Visualizing Equality: African American Rights and Visual Culture in the Nineteenth Century, Gonzalez Aston
Автор: Katherine G. Morrissey, John-Michael H. Warner Название: Border Spaces: Visualizing the U.S.-Mexico Frontera ISBN: 0816537232 ISBN-13(EAN): 9780816537235 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 60990.00 T Наличие на складе: Невозможна поставка. Описание: The built environment along the U.S.-Mexico border has long been a hotbed of political and creative action. In this volume, the historically tense region and visually provocative margin—the southwestern United States and northern Mexico—take center stage. From the borderlands perspective, the symbolic importance and visual impact of border spaces resonate deeply. In the new volume Border Spaces, Katherine G. Morrissey, John-Michael H. Warner, and other essayists build on the insights of border dwellers, or fronterizos, and draw on two interrelated fields—border art history and border studies. The editors engage in a conversation on the physical landscape of the border and its representations through time, art, and architecture. The volume is divided into two linked sections—one on border histories of built environments and the second on border art histories. Each section begins with a “conversation” essay—co-authored by two leading interdisciplinary scholars in the relevant fields—that weaves together the book’s thematic questions with the ideas and essays to follow. Border Spaces is a volume that is prompted by art and grounded in an academy ready to consider the connections between art, land, and peoples.Contributors: Maribel Alvarez, Geraldo Lujan Cadava, Amelia Malagamba-Ansótegui, Mary E. Mendoza, Sarah J. Moore, Katherine G. Morrissey, Margaret Regan, Rebecca Schreiber, Ila Sheren, Samuel Truett, John-Michael H. Warner.
Автор: Katherine G. Morrissey, John-Michael H. Warner Название: Border Spaces: Visualizing the U.S.-Mexico Frontera ISBN: 0816539464 ISBN-13(EAN): 9780816539468 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 38810.00 T Наличие на складе: Невозможна поставка. Описание: The built environment along the U.S.-Mexico border has long been a hotbed of political and creative action. In this volume, the historically tense region and visually provocative margin--the southwestern United States and northern Mexico--take center stage. From the borderlands perspective, the symbolic importance and visual impact of border spaces resonate deeply.In Border Spaces, Katherine G. Morrissey, John-Michael H. Warner, and other essayists build on the insights of border dwellers, or fronterizos, and draw on two interrelated fields--border art history and border studies. The editors engage in a conversation on the physical landscape of the border and its representations through time, art, and architecture.The volume is divided into two linked sections--one on border histories of built environments and the second on border art histories. Each section begins with a ""conversation"" essay--co-authored by two leading interdisciplinary scholars in the relevant fields--that weaves together the book's thematic questions with the ideas and essays to follow.Border Spaces is prompted by art and grounded in an academy ready to consider the connections between art, land, and people in a binational region.
Автор: Ingvild Flaskerud Название: Visualizing Belief and Piety in Iranian Shiism ISBN: 1441125248 ISBN-13(EAN): 9781441125248 Издательство: Bloomsbury Academic Рейтинг: Цена: 40120.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Unique study which offers new perspectives on contemporary Islamic iconography and the use of imageries in ritual contexts.
Автор: Hisano Ai Название: Visualizing Taste: How Business Changed the Look of What You Eat ISBN: 0674983890 ISBN-13(EAN): 9780674983892 Издательство: Wiley Рейтинг: Цена: 40070.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Ai Hisano reveals how the food industry capitalized on color, fashioning a visual vocabulary that shapes what we think of the food we eat. Our perceptions of what food should look like have changed dramatically as scientists, farmers, food processors, regulators, and marketers established a new, and highly engineered, version of the "natural."
Автор: Brody David Название: Visualizing American Empire: Orientalism and Imperialism in the Philippines ISBN: 0226075346 ISBN-13(EAN): 9780226075341 Издательство: Wiley Цена: 29570.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In 1899 an American could open a newspaper and find outrageous images. This title argues that these kinds of hyperbolic accounts were just one element of the visual and material culture that played an integral role in debates about empire in late nineteenth- and early twentieth-century America.
Автор: Gonzalez Aston Название: Visualizing Equality: African American Rights and Visual Culture in the Nineteenth Century ISBN: 1469659964 ISBN-13(EAN): 9781469659961 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 27170.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the United States by African Americans. Advances in visual technologies--daguerreotypes, lithographs, cartes de visite, and steam printing presses--enabled people to see and participate in social reform movements in new ways. African American activists seized these opportunities and produced images that advanced campaigns for black rights. In this book, Aston Gonzalez charts the changing roles of African American visual artists as they helped build the world they envisioned. Understudied artists such as Robert Douglass Jr., Patrick Henry Reason, James Presley Ball, and Augustus Washington produced images to persuade viewers of the necessity for racial equality, black political leadership, and freedom from slavery. Moreover, these artist activists' networks of transatlantic patronage and travels to Europe, the Caribbean, and Africa reveal their extensive involvement in the most pressing concerns for black people in the Atlantic world. Their work demonstrates how images became central to the ways that people developed ideas about race, citizenship, and politics during the nineteenth century.
Автор: Alison Fraunhar Название: Mulata Nation: Visualizing Race and Gender in Cuba ISBN: 1496825667 ISBN-13(EAN): 9781496825667 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 29260.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Throughout Cuban history, the mulata, a woman of mixed racial identity, features prominently in visual and performative culture. Tracing the figure through historical eras, Alison Fraunhar looks at the representation and performance in both elite and popular culture. She also tracks how characteristics associated with these women have accrued across the Atlantic world. Widely understood to embody the bridge between European Subject and African other, the mulata contains the sensuality attributed to Africans in a body more closely resembling the European ideal of beauty. This symbol bears far-reaching implications, with shifting, contradictory cultural meanings in Cuba. Fraunhar explores these complex paradigms, how, why, and for whom the image was useful, and how it was both subverted and asserted from the colonial period to the present. From the early seventeenth century through Cuban independence in 1899 up to the late revolutionary era, Fraunhar illustrates the ambiguous figure’s role in nationhood, citizenship, and commercialism. She analyzes images including key examples of nineteenth-century graphic arts, avant-garde painting and magazine covers of the Republican era, cabaret and film performance, and contemporary iterations of gender. Fraunhar’s study stands out for attending to the phenomenon of mulataje not only in elite Production such as painting, but also in popular forms: popular theater, print culture, later films, and other media where stereotypes take hold. Indeed, in contemporary Cuba, mulataje remains a popular theme with Cubans as well as foreigners in drag shows, foregrounding queerness as an intrinsic element of mulataje.
Название: Cartography and Visual Culture in the Nineteenth-Century Americas ISBN: 0367333260 ISBN-13(EAN): 9780367333263 Издательство: Taylor&Francis Рейтинг: Цена: 163330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This volume represents the first transnational and hemispheric analysis of nineteenth-century intersections between cartographic expeditions and visual material in the Americas and features the multi-disciplinary perspective of historians, geographers, and art historians.
Автор: Justin T. Clark Название: City of Second Sight: Nineteenth-Century Boston and the Making of American Visual Culture ISBN: 146963872X ISBN-13(EAN): 9781469638720 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 82770.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In the decades before the U.S. Civil War, the city of Boston evolved from a dilapidated, haphazardly planned, and architecturally stagnant provincial town into a booming and visually impressive metropolis. In an effort to remake Boston into the ""Athens of America,"" neighborhoods were leveled, streets straightened, and an ambitious set of architectural ordinances enacted. However, even as residents reveled in a vibrant new landscape of landmark buildings, art galleries, parks, and bustling streets, the social and sensory upheaval of city life also gave rise to a widespread fascination with the unseen. Focusing his analysis between 1820 and 1860, Justin T. Clark traces how the effort to impose moral and social order on the city also inspired many—from Transcendentalists to clairvoyants and amateur artists—to seek out more ethereal visions of the infinite and ideal beyond the gilded paintings and glimmering storefronts.By elucidating the reciprocal influence of two of the most important developments in nineteenth-century American culture—the spectacular city and visionary culture—Clark demonstrates how the nineteenth-century city is not only the birthplace of modern spectacle, but also a battleground for the freedom and autonomy of the spectator.
Scholars of the Civil War era have commonly assumed that veterans of the Union and Confederate armies effortlessly melted back into society and that they adjusted to the demands of peacetime with little or no difficulty. Yet the path these soldiers followed on the road to reintegration was far more tangled. New Men unravels the narrative of veteran reentry into civilian life and exposes the growing gap between how former soldiers saw themselves and the representations of them created by late-nineteenth century American society. In the early years following the Civil War, the concept of the “veteran” functioned as a marker for what was assumed by soldiers and civilians alike to be a temporary social status that ended definitively with army demobilization and the successful attainment of civilian employment. But in later postwar years this term was reconceptualized as a new identity that is still influential today. It came to be understood that former soldiers had crossed a threshold through their experience in the war, and they would never be the same: They had become new men. Uncovering the tension between veterans and civilians in the postwar era adds a new dimension to our understanding of the legacy of the Civil War. Reconstruction involved more than simply the road to reunion and its attendant conflicts over race relations in the United States. It also pointed toward the frustrating search for a proper metaphor to explain what soldiers had endured. A provocative engagement with literary history and historiography, New Men challenges the notion of the Civil War as “unwritten” and alters our conception of the classics of Civil War literature. Organized chronologically and thematically, New Men coherently blends an analysis of a wide variety of fictional and nonfictional narratives. Writings are discussed in revelatory pairings that illustrate various aspects of veteran reintegration, with a chapter dedicated to literature describing the reintegration experiences of African Americans in the Union Army. New Men is at once essential reading for anyone who wants to understand the origins of our concept of the “veteran” and a book for our times. It is an invitation to build on the rich lessons of the Civil War veterans’ experiences, to develop scholarship in the area of veterans studies, and to realize the dream of full social integration for soldiers returning home.
Автор: Sugden Edward Название: Emergent Worlds: Alternative States in Nineteenth-Century American Culture ISBN: 1479889261 ISBN-13(EAN): 9781479889266 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 30090.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Reimagines the American 19th century through a sweeping interdisciplinary engagement with oceans, genres, and time Emergent Worlds re-locates nineteenth-century America from the land to the oceans and seas that surrounded it. Edward Sugden argues that these ocean spaces existed in a unique historical fold between the transformations that inaugurated the modern era—colonialism to nationalism, mercantilism to capitalism, slavery to freedom, and deferent subject to free citizen. As travellers, workers, and writers journeyed across the Pacific, Atlantic, and Caribbean Sea, they had to adapt their political expectations to the interstitial social realities that they saw before them while also feeling their very consciousness, particularly their perception of time, mutate. These four domains—oceanic geography, historical folds, emergent politics, and dissonant times—in turn, provided the conditions for the development of three previously unnamed genres of the 1850s: the Pacific elegy, the black counterfactual, and the immigrant gothic. In telling the history of these emergent worlds and their importance to the development of the literary cultures of the US Americas, Sugden proposes narratives that alter some of the most enduring myths of the field, including the westward spread of US imperialism, the redemptionist trajectory of black historiography, and the notion that the US Americas constituted a new world. Introducing a new generic vocabulary for describing the literature of the 1850s and crossing over oceans and languages, Emergent Worlds invokes an alternative nineteenth-century America that provides nothing less than a new way to read the era.
Автор: Gretchen Martin Название: Dancing on the Color Line: African American Tricksters in Nineteenth-Century American Literature ISBN: 1496804155 ISBN-13(EAN): 9781496804150 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 91960.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The extensive influence of the creative traditions derived from slave culture, particularly black folklore, in the work of nineteenth- and twentieth-century black authors, such as Ralph Ellison and Toni Morrison, has become a hallmark of African American scholarship. Yet similar inquiries regarding white authors adopting black aesthetic techniques have been largely overlooked.Gretchen Martin examines representative nineteenth-century works to explore the influence of black-authored (or narrated) works on well-known white-authored texts, particularly the impact of black oral culture evident by subversive trickster figures in John Pendleton Kennedy’s Swallow Barn, Harriet Beecher Stowe’s Uncle Tom’s Cabin, Herman Melville’s Benito Cereno, Joel Chandler Harris’s short stories, as well as Mark Twain’s Adventures of Huckleberry Finn and Pudd’nhead Wilson.As Martin indicates, such white authors show themselves to be savvy observers of the many trickster traditions and indeed a wide range of texts suggest stylistic and aesthetic influences representative of the artistry, subversive wisdom, and subtle humor in these black figures of ridicule, resistance, and repudiation.The black characters created by these white authors are often dismissed as little more than limited, demeaning stereotypes of the minstrel tradition, yet by teasing out important distinctions between the wisdom and humor signified by trickery rather than minstrelsy, Martin probes an overlooked aspect of the nineteenth-century American literary canon and reveals the extensive influence of black aesthetics on some of the most highly regarded work by white American authors.
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