Ghost light, Pierre Drieu La Rochelle, Drieu La Rochelle
Автор: Drieu Cloe Название: Cinema, Nation, and Empire in Uzbekistan (1919-1937) ISBN: 0253037840 ISBN-13(EAN): 9780253037848 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 35110.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Between the founding of Soviet Uzbekistan in 1924 and the Stalinist Terror of the late 1930s, a nationalist cinema emerged in Uzbekistan giving rise to the first wave of national film production and an Uzbek cinematographic elite. In Cinema, Nation, and Empire in Uzbekistan Cloe Drieu uses Uzbek films as a lens to explore the creation of the Soviet State in Central Asia, starting from the collapse of the Russian Empire up through the eve of WWII. Drieu argues that cinema provides a perfect angle for viewing the complex history of domination, nationalism, and empire (here used to denote the centralization of power) within the Soviet sphere. By exploring all of film's dimensions as a socio-political phenomenon--including film production, film reception, and filmic discourse--Drieu reveals how nation and empire were built up as institutional realities and as imaginary constructs.
Based on archival research in the Uzbek and Russian State Archives and on in-depth analyses of 14 feature-length films, Drieu's work examines the lively debates within the totalitarian and so-called revisionist schools that invigorated Soviet historiography, positioning itself within contemporary discussions about the processes of state- and nation-building, and the emergence of nationalism more generally. Revised and expanded from the original French, Cinema, Nation, and Empire in Uzbekistan helps us to understand how Central Asia, formerly part of the Russian Empire, was decolonized, but later, in the run-up to the Stalinist period and repression of the late 1930s, suffered a new style of domination.
Автор: Drieu La Rochelle Pierre Название: The Man on Horseback ISBN: 1954357052 ISBN-13(EAN): 9781954357051 Издательство: Неизвестно Рейтинг: Цена: 18390.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
The Man on Horseback is Pierre Drieu la Rochelle's powerful novel of a South American Caudillo who seizes control of the Bolivian government and dreams of reestablishing the glory of the Incan Empire. A tragic tale of a populist leader who seizes power from the corrupt establishment, but then must struggle to hold onto it as the old guard plot their revenge, and as the forces he unleashes begin to spiral out of his control. Told through the voice of a lowly guitar player who is witness to the great events, as well as a participant, The Man on Horseback is a study of realpolitik in action, full of intrigue and plots by Masons, the Church, and the old aristocracy, as well as a meditation on the relation between action and contemplation, between art and heroism.
Автор: Morrison Alexander, Drieu Cloe, Chokobaeva Aminat Название: The Central Asian Revolt of 1916 ISBN: 1526129426 ISBN-13(EAN): 9781526129420 Издательство: NBN International Рейтинг: Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This volume provides a comprehensive reinterpretation of the 1916 Central Asian Revolt - a key event in the history of Central Asia, the Russian Empire and the First World War. -- .
Автор: Drieu Cloe Название: Cinema, Nation, and Empire in Uzbekistan (1919-1937) ISBN: 0253037832 ISBN-13(EAN): 9780253037831 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 83600.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Between the founding of Soviet Uzbekistan in 1924 and the Stalinist Terror of the late 1930s, a nationalist cinema emerged in Uzbekistan giving rise to the first wave of national film production and an Uzbek cinematographic elite. In Cinema, Nation, and Empire in Uzbekistan Cloe Drieu uses Uzbek films as a lens to explore the creation of the Soviet State in Central Asia, starting from the collapse of the Russian Empire up through the eve of WWII. Drieu argues that cinema provides a perfect angle for viewing the complex history of domination, nationalism, and empire (here used to denote the centralization of power) within the Soviet sphere. By exploring all of film's dimensions as a socio-political phenomenon--including film production, film reception, and filmic discourse--Drieu reveals how nation and empire were built up as institutional realities and as imaginary constructs.
Based on archival research in the Uzbek and Russian State Archives and on in-depth analyses of 14 feature-length films, Drieu's work examines the lively debates within the totalitarian and so-called revisionist schools that invigorated Soviet historiography, positioning itself within contemporary discussions about the processes of state- and nation-building, and the emergence of nationalism more generally. Revised and expanded from the original French, Cinema, Nation, and Empire in Uzbekistan helps us to understand how Central Asia, formerly part of the Russian Empire, was decolonized, but later, in the run-up to the Stalinist period and repression of the late 1930s, suffered a new style of domination.
Автор: Xavier Bougarel, Rapha?lle Branche, Clo? Drieu Название: Combatants of Muslim Origin in European Armies in the Twentieth Century: Far From Jihad ISBN: 1474249426 ISBN-13(EAN): 9781474249423 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: During the two World Wars that marked the 20th century, hundreds of thousands of non-European combatants fought in the ranks of various European armies. The majority of these soldiers were Muslims from North Africa, Sub-Saharan Africa, Central Asia, or the Indian Subcontinent. How are these combatants considered in existing historiography? Over the past few decades, research on war has experienced a wide-reaching renewal, with increased emphasis on the social and cultural dimensions of war, and a desire to reconstruct the experience and viewpoint of the combatants themselves. This volume reintroduces the question of religious belonging and practice into the study of Muslim combatants in European armies in the 20th century, focusing on the combatants’ viewpoint alongside that of the administrations and military hierarchy.
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