Inside Central Asia: A Political and Cultural History of Uzbekistan, Turkmenistan, Kazakhstan, Kyrgyz Stan, Tajikistan, Turkey, and Iran, Hiro Dilip
Автор: Aye Raffael, Schweizer Manuel, Roth Tobias Название: Birds of Central Asia: Kazakhstan, Turkmenistan, Uzbekistan, Kyrgyzstan, Tajikistan, Afghanistan ISBN: 069115337X ISBN-13(EAN): 9780691153377 Издательство: Wiley Рейтинг: Цена: 41380.00 T Наличие на складе: Нет в наличии. Описание: From ground jays, larks, and raptors to warblers, nuthatches, and snowfinches, this book covers 618 species - including all residents, migrants, and vagrants - and 143 superb plates depict every species and many distinct plumages and races. It contains introductory sections on the land and its birds, and colour maps.
Автор: Drieu Cloe Название: Cinema, Nation, and Empire in Uzbekistan (1919-1937) ISBN: 0253037840 ISBN-13(EAN): 9780253037848 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 35110.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Between the founding of Soviet Uzbekistan in 1924 and the Stalinist Terror of the late 1930s, a nationalist cinema emerged in Uzbekistan giving rise to the first wave of national film production and an Uzbek cinematographic elite. In Cinema, Nation, and Empire in Uzbekistan Cloe Drieu uses Uzbek films as a lens to explore the creation of the Soviet State in Central Asia, starting from the collapse of the Russian Empire up through the eve of WWII. Drieu argues that cinema provides a perfect angle for viewing the complex history of domination, nationalism, and empire (here used to denote the centralization of power) within the Soviet sphere. By exploring all of film's dimensions as a socio-political phenomenon--including film production, film reception, and filmic discourse--Drieu reveals how nation and empire were built up as institutional realities and as imaginary constructs.
Based on archival research in the Uzbek and Russian State Archives and on in-depth analyses of 14 feature-length films, Drieu's work examines the lively debates within the totalitarian and so-called revisionist schools that invigorated Soviet historiography, positioning itself within contemporary discussions about the processes of state- and nation-building, and the emergence of nationalism more generally. Revised and expanded from the original French, Cinema, Nation, and Empire in Uzbekistan helps us to understand how Central Asia, formerly part of the Russian Empire, was decolonized, but later, in the run-up to the Stalinist period and repression of the late 1930s, suffered a new style of domination.
Автор: David Gullette Название: The Genealogical Construction of the Kyrgyz Republic (Inner Asia) ISBN: 190687610X ISBN-13(EAN): 9781906876104 Издательство: Brill Рейтинг: Цена: 71590.00 T Наличие на складе: Есть Описание: This book explores the conceptions of genealogy, kinship and 'tribalism' in the intertwined construction of personhood and national identity in the Kyrgyz Republic. It makes an important contribution to several theoretical and regional debates. First, it engages with broader anthropological literature. Genealogy, a central theme of the work, is explored not only as an analysis of relationships, but also as a methodological tool through which to examine society. Second, the book contributes to theories of kinship and the state. Research provides detailed accounts of Soviet and post-Soviet transformations, and their influence on people's everyday lives. Third, the book fills a gap in Central/Inner Asian literature by focusing on social relations during a period of political upheaval.
Автор: Megoran Nick Название: Nationalism in Central Asia: A Biography of the Uzbekistan-Kyrgyzstan Boundary ISBN: 0822964422 ISBN-13(EAN): 9780822964421 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 33270.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Nick Megoran explores the process of building independent nation-states in post-Soviet Central Asia through the lens of the boundary between Uzbekistan and Kyrgyzstan, using a combination of political, historical, ethnographic, and geographic frames to shed new light on this process.
Автор: H?l?ne Thibault Название: Transforming Tajikistan: State-Building and Islam in Post-Soviet Central Asia ISBN: 178453921X ISBN-13(EAN): 9781784539214 Издательство: Macmillan Рейтинг: Цена: 155230.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Tajikistan is a key state in Central Asia, and will become crucial to the regional power balance as it transitions away from Soviet government systems and responds to the rise of Chinese financial power alongside the continuing presence of Russian military might and instability in neighboring Afghanistan. This book demonstrates how the Soviet atheist legacy continues to influence current state structures, the regulation of religion, the formation of national identities, and the understanding of the place of religion in society. Helene Thibault focuses on the differences between secular nationhood in Tajikistan, and an increasingly popular and influential Muslim identity. Featuring extensive and original primary-source material, including 12 months of ethnographic fieldwork, Thibault demonstrates the profound and lasting influence of Soviet power structures and attitudes, and how secular and religious identities clash in a context of tightening authoritarianism.
Автор: Drieu Cloe Название: Cinema, Nation, and Empire in Uzbekistan (1919-1937) ISBN: 0253037832 ISBN-13(EAN): 9780253037831 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 83600.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Between the founding of Soviet Uzbekistan in 1924 and the Stalinist Terror of the late 1930s, a nationalist cinema emerged in Uzbekistan giving rise to the first wave of national film production and an Uzbek cinematographic elite. In Cinema, Nation, and Empire in Uzbekistan Cloe Drieu uses Uzbek films as a lens to explore the creation of the Soviet State in Central Asia, starting from the collapse of the Russian Empire up through the eve of WWII. Drieu argues that cinema provides a perfect angle for viewing the complex history of domination, nationalism, and empire (here used to denote the centralization of power) within the Soviet sphere. By exploring all of film's dimensions as a socio-political phenomenon--including film production, film reception, and filmic discourse--Drieu reveals how nation and empire were built up as institutional realities and as imaginary constructs.
Based on archival research in the Uzbek and Russian State Archives and on in-depth analyses of 14 feature-length films, Drieu's work examines the lively debates within the totalitarian and so-called revisionist schools that invigorated Soviet historiography, positioning itself within contemporary discussions about the processes of state- and nation-building, and the emergence of nationalism more generally. Revised and expanded from the original French, Cinema, Nation, and Empire in Uzbekistan helps us to understand how Central Asia, formerly part of the Russian Empire, was decolonized, but later, in the run-up to the Stalinist period and repression of the late 1930s, suffered a new style of domination.
How do specific secular and religious ideologies—such as nationalism, neoliberalism, atheism, Pentecostalism, Tablighi Islam, and shamanism—gain popularity and when do they lose traction? To answer these questions, Mathijs Pelkmans critically examines the trajectories of a range of ideologies as they move into the post-Soviet frontier in Central Asia. Ethnographically rooted in the everyday life of a former mining town in southern Kyrgyzstan, Fragile Conviction shows how residents have dealt with the existential and epistemic crises that arose after the collapse of the Soviet Empire. Residents became enchanted by the truths of Muslim and Christian missionaries, embraced the teachings of neoliberal and nationalist ideologues, and were riveted by the visions of shamanic healers. But no matter how much enthusiasm and hope these ideas first engendered, the commitment to any of them rarely lasted very long.Pelkmans finds that there is an inverse relationship between the tenacity and the effervescence of collective ideas, between their strength to persist and their ability to trigger committed action. Introducing the concept of pulsation, he argues in Fragile Conviction that ideational power must be understood in relation to three aspects: the voicing of the idea, its tension with everyday reality, and its reverberation within groups of listeners. The conclusion that the power of conviction is rooted in the instability of sociocultural contexts is a message that has relevance far beyond urban Central Asia.
How do specific secular and religious ideologies—such as nationalism, neoliberalism, atheism, Pentecostalism, Tablighi Islam, and shamanism—gain popularity and when do they lose traction? To answer these questions, Mathijs Pelkmans critically examines the trajectories of a range of ideologies as they move into the post-Soviet frontier in Central Asia. Ethnographically rooted in the everyday life of a former mining town in southern Kyrgyzstan, Fragile Conviction shows how residents have dealt with the existential and epistemic crises that arose after the collapse of the Soviet Empire. Residents became enchanted by the truths of Muslim and Christian missionaries, embraced the teachings of neoliberal and nationalist ideologues, and were riveted by the visions of shamanic healers. But no matter how much enthusiasm and hope these ideas first engendered, the commitment to any of them rarely lasted very long.Pelkmans finds that there is an inverse relationship between the tenacity and the effervescence of collective ideas, between their strength to persist and their ability to trigger committed action. Introducing the concept of pulsation, he argues in Fragile Conviction that ideational power must be understood in relation to three aspects: the voicing of the idea, its tension with everyday reality, and its reverberation within groups of listeners. The conclusion that the power of conviction is rooted in the instability of sociocultural contexts is a message that has relevance far beyond urban Central Asia.
Автор: Khalid Adeeb Название: Making Uzbekistan: Nation, Empire, and Revolution in the Early USSR ISBN: 0801454093 ISBN-13(EAN): 9780801454097 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 108680.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
In Making Uzbekistan, Adeeb Khalid chronicles the tumultuous history of Central Asia in the age of the Russian revolution. He explores the complex interaction between Uzbek intellectuals, local Bolsheviks, and Moscow to sketch out the flux of the situation in early-Soviet Central Asia. His focus on the Uzbek intelligentsia allows him to recast our understanding of Soviet nationalities policies. Uzbekistan, he argues, was not a creation of Soviet policies, but a project of the Muslim intelligentsia that emerged in the Soviet context through the interstices of the complex politics of the period. Making Uzbekistan introduces key texts from this period and argues that what the decade witnessed was nothing short of a cultural revolution.
Автор: Blank Stephen J. Название: Turkmenistan and Central Asia After Niyazov ISBN: 1288245912 ISBN-13(EAN): 9781288245918 Издательство: Неизвестно Цена: 22990.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Blank Stephen J. Название: Turkmenistan and Central Asia After Niyazov - Scholar`s Choice Edition ISBN: 1296048144 ISBN-13(EAN): 9781296048143 Издательство: Неизвестно Рейтинг: Цена: 22990.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
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