After In-Yer-Face Theatre: Remnants of a Theatrical Revolution, Boles William C.
Автор: Andrew J. Wilson Название: A Fiery Soul: The Life and Theatrical Times of John Hirsch ISBN: 1550653199 ISBN-13(EAN): 9781550653199 Издательство: Gazelle Book Services Рейтинг: Цена: 28530.00 T Наличие на складе: Невозможна поставка. Описание: John Hirsch arrived in Winnipeg in 1947, a 17-year-old Hungarian orphan of the Holocaust, knowing no English. Ten years later, he cofounded the Manitoba Theatre Centre, establishing a model for regional theatres across North America. This comprehensive biography traces Hirschs life, from his difficult childhood to his eventual professional success, as he went on to direct award-winning productions in Los Angeles, New York City, and Toronto--from Guys and Dolls to The Tempest --and work with actors such as Anthony Hopkins and Maggie Smith. Revealing why Hirsch was notorious for his fiery temper and budget-blowing sets, the book details his stormy four years as CBCs head of TV drama in the 1970s and his even more volatile tenure as artistic director at the Stratford Festival from 1981 to 1985.
Автор: Boles William C. Название: After In-Yer-Face Theatre: Remnants of a Theatrical Revolution ISBN: 3030394263 ISBN-13(EAN): 9783030394264 Издательство: Springer Рейтинг: Цена: 111790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book revisits In-Yer-Face theatre, an explosive, energetic theatrical movement from the 1990s that introduced the world to playwrights Sarah Kane, Martin McDonagh, Mark Ravenhill, Jez Butterworth, and many others.
Автор: Matteo Paoletti Название: A Huge Revolution of Theatrical Commerce: Walter Mocchi and the Italian Musical Theatre Business in South America ISBN: 1108790488 ISBN-13(EAN): 9781108790482 Издательство: Cambridge Academ Рейтинг: Цена: 19010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In the early twentieth century, South America became the most important market for European opera and musical theatre and this Element explores Walter Mocchi`s transoceanic role in this revolution. He staged world premieres of works by Italian superstars in Argentina, offering an early example of what Stephen Greenblatt calls `cultural mobility`.
The author examines the vigorous reception of the German theater in Greece, a phenomenon that took place along with the process of establishing in Athens, in 1901 the Royal Theater. The multiple aesthetic, social and political forms of this phenomenon provided a "locus of contact" with the German culture and accomplished a function, regarded as the instrument for the development of the bourgeois theater in Greece. This happened through the work of theater practitioners and intellectuals, as well as through the transfer of institutions, theatrical plays, and scripts of direction instructions, decorations, and props. The performances staged were the iceberg in the process of this reception, as they provided a strategy toward the revitalization of the Greek theater, realized in a productive way.
Автор: Carina E. I. Westling Название: Immersion and Participation in Punchdrunk`s Theatrical Worlds ISBN: 1350101958 ISBN-13(EAN): 9781350101951 Издательство: Bloomsbury Academic Цена: 68640.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Immersion and Participation in Punchdrunk’s Theatrical Worlds is a detailed account of the company's award-winning productions and their historical context. Examining Punchdrunk's role as pioneers of immersive theatre in the UK through a range of their productions including Sleep No More and The Drowned Man besides theatrical works such as Faust , The Duchess of Malfi and Kabeiroi , and cross-platform productions like The Moon Slave , The Borough and The Oracles , the book presents an original framework for understanding immersion in theatrical and mixed reality experiences.Central to the book is a study of how immersive experience is produced in interaction with physical and digital scenography for participatory audiences. Through ethnographies of the company, their designers, actors, producers and audiences, the book interrogates the relationship between the aesthetics of interaction and the experience of immersion in Punchdrunk’s work. The theoretical framework that the book introduces affords analyses of material cultures and the influence of technology on interaction design in theatre and beyond, and offers a blueprint for next-generation immersive design and scenography for interactive multimedia environments.
Автор: Mulrooney, Jonathan (college Of The Holy Cross, Massachusetts) Название: Romanticism and theatrical experience ISBN: 1107183871 ISBN-13(EAN): 9781107183872 Издательство: Cambridge Academ Рейтинг: Цена: 99270.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The book uniquely brings together the fields of theater history, print culture, and literature, exploring new contexts around the work of actor Edmund Kean, essayist William Hazlitt, and poet John Keats, and reframing the relationship between theater, essays and poetry in Regency London.
Автор: James Moran Название: The Theatre of D.H. Lawrence: Dramatic Modernist and Theatrical Innovator ISBN: 1472570383 ISBN-13(EAN): 9781472570383 Издательство: Bloomsbury Academic Рейтинг: Цена: 116160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama.
F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence's fictions - from his first published work to the last story that he wrote before his death - continually take inspiration from the playhouse.
The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage.
Название: Theatre Scandals: Social Dynamics of Turbulent Theatrical Events ISBN: 9004433252 ISBN-13(EAN): 9789004433250 Издательство: Brill Рейтинг: Цена: 160720.00 T Наличие на складе: Нет в наличии. Описание: Since the beginning of theatre history, scandals have taken place and the variety of causes, processes and types of interactions makes them an interesting object of study. Theatre scandals often indicate clashes with a dominant ideology or with the ideology of a particular group in society. Sometimes, following a scandal, the attacked ideology changes and incorporates the possibility of the aesthetics or themes that caused the clash. In this way, scandals can cause dynamic changes within cultural systems. Next to theoretical considerations the contributors, all members of the IFTR Theatrical Event Working Group, present in their various case studies a wide cultural and chronological diversity of theatre scandals, all of which were experienced as very shocking moments in theatre history.
Автор: Dassia Posner Название: The Director`s Prism: E. T. A. Hoffmann and the Russian Theatrical Avant-Garde ISBN: 0810133563 ISBN-13(EAN): 9780810133563 Издательство: Mare Nostrum (Eurospan) Цена: 100320.00 T Наличие на складе: Невозможна поставка. Описание: The Director's Prism investigates how and why three of Russia's most innovative directors— Vsevelod Meyerhold, Alexander Tairov, and Sergei Eisenstein—used the fantastical tales of German Romantic writer E. T. A. Hoffmann to reinvent the rules of theatrical practice. Because the rise of the director and the Russian cult of Hoffmann closely coincided, Posner argues, many characteristics we associate with avant-garde theater—subjective perspective, breaking through the fourth wall, activating the spectator as a co-creator—become uniquely legible in the context of this engagement. Posner examines the artistic poetics of Meyerhold's grotesque, Tairov's mime-drama, and Eisenstein's theatrical attraction through production analyses, based on extensive archival research, that challenge the notion of theater as a mirror to life, instead viewing the director as a prism through whom life is refracted. A resource for scholars and practitioners alike, this groundbreaking study provides a fresh, provocative perspective on experimental theater, intercultural borrowings, and the nature of the creative process.
Автор: Balme Название: The Theatrical Public Sphere ISBN: 110700683X ISBN-13(EAN): 9781107006836 Издательство: Cambridge Academ Рейтинг: Цена: 78130.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The concept of the public sphere, as first outlined by German philosopher Jurgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society.
Автор: E. Wallace Название: Theatre Symposium, V 20: Gods and Groundlings: Historical Theatrical Audiences ISBN: 0817370072 ISBN-13(EAN): 9780817370077 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 38810.00 T Наличие на складе: Невозможна поставка. Описание: The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over time, which is one of the subjects addressed, along with the changing disposition of the audience itself and a number of other topics, in Gods and Groundlings, volume 20 of the annual journal Theatre Symposium. The essays in this volume discuss spectatorship in historical context, the role of the audience in the digital age, the early modern English transvestite theatre, Annie Oakley and the disruption of Victorian audiences, and historical attempts to create ideal audiences. Edited by E. Bert Wallace, this latest publication from the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory.
Contributors To Volume 20 Susan Bennett / Jane Barnette / Becky Becker / Lisa Bernd / Evan Bridenstine / Michael Jaros / Robert I. Lublin / Paulette Marty
Автор: Frank Название: Nabokov`s Theatrical Imagination ISBN: 1107479797 ISBN-13(EAN): 9781107479791 Издательство: Cambridge Academ Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Drawing on unpublished archival material, this study offers a comprehensive assessment of the importance of theatrical performance in Vladimir Nabokov`s thinking and writing. Siggy Frank argues that despite Nabokov`s anti-theatrical stance as a drama critic, theatricality is actually at the heart of his own practice as both playwright and novelist.
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