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The Prison of Time: Stanley Kubrick, Adrian Lyne, Michael Bay and Quentin Tarantino, Elisa Pezzotta


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Автор: Elisa Pezzotta
Название:  The Prison of Time: Stanley Kubrick, Adrian Lyne, Michael Bay and Quentin Tarantino
ISBN: 9781501380600
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1501380605
Обложка/Формат: Hardback
Страницы: 272
Вес: 0.45 кг.
Дата издания: 22.09.2022
Серия: Arts
Язык: English
Иллюстрации: 24 bw illus
Размер: 158 x 235 x 24
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Film theory & criticism,Film: styles & genres,Individual film directors, film-makers, PERFORMING ARTS / Film & Video / History & Criticism,PERFORMING ARTS / Individual Director
Подзаголовок: Stanley kubrick, adrian lyne, michael bay and quentin tarantino
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Поставляется из: Англии
Описание: We are imprisoned in circadian rhythms, as well as in our life reviews that follow chronological and causal links. For the majority of us our lives are vectors directed toward aims that we strive to reach and delimited by our birth and death. Nevertheless, we can still experience fleeting moments during which we forget the past and the future, as well as the very flow of time. During these intense emotions, we burst out laughing or crying, or we scream with pleasure, or we are mesmerized by a work of art or just by eyes staring at us. Similarly, when we watch a film, the screening time has a well defined beginning and end, and screening and diegetic time and their relations, together with narrative and stylistic techniques, determine a time within the time of our life with its own rules and exceptions. Through the close analysis of Stanley Kubrick’s, Adrian Lyne’s, Michael Bay’s and Quentin Tarantino’s oeuvres, this book discusses the overall ‘dominating’ time of their films and the moments during which this ‘ruling’ time is disrupted and we momentarily forget the run toward the diegetic future – suspense – or the past – curiosity and surprise. It is in these very moments, as well as in our own lives, that the prison of time, through which the film is constructed and that is constructed by the film itself, crumbles displaying our role as spectators, our deepest relations with the film.

The Stanley Kubrick Archives (Bibliotheca Universalis)

Название: The Stanley Kubrick Archives (Bibliotheca Universalis)
ISBN: 3836555824 ISBN-13(EAN): 9783836555821
Издательство: Taschen
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Цена: 17710.00 T
Наличие на складе: Есть
Описание: From the opening sequence of Killer`s Kiss to the final frames of Eyes Wide Shut, this dazzling collection includes some of Kubrick`s most unforgettable shots and revealing interviews, as well as abundant material from his own archives, such as set designs, screenplays, notes, correspondence, and shooting schedules.

We`ll Meet Again: Musical Design in the Films of Stanley Kubrick

Автор: McQuiston, Kate (Author)
Название: We`ll Meet Again: Musical Design in the Films of Stanley Kubrick
ISBN: 0199767653 ISBN-13(EAN): 9780199767656
Издательство: Oxford Academ
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Цена: 109030.00 T
Наличие на складе: Есть
Описание: We`ll Meet Again illuminates music`s central role in the design and reception of Stanley Kubrick`s films. It brings together archival evidence and close analysis to trace the ways music serves as starting point and inspiration throughout Kubrick`s working process.

Stanley Kubrick`s Barry Lyndon. Book & DVD Set

Название: Stanley Kubrick`s Barry Lyndon. Book & DVD Set
ISBN: 3836579618 ISBN-13(EAN): 9783836579612
Издательство: Taschen
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Цена: 26570.00 T
Наличие на складе: Невозможна поставка.
Описание: Barry Lyndon is a cinematic masterwork without equal. At first misunderstood upon its 1975 release, it is now widely considered to be one of Kubrick`s finest achievements. Each set in the Making of a Masterpiece series comes in a deluxe LP-sized folio and includes a DVD of the remastered film, the original poster, essays, interviews, and...

Stanley kubrick

Автор: Phillips, Gene D.
Название: Stanley kubrick
ISBN: 1578062977 ISBN-13(EAN): 9781578062973
Издательство: Mare Nostrum (Eurospan)
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Цена: 31630.00 T
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Описание:

From his first feature film, Fear and Desire (1953), to his final, posthumously released Eyes Wide Shut (1999), Stanley Kubrick excelled at probing the dark corners of human consciousness. In doing so, he adapted such popular novels as The Killing, Lolita, A Clockwork Orange, and The Shining and selected a wide variety of genres for his films -- black comedy (Dr. Strangelove), science fiction (2001: A Space Odyssey), and war (Paths of Glory and Full Metal Jacket). Because he was peerless in unveiling the intimate mysteries of human nature, no new film by Kubrick ever failed to spark debate or to be deeply pondered.

Kubrick (1928-1999) has remained as elusive as the subjects of his films. Unlike many other filmmakers he was not inclined to grant interviews, instead preferring to let his movies speak for themselves. By allowing both critics and moviegoers to see the inner workings of this reclusive filmmaker, this first comprehensive collection of his relatively few interviews is invaluable. Ranging from 1959 to 1987 and including Kubrick's conversations with Gene Siskel, Jeremy Bernstein, Gene D. Phillips, and others, this book reveals Kubrick's diverse interests -- nuclear energy and its consequences, space exploration, science fiction, literature, religion, psychoanalysis, the effects of violence, and even chess -- and discloses how each affects his films. He enthusiastically speaks of how advances in camera and sound technology made his films more effective.

Kubrick details his hands-on approach to filmmaking as he discusses why he supervises nearly every aspect of production. "All the hand-held camerawork is mine," he says in a 1972 interview about A Clockwork Orange. "In addition to the fun of doing the shooting myself, I find it virtually impossible to explain what I want in a hand-held shot to even the most talented and sensitive camera operator. "

Neither guarded nor evasive, the Kubrick who emerges from these interviews is candid, opinionated, confident, and articulate. His incredible memory and his gift for organization come to light as he quotes verbatim sections of reviews, books, and articles. Despite his reputation as a recluse, the Kubrick of these interviews is approachable, witty, full of anecdotes, and eager to share a fascinating story.

Quentin Tarantino: Interviews, Revised and Updated

Автор: Gerald Peary
Название: Quentin Tarantino: Interviews, Revised and Updated
ISBN: 1617038741 ISBN-13(EAN): 9781617038747
Издательство: Mare Nostrum (Eurospan)
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Цена: 66530.00 T
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Описание: Here, in his own colourful, slangy words, is the true American Dream saga of a self-proclaimed "film geek". Quentin Tarantino: Interviews, revised and updated with twelve new interviews, is a joy to read cover to cover because its subject has so much interesting and provocative to say about his own movies and about cinema in general, and also about his unusual life.

Quentin Tarantino: Poetics and Politics of Cinematic Metafiction

Автор: David Roche
Название: Quentin Tarantino: Poetics and Politics of Cinematic Metafiction
ISBN: 1496819160 ISBN-13(EAN): 9781496819161
Издательство: Mare Nostrum (Eurospan)
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Цена: 91960.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification. Covering all eight of Quentin Tarantino's films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films' poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality).Roche sets Tarantino's films firmly in the legacy of Howard Hawks, Jean-Luc Godard, Sergio Leone, and the New Hollywood, revising the image of a cool pop-culture purveyor that the American director cultivated at the beginning of his career. Roche emphasizes the breadth and depth of his films' engagement with culture, highbrow and lowbrow, screen and print, American, East Asian, and European.

My Best Friend`s Birthday: The Making of a Quentin Tarantino Film

Автор: Rausch Andrew J.
Название: My Best Friend`s Birthday: The Making of a Quentin Tarantino Film
ISBN: 1629334839 ISBN-13(EAN): 9781629334837
Издательство: Неизвестно
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Цена: 30650.00 T
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Quentin Tarantino: Poetics and Politics of Cinematic Metafiction

Автор: Roche David
Название: Quentin Tarantino: Poetics and Politics of Cinematic Metafiction
ISBN: 1496821157 ISBN-13(EAN): 9781496821157
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 29260.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification. Covering all eight of Quentin Tarantino's films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films' poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality).Roche sets Tarantino's films firmly in the legacy of Howard Hawks, Jean-Luc Godard, Sergio Leone, and the New Hollywood, revising the image of a cool pop-culture purveyor that the American director cultivated at the beginning of his career. Roche emphasizes the breadth and depth of his films' engagement with culture, highbrow and lowbrow, screen and print, American, East Asian, and European.

Quentin Tarantino and Film Theory: Aesthetics and Dialectics in Late Postmodernity

Автор: Pagello Federico
Название: Quentin Tarantino and Film Theory: Aesthetics and Dialectics in Late Postmodernity
ISBN: 303043821X ISBN-13(EAN): 9783030438210
Издательство: Springer
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Цена: 93160.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines a set of theoretical perspectives that critically engage with the notion of postmodernism, investigating whether this concept is still useful to approach contemporary cinema.

Quentin Tarantino FAQ: Everything Left to Know about the Original Reservoir Dog

Автор: Sherman Dale
Название: Quentin Tarantino FAQ: Everything Left to Know about the Original Reservoir Dog
ISBN: 1480355887 ISBN-13(EAN): 9781480355880
Издательство: Неизвестно
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Цена: 22980.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: QUENTIN TARANTINO FAQ: EVERYTHING LEFT TO KNOW ABOUT THE ORIGINAL RESERVOIR DOG

Quentin Tarantino and Film Theory: Aesthetics and Dialectics in Late Postmodernity

Автор: Pagello Federico
Название: Quentin Tarantino and Film Theory: Aesthetics and Dialectics in Late Postmodernity
ISBN: 303043818X ISBN-13(EAN): 9783030438180
Издательство: Springer
Рейтинг:
Цена: 93160.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines a set of theoretical perspectives that critically engage with the notion of postmodernism, investigating whether this concept is still useful to approach contemporary cinema.

Stanley Kubrick: New York Jewish Intellectual

Автор: Abrams Nathan
Название: Stanley Kubrick: New York Jewish Intellectual
ISBN: 0813587115 ISBN-13(EAN): 9780813587110
Издательство: Mare Nostrum (Eurospan)
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Цена: 29220.00 T
Наличие на складе: Нет в наличии.
Описание: Stanley Kubrick is generally acknowledged as one of the world’s great directors. Yet few critics or scholars have considered how he emerged from a unique and vibrant cultural milieu: the New York Jewish intelligentsia. Stanley Kubrick reexamines the director’s work in context of his ethnic and cultural origins. Focusing on several of Kubrick’s key themes—including masculinity, ethical responsibility, and the nature of evil—it demonstrates how his films were in conversation with contemporary New York Jewish intellectuals who grappled with the same concerns. At the same time, it explores Kubrick’s fraught relationship with his Jewish identity and his reluctance to be pegged as an ethnic director, manifest in his removal of Jewish references and characters from stories he adapted. As he digs deep into rare Kubrick archives to reveal insights about the director’s life and times, film scholar Nathan Abrams also provides a nuanced account of Kubrick’s cinematic artistry. Each chapter offers a detailed analysis of one of Kubrick’s major films, including Lolita, Dr. Strangelove, 2001, A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut. Stanley Kubrick thus presents an illuminating look at one of the twentieth century’s most renowned and yet misunderstood directors.


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