The Director`s Prism: E. T. A. Hoffmann and the Russian Theatrical Avant-Garde, Dassia Posner
Автор: Andrew J. Wilson Название: A Fiery Soul: The Life and Theatrical Times of John Hirsch ISBN: 1550653199 ISBN-13(EAN): 9781550653199 Издательство: Gazelle Book Services Рейтинг: Цена: 28530.00 T Наличие на складе: Невозможна поставка. Описание: John Hirsch arrived in Winnipeg in 1947, a 17-year-old Hungarian orphan of the Holocaust, knowing no English. Ten years later, he cofounded the Manitoba Theatre Centre, establishing a model for regional theatres across North America. This comprehensive biography traces Hirschs life, from his difficult childhood to his eventual professional success, as he went on to direct award-winning productions in Los Angeles, New York City, and Toronto--from Guys and Dolls to The Tempest --and work with actors such as Anthony Hopkins and Maggie Smith. Revealing why Hirsch was notorious for his fiery temper and budget-blowing sets, the book details his stormy four years as CBCs head of TV drama in the 1970s and his even more volatile tenure as artistic director at the Stratford Festival from 1981 to 1985.
Автор: Balme Название: The Theatrical Public Sphere ISBN: 1316638871 ISBN-13(EAN): 9781316638873 Издательство: Cambridge Academ Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Christopher B. Balme explores theatre`s role in the crucial political and social function of the public sphere, from the debates that led to the closure of British theatres in 1642 to the relevance of theatre for society today in a new age of globalised distributed aesthetics.
Автор: Balme Название: The Theatrical Public Sphere ISBN: 110700683X ISBN-13(EAN): 9781107006836 Издательство: Cambridge Academ Рейтинг: Цена: 78130.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The concept of the public sphere, as first outlined by German philosopher Jurgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society.
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