Sounding Together: Collaborative Perspectives on U.S. Music in the 21st Century, Garrett Charles, Oja Carol J.
Автор: Alexander Phil Название: Sounding Jewish in Berlin: Klezmer Music and the Contemporary City ISBN: 0190064439 ISBN-13(EAN): 9780190064433 Издательство: Oxford Academ Рейтинг: Цена: 182010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book tells the story of Berlin`s dynamic klezmer scene, tracing the ongoing dialogue between traditional Yiddish folk music and the creativity and modern urbanity of the German capital. It reveals how contemporary klezmer has become not only a product but also a producer of the city.
Автор: Fraser Jennifer A. Название: Gongs and Pop Songs: Sounding Minangkabau in Indonesia ISBN: 0896802957 ISBN-13(EAN): 9780896802957 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 27550.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Scholarship on the musical traditions of Indonesia has long focused on practices from Java and Bali, including famed gamelan traditions, at the expense of the wide diversity of other musical forms within the archipelago.
Автор: Jennifer A. Fraser Название: Gongs and Pop Songs: Sounding Minangkabau in Indonesia ISBN: 0896802949 ISBN-13(EAN): 9780896802940 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 62700.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Scholarship on the musical traditions of Indonesia has long focused on practices from Java and Bali, including famed gamelan traditions, at the expense of the wide diversity of other musical forms within the archipelago.
Автор: Millar Stephen Название: Sounding Dissent: Rebel Songs, Resistance, and Irish Republicanism ISBN: 047213194X ISBN-13(EAN): 9780472131945 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 72070.00 T Наличие на складе: Невозможна поставка. Описание: Draws on original in-depth interviews with Irish republican musicians, contemporary audiences, and former paramilitaries, as well as diverse historical and archival material, including songbooks, prison records, and newspaper articles, to understand the history of political violence in Ireland.
Автор: Stephen Millar Название: Sounding Dissent: Rebel Songs, Resistance, and Irish Republicanism ISBN: 0472038877 ISBN-13(EAN): 9780472038879 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 35110.00 T Наличие на складе: Нет в наличии. Описание: Draws on original in-depth interviews with Irish republican musicians, contemporary audiences, and former paramilitaries, as well as diverse historical and archival material, including songbooks, prison records, and newspaper articles, to understand the history of political violence in Ireland.
Автор: Martin Denis-Constant Название: Sounding the Cape Music, Identity and Politics in South Africa ISBN: 1920489827 ISBN-13(EAN): 9781920489823 Издательство: Неизвестно Рейтинг: Цена: 94890.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Music David W. Название: Repeat the Sounding Joy: Reflections on Hymns by Isaac Watts ISBN: 0881467693 ISBN-13(EAN): 9780881467697 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 29260.00 T Наличие на складе: Невозможна поставка. Описание: Isaac Watts is universally recognized as one of the greatest English-language hymn writers of the eighteenth century, the "Golden Age of English Hymnody". This book offers an introduction to Watts`s work and its importance, including chapters on each of his twenty-five most widely sung texts.
Автор: McQuinn Austin Название: Becoming Audible: Sounding Animality in Performance ISBN: 027108796X ISBN-13(EAN): 9780271087962 Издательство: NBN International Рейтинг: Цена: 119670.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Explores the phenomenon of human and animal acoustic entanglements in art and performance.
In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars.
Drawing on a global range of archival evidence-from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment-this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of 'the canon' in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past.
This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery.
In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars.
Drawing on a global range of archival evidence-from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment-this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of 'the canon' in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past.
This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery.
Автор: Lavery Christopher Название: Piano & Keyboard Made Easy: Shortcuts For Learning Piano & Sounding Good Instantly ISBN: 1925288552 ISBN-13(EAN): 9781925288551 Издательство: Неизвестно Рейтинг: Цена: 24510.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Now you too can learn piano and understand the building blocks of music without needing to spend years learning how to "read" music. If you have been trying to learn an instrument or gave up years ago, this book will give you a massive sigh of relief as Christopher shows you how truly easy music and piano can be.
Автор: Utz Christian Название: Musical Composition in the Context of Globalization: New Perspectives on Music History of the Twentieth and Twenty-First Century ISBN: 3837650952 ISBN-13(EAN): 9783837650952 Издательство: Gazelle Book Services Рейтинг: Цена: 80070.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.
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