The Bloomsbury Companion to Stanley Kubrick, I.Q. Hunter, Nathan Abrams

Название: The Stanley Kubrick Archives (Bibliotheca Universalis)
ISBN: 3836555824 ISBN-13(EAN): 9783836555821
Издательство: Taschen
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Цена: 17710.00 T
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Описание: From the opening sequence of Killer`s Kiss to the final frames of Eyes Wide Shut, this dazzling collection includes some of Kubrick`s most unforgettable shots and revealing interviews, as well as abundant material from his own archives, such as set designs, screenplays, notes, correspondence, and shooting schedules.

Название: Stanley Kubrick archives
ISBN: 3836508893 ISBN-13(EAN): 9783836508896
Издательство: Taschen
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Цена: 66410.00 T
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Описание: The most comprehensive study of Stanley Kubrick to date. His films are nothing short of superb visual experiences; big screen storytelling at its very best. Featuring enlarged film stills and previously unseen Kubrick material, including posters, set designs, props, screenplays, and shooting schedules, this richly illustrated book offers...

Автор: James Naremore
Название: On Kubrick: Revised Edition
ISBN: 1839023996 ISBN-13(EAN): 9781839023996
Издательство: Bloomsbury Academic
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Цена: 28500.00 T
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Описание: In a comprehensively revised and updated new edition, James Naremore provides an illuminating critical account of the films of Stanley Kubrick, from his earliest feature, Fear and Desire (1953), to the posthumously-produced A.I. Artificial Intelligence (Steven Spielberg, 2001). Naremore offers provocative analyses of each of Kubrick's films, considering his emphasis on the absurdity of combat, as in Paths of Glory (1957) and Full Metal Jacket (1987), the failure of scientific reasoning, as in 2001 (1968), and the fascistic impulses in masculine sexuality, as in Dr Strangelove (1964) and Eyes Wide Shut (1999). He argues that while Kubrick was a voracious intellectual and a life-long autodidact, the fascination of his work has less to do with the ideas it espouses than with the emotions it evokes. Combining close readings with new insights into the production histories and cultural contexts of key films, Naremore provides a concise yet thorough discussion that will be useful to students of Kubrick's filmmaking and cinephiles who seek a deeper insight into the work of this perfectionist genius.Revised throughout, this new edition also includes a fully updated bibliography of critical writings on Kubrick's cinema.

Автор: Coegnarts Maarten
Название: Film as Embodied Art: Bodily Meaning in the Cinema of Stanley Kubrick
ISBN: 1644691124 ISBN-13(EAN): 9781644691120
Издательство: Mare Nostrum (Eurospan)
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Цена: 48280.00 T
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Описание: Reveals Stanley Kubrick to be a genuine master of the art of embodying the mental life of characters - a filmmaker who perhaps more than any other director, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodied conditions necessary to achieve a level of conceptual depth.

Автор: McQuiston, Kate (Author)
Название: We`ll Meet Again: Musical Design in the Films of Stanley Kubrick
ISBN: 0199767653 ISBN-13(EAN): 9780199767656
Издательство: Oxford Academ
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Цена: 109030.00 T
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Описание: We`ll Meet Again illuminates music`s central role in the design and reception of Stanley Kubrick`s films. It brings together archival evidence and close analysis to trace the ways music serves as starting point and inspiration throughout Kubrick`s working process.

Автор: Elisa Pezzotta
Название: The Prison of Time: Stanley Kubrick, Adrian Lyne, Michael Bay and Quentin Tarantino
ISBN: 1501380605 ISBN-13(EAN): 9781501380600
Издательство: Bloomsbury Academic
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Цена: 100320.00 T
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Описание: We are imprisoned in circadian rhythms, as well as in our life reviews that follow chronological and causal links. For the majority of us our lives are vectors directed toward aims that we strive to reach and delimited by our birth and death. Nevertheless, we can still experience fleeting moments during which we forget the past and the future, as well as the very flow of time. During these intense emotions, we burst out laughing or crying, or we scream with pleasure, or we are mesmerized by a work of art or just by eyes staring at us. Similarly, when we watch a film, the screening time has a well defined beginning and end, and screening and diegetic time and their relations, together with narrative and stylistic techniques, determine a time within the time of our life with its own rules and exceptions. Through the close analysis of Stanley Kubrick’s, Adrian Lyne’s, Michael Bay’s and Quentin Tarantino’s oeuvres, this book discusses the overall ‘dominating’ time of their films and the moments during which this ‘ruling’ time is disrupted and we momentarily forget the run toward the diegetic future – suspense – or the past – curiosity and surprise. It is in these very moments, as well as in our own lives, that the prison of time, through which the film is constructed and that is constructed by the film itself, crumbles displaying our role as spectators, our deepest relations with the film.

Автор: McQuiston Kate
Название: We`ll Meet Again
ISBN: 0199767661 ISBN-13(EAN): 9780199767663
Издательство: Oxford Academ
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Цена: 35890.00 T
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Описание: We`ll Meet Again illuminates music`s central role in the design and reception of Stanley Kubrick`s films. It brings together archival evidence and close analysis to trace the ways music serves as starting point and inspiration throughout Kubrick`s working process.

Автор: Jenkins, Greg
Название: Stanley kubrick and the art of adaptation
ISBN: 0786430974 ISBN-13(EAN): 9780786430970
Издательство: Mare Nostrum (Eurospan)
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Цена: 26390.00 T
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Описание: Paring a novel into a two-hour film is an arduous task for even the best screenwriters and directors. This work analyzes Stanley Kubrick`s film adaptations of 3 novels - ""Lolita"", ""The Shining"" and ""Full Metal Jacket"". It focuses on the alterations in the characters and narrative structure, with attention to style, scope, pace, mood and meaning.

Автор: Kolker, Robert
Название: Stanley Kubrick`s 2001: A Space Odyssey
ISBN: 0195174534 ISBN-13(EAN): 9780195174533
Издательство: Oxford Academ
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Цена: 41170.00 T
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Описание: Presents a collection of essays that examine in detail various possible readings of the film, "A Space Odyssey", its historical context, and its status as a quintessential science-fiction genre piece.

Автор: Cocks, Geoffrey (Editor), Diedrick, James (Editor), Perusek, Glenn (Editor)
Название: Depth of Field: Stanley Kubrick, Film, and the Uses of History ( Wisconsin Film Studies )
ISBN: 0299216144 ISBN-13(EAN): 9780299216146
Издательство: Mare Nostrum (Eurospan)
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Цена: 23370.00 T
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Описание: Analyzes Stanley Kubrick`s films from a variety of perspectives. This is a study of one of the controversial filmmakers of the twentieth century. It ends with three viewpoints on Kubrick`s final film, "Eyes Wide Shut", placing it in the contexts of film history, the history and theory of psychoanalysis, and the sociology of sex and power.

Автор: Pezzotta Elisa
Название: Stanley Kubrick
ISBN: 1496807898 ISBN-13(EAN): 9781496807892
Издательство: Mare Nostrum (Eurospan)
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Цена: 29260.00 T
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Описание: An argument appreciating and mapping the wide divergences in the director's interpretations of literature Although Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since 2001: A Space Odyssey (1968), his films seem to definitively exploit all cinematic techniques, embodying a compelling visual and aural experience. But, as author Elisa Pezzotta contends, it is for these reasons that his cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence. Stanley Kubrick's last six adaptations--2001: A Space Odyssey, A Clockwork Orange (1971), Barry Lyndon (1975), The Shining (1980), Full Metal Jacket (1987), and Eyes Wide Shut (1999)--are characterized by certain structural and stylistic patterns. These features help to draw conclusions about the role of Kubrick in the history of cinema, about his role as an adapter, and, more generally, about the art of cinematic adaptations. The structural and stylistic patterns that characterize Kubrick adaptations seem to criticize scientific reasoning, causality, and traditional semantics. In the history of cinema, Kubrick can be considered a modernist auteur. In particular, he can be regarded as an heir of the modernist avant-garde of the 1920s. However, author Elisa Pezzotta concludes that, unlike his predecessors, Kubrick creates a cinema not only centered on the ontology of the medium, but on the staging of sublime, new experiences. Elisa Pezzotta, Albino, Italy, is cultore della materia of history and critique of cinema at the University of Bergamo. Her work has been published in Wide Screen, Alphaville Journal of Film and Screen Media, and Journal of Adaptation in Film and Performance, and she is the author of "La narrazione complessa nel cinema di Stanley Kubrick: 2001: Odissea nello spazio e Eyes Wide Shut" in Ai confini della camprensione.

Автор: Phillips, Gene D.
Название: Stanley kubrick
ISBN: 1578062977 ISBN-13(EAN): 9781578062973
Издательство: Mare Nostrum (Eurospan)
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Цена: 31630.00 T
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Описание:

From his first feature film, Fear and Desire (1953), to his final, posthumously released Eyes Wide Shut (1999), Stanley Kubrick excelled at probing the dark corners of human consciousness. In doing so, he adapted such popular novels as The Killing, Lolita, A Clockwork Orange, and The Shining and selected a wide variety of genres for his films -- black comedy (Dr. Strangelove), science fiction (2001: A Space Odyssey), and war (Paths of Glory and Full Metal Jacket). Because he was peerless in unveiling the intimate mysteries of human nature, no new film by Kubrick ever failed to spark debate or to be deeply pondered.

Kubrick (1928-1999) has remained as elusive as the subjects of his films. Unlike many other filmmakers he was not inclined to grant interviews, instead preferring to let his movies speak for themselves. By allowing both critics and moviegoers to see the inner workings of this reclusive filmmaker, this first comprehensive collection of his relatively few interviews is invaluable. Ranging from 1959 to 1987 and including Kubrick's conversations with Gene Siskel, Jeremy Bernstein, Gene D. Phillips, and others, this book reveals Kubrick's diverse interests -- nuclear energy and its consequences, space exploration, science fiction, literature, religion, psychoanalysis, the effects of violence, and even chess -- and discloses how each affects his films. He enthusiastically speaks of how advances in camera and sound technology made his films more effective.

Kubrick details his hands-on approach to filmmaking as he discusses why he supervises nearly every aspect of production. "All the hand-held camerawork is mine," he says in a 1972 interview about A Clockwork Orange. "In addition to the fun of doing the shooting myself, I find it virtually impossible to explain what I want in a hand-held shot to even the most talented and sensitive camera operator. "

Neither guarded nor evasive, the Kubrick who emerges from these interviews is candid, opinionated, confident, and articulate. His incredible memory and his gift for organization come to light as he quotes verbatim sections of reviews, books, and articles. Despite his reputation as a recluse, the Kubrick of these interviews is approachable, witty, full of anecdotes, and eager to share a fascinating story.