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Cinema, Nation, and Empire in Uzbekistan (1919-1937), Drieu Cloe


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Автор: Drieu Cloe
Название:  Cinema, Nation, and Empire in Uzbekistan (1919-1937)
ISBN: 9780253037831
Издательство: Mare Nostrum (Eurospan)
Классификация:
ISBN-10: 0253037832
Обложка/Формат: Hardback
Страницы: 312
Вес: 0.58 кг.
Дата издания: 01.01.2019
Язык: English
Иллюстрации: 30 illustrations, black and white
Размер: 161 x 237 x 20
Ключевые слова: Film theory & criticism,Crimean War, PERFORMING ARTS / Film & Video / History & Criticism,HISTORY / Asia / Central Asia,HISTORY / Europe / Russia & the Former Soviet Union
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Поставляется из: Англии
Описание:

Between the founding of Soviet Uzbekistan in 1924 and the Stalinist Terror of the late 1930s, a nationalist cinema emerged in Uzbekistan giving rise to the first wave of national film production and an Uzbek cinematographic elite. In Cinema, Nation, and Empire in Uzbekistan Cloe Drieu uses Uzbek films as a lens to explore the creation of the Soviet State in Central Asia, starting from the collapse of the Russian Empire up through the eve of WWII. Drieu argues that cinema provides a perfect angle for viewing the complex history of domination, nationalism, and empire (here used to denote the centralization of power) within the Soviet sphere. By exploring all of films dimensions as a socio-political phenomenon--including film production, film reception, and filmic discourse--Drieu reveals how nation and empire were built up as institutional realities and as imaginary constructs.

Based on archival research in the Uzbek and Russian State Archives and on in-depth analyses of 14 feature-length films, Drieus work examines the lively debates within the totalitarian and so-called revisionist schools that invigorated Soviet historiography, positioning itself within contemporary discussions about the processes of state- and nation-building, and the emergence of nationalism more generally. Revised and expanded from the original French, Cinema, Nation, and Empire in Uzbekistan helps us to understand how Central Asia, formerly part of the Russian Empire, was decolonized, but later, in the run-up to the Stalinist period and repression of the late 1930s, suffered a new style of domination.


Дополнительное описание: Note on Transcriptions
Prologue
Acknowledgements
Introduction
Part 1: Decolonizing Central Asia: Film Structures and Representations (1919-1927)
Turkestan Prior to the Birth of the USSR: Revolts and "Colonial Revolution"
1. C



Mission to the Kurils

Автор: Cloe John H.
Название: Mission to the Kurils
ISBN: 1578336422 ISBN-13(EAN): 9781578336425
Издательство: Неизвестно
Цена: 36790.00 T
Наличие на складе: Невозможна поставка.

Cinema, Nation, and Empire in Uzbekistan (1919-1937)

Автор: Drieu Cloe
Название: Cinema, Nation, and Empire in Uzbekistan (1919-1937)
ISBN: 0253037840 ISBN-13(EAN): 9780253037848
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 35110.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Between the founding of Soviet Uzbekistan in 1924 and the Stalinist Terror of the late 1930s, a nationalist cinema emerged in Uzbekistan giving rise to the first wave of national film production and an Uzbek cinematographic elite. In Cinema, Nation, and Empire in Uzbekistan Cloe Drieu uses Uzbek films as a lens to explore the creation of the Soviet State in Central Asia, starting from the collapse of the Russian Empire up through the eve of WWII. Drieu argues that cinema provides a perfect angle for viewing the complex history of domination, nationalism, and empire (here used to denote the centralization of power) within the Soviet sphere. By exploring all of film's dimensions as a socio-political phenomenon--including film production, film reception, and filmic discourse--Drieu reveals how nation and empire were built up as institutional realities and as imaginary constructs.

Based on archival research in the Uzbek and Russian State Archives and on in-depth analyses of 14 feature-length films, Drieu's work examines the lively debates within the totalitarian and so-called revisionist schools that invigorated Soviet historiography, positioning itself within contemporary discussions about the processes of state- and nation-building, and the emergence of nationalism more generally. Revised and expanded from the original French, Cinema, Nation, and Empire in Uzbekistan helps us to understand how Central Asia, formerly part of the Russian Empire, was decolonized, but later, in the run-up to the Stalinist period and repression of the late 1930s, suffered a new style of domination.


E Tude Historique Sur Le Cateau-Cambre Sis Avant Et Pendant La Re Volution

Автор: Cloe Z. Damase
Название: E Tude Historique Sur Le Cateau-Cambre Sis Avant Et Pendant La Re Volution
ISBN: 1249008395 ISBN-13(EAN): 9781249008392
Издательство: Неизвестно
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Цена: 30120.00 T
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Relationship Breakthru (Lsi)

Автор: Madanes, Cloe
Название: Relationship Breakthru (Lsi)
ISBN: 1623361869 ISBN-13(EAN): 9781623361860
Издательство: Random House (USA)
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Цена: 11030.00 T
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Combatants of Muslim Origin in European Armies in the Twentieth Century: Far From Jihad

Автор: Xavier Bougarel, Rapha?lle Branche, Clo? Drieu
Название: Combatants of Muslim Origin in European Armies in the Twentieth Century: Far From Jihad
ISBN: 1474249426 ISBN-13(EAN): 9781474249423
Издательство: Bloomsbury Academic
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Цена: 100320.00 T
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Описание: During the two World Wars that marked the 20th century, hundreds of thousands of non-European combatants fought in the ranks of various European armies. The majority of these soldiers were Muslims from North Africa, Sub-Saharan Africa, Central Asia, or the Indian Subcontinent. How are these combatants considered in existing historiography? Over the past few decades, research on war has experienced a wide-reaching renewal, with increased emphasis on the social and cultural dimensions of war, and a desire to reconstruct the experience and viewpoint of the combatants themselves. This volume reintroduces the question of religious belonging and practice into the study of Muslim combatants in European armies in the 20th century, focusing on the combatants’ viewpoint alongside that of the administrations and military hierarchy.


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