing Justice provides a compelling illustration of how law and justice are multisensory and embodied experiences.
Автор: Catherine Wheatley Название: Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema ISBN: 178831025X ISBN-13(EAN): 9781788310253 Издательство: Bloomsbury Academic Рейтинг: Цена: 116160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Explores how cinema influenced leading American philosopher Stanley Cavell`s moral and social philosophy and thinking on everyday language.
Автор: Ian Fleishman Название: An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino ISBN: 0810136805 ISBN-13(EAN): 9780810136809 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 100320.00 T Наличие на складе: Невозможна поставка. Описание: An Aesthetics of Injury exposes wounding as a foundational principle of modernism in literature and film. Theorizing the genre of the narrative wound—texts that aim not only to depict but also to inflict injury—Ian Fleishman reveals harm as an essential aesthetic strategy in ten exemplary authors and filmmakers: Charles Baudelaire, Franz Kafka, Georges Bataille, Jean Genet, Hélène Cixous, Ingeborg Bachmann, Elfriede Jelinek, Werner Schroeter, Michael Haneke, and Quentin Tarantino.Violence in the modernist mode, an ostensible intrusion of raw bodily harm into the artwork, aspires to transcend its own textuality, and yet, as An Aesthetics of Injury establishes, the wound paradoxically remains the essence of inscription. Fleishman thus shows how the wound, once the modernist emblem par excellence of an immediate aesthetic experience, comes to be implicated in a postmodern understanding of reality reduced to ceaseless mediation. In so doing, he demonstrates how what we think of as the most real object, the human body, becomes indistinguishable from its “nonreal” function as text. At stake in this tautological textual model is the heritage of narrative thought: both the narratological workings of these texts (how they tell stories) and the underlying epistemology exposed (whether these narrativists still believe in narrative at all).With fresh and revealing readings of canonical authors and filmmakers seldom treated alongside one another, An Aesthetics of Injury is important reading for scholars working on literary or cinematic modernism and the postmodern, philosophy, narratology, body culture studies, queer and gender studies, trauma studies, and cultural theory.
Автор: Matthew Holtmeier Название: Contemporary Political Cinema ISBN: 1474423418 ISBN-13(EAN): 9781474423410 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book demonstrates that a contemporary form of political cinema has emerged, centered on the production of subjectivity and networks of protest.
Автор: Luka Arsenjuk Название: Movement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis ISBN: 151790319X ISBN-13(EAN): 9781517903190 Издательство: Marston Book Services Цена: 91080.00 T Наличие на складе: Невозможна поставка. Описание: A social history of immigration and citizenship in Argentina in the late nineteenth and early twentieth centuries. Focusing on social welfare, education, religion, and the role of children, Benjamin Bryce analyzes the efforts of German-speaking immigrants to carve out a place for themselves in the broader landscape of an increasingly culturally plural society.
Автор: Michelle Langford Название: Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance ISBN: 1350194255 ISBN-13(EAN): 9781350194250 Издательство: Bloomsbury Academic Рейтинг: Цена: 33780.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Iranian filmmakers have long been recognised for creating a vibrant, aesthetically rich cinema whilst working under strict state censorship regulations. As Michelle Langford reveals, many have found indirect, allegorical ways of expressing forbidden topics and issues in their films. But for many, allegory is much more than a foil against haphazardly applied censorship rules. Drawing on a long history of allegorical expression in Persian poetry and the arts, allegory has become an integral part of the poetics of Iranian cinema. Allegory in Iranian Cinema explores the allegorical aesthetics of Iranian cinema, explaining how it has emerged from deep cultural traditions and how it functions as a strategy for both supporting and resisting dominant ideology. As well as tracing the roots of allegory in Iranian cinema before and after the 1979 revolution, Langford also theorizes this cinematic mode. She draws on a range of cinematic, philosophical and cultural concepts - developed by thinkers such as Walter Benjamin, Gilles Deleuze, Pier Paolo Pasolini, Christian Metz and Vivian Sobchack - to provide a theoretical framework for detailed analyses of films by renowned directors of the pre-and post-revolutionary eras including Masoud Kimiai, Dariush Mehrjui, Ebrahim Golestan, Kamran Shirdel, Majid Majidi, Jafar Panahi, Marziyeh Meshkini, Mohsen Makhmalbaf, Rakhshan Bani-Etemad and Asghar Farhadi. Allegory in Iranian Cinema explains how a centuries-old means of expression, interpretation, encoding and decoding becomes, in the hands of Iran's most skilled cineastes, a powerful tool with which to critique and challenge social and cultural norms.
Автор: Schonig Jordan Название: The Shape of Motion: Cinema and the Aesthetics of Movement ISBN: 0190093897 ISBN-13(EAN): 9780190093891 Издательство: Oxford Academ Рейтинг: Цена: 62590.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Shape of Motion: Cinema and the Aesthetics of Movement develops a method for analyzing movement on screen by identifying patterns or shapes of motion-called "motion forms"-across a wide range of examples from the history of cinema. By examining a single motion form, each chapter rethinks persistent assumptions in film studies about cinema as a medium.
Казахстан, 010000 г. Астана, проспект Туран 43/5, НП2 (офис 2) ТОО "Логобук" Тел:+7 707 857-29-98 ,+7(7172) 65-23-70 www.logobook.kz
