In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars.
Drawing on a global range of archival evidence-from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment-this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of 'the canon' in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past.
This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery.
Автор: Fraser Jennifer A. Название: Gongs and Pop Songs: Sounding Minangkabau in Indonesia ISBN: 0896802957 ISBN-13(EAN): 9780896802957 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 27550.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Scholarship on the musical traditions of Indonesia has long focused on practices from Java and Bali, including famed gamelan traditions, at the expense of the wide diversity of other musical forms within the archipelago.
Автор: Jennifer A. Fraser Название: Gongs and Pop Songs: Sounding Minangkabau in Indonesia ISBN: 0896802949 ISBN-13(EAN): 9780896802940 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 62700.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Scholarship on the musical traditions of Indonesia has long focused on practices from Java and Bali, including famed gamelan traditions, at the expense of the wide diversity of other musical forms within the archipelago.
Автор: Martin Denis-Constant Название: Sounding the Cape Music, Identity and Politics in South Africa ISBN: 1920489827 ISBN-13(EAN): 9781920489823 Издательство: Неизвестно Рейтинг: Цена: 94890.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Millar Stephen Название: Sounding Dissent: Rebel Songs, Resistance, and Irish Republicanism ISBN: 047213194X ISBN-13(EAN): 9780472131945 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 72070.00 T Наличие на складе: Невозможна поставка. Описание: Draws on original in-depth interviews with Irish republican musicians, contemporary audiences, and former paramilitaries, as well as diverse historical and archival material, including songbooks, prison records, and newspaper articles, to understand the history of political violence in Ireland.
Автор: McQuinn Austin Название: Becoming Audible: Sounding Animality in Performance ISBN: 027108796X ISBN-13(EAN): 9780271087962 Издательство: NBN International Рейтинг: Цена: 119670.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Explores the phenomenon of human and animal acoustic entanglements in art and performance.
In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars.
Drawing on a global range of archival evidence-from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment-this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of 'the canon' in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past.
This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery.
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