A History of Design Institutes in China, Xue, Charlie Q. L. , Ding, Guanghui
Автор: BuYun Chen Название: Empire of Style: Silk and Fashion in Tang China ISBN: 0295745304 ISBN-13(EAN): 9780295745305 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 58520.00 T Наличие на складе: Нет в наличии. Описание:
Tang dynasty (618-907) China hummed with cosmopolitan trends. Its capital at Chang'an was the most populous city in the world and was connected via the Silk Road with the critical markets and thriving cultures of Central Asia and the Middle East. In Empire of Style, BuYun Chen reveals a vibrant fashion system that emerged through the efforts of Tang artisans, wearers, and critics of clothing. Across the empire, elite men and women subverted regulations on dress to acquire majestic silks and au courant designs, as shifts in economic and social structures gave rise to what we now recognize as precursors of a modern fashion system: a new consciousness of time, a game of imitation and emulation, and a shift in modes of production.
This first book on fashion in premodern China is informed by archaeological sources--paintings, figurines, and silk artifacts--and textual records such as dynastic annals, poetry, tax documents, economic treatises, and sumptuary laws. Tang fashion is shown to have flourished in response to a confluence of social, economic, and political changes that brought innovative weavers and chic court elites to the forefront of history.
Art History Publication Initiative. For more information, visit http: //arthistorypi.org/books/empire-of-style
Автор: L. Jin Название: Monetary Policy and the Design of Financial Institutions in China,1978-90 ISBN: 0333620321 ISBN-13(EAN): 9780333620328 Издательство: Springer Рейтинг: Цена: 158380.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is a systematic study of monetary policy and financial institutions in China during its decentralization- and market-oriented economic reform. The book identifies the mechanisms of the monetary expansion as the general feature of monetary policy.
Автор: Ho Denise Y. Название: Curating Revolution: Politics on Display in Mao`s China ISBN: 1108417957 ISBN-13(EAN): 9781108417952 Издательство: Cambridge Academ Рейтинг: Цена: 104550.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Curating Revolution examines the relationship between Maoist China`s exhibition culture and its political campaigns. From collection to display and from narration to reception, museums and exhibitions made China`s Communist revolution material, shaping how people understood its history and ideology and the ways in which they participated in its turbulent political movements.
What happens when the body becomes art in the age of biotechnological reproduction? In Chinese Surplus Ari Larissa Heinrich examines transnational Chinese aesthetic production to demonstrate how representations of the medically commodified body can illuminate the effects of biopolitical violence and postcolonialism in contemporary life. From the earliest appearance of Frankenstein in China to the more recent phenomenon of "cadaver art," he shows how vivid images of a blood transfusion as performance art or a plastinated corpse without its skin—however upsetting to witness—constitute the new "realism" of our times. Adapting Foucauldian biopolitics to better account for race, Heinrich provides a means to theorize the relationship between the development of new medical technologies and the representation of the human body as a site of annexation, extraction, art, and meaning-making.
Автор: Jennifer Hubbert Название: China in the World: An Anthropology of Confucius Institutes, Soft Power, and Globalization ISBN: 0824884264 ISBN-13(EAN): 9780824884260 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 23410.00 T Наличие на складе: Невозможна поставка. Описание: Confucius Institutes, the language and culture programs funded by the Chinese government, have been established in more than 1,500 schools worldwide since their debut in 2004. A centerpiece of China's soft power policy, they represent an effort to smooth China's path to superpower status by enhancing its global appeal. Yet Confucius Institutes have given rise to voluble and contentious public debate in host countries, where they have been both welcomed as a source of educational funding and feared as spy outposts, neocolonial incursions, and obstructions to academic freedom. China in the World turns an anthropological lens on this most visible, ubiquitous, and controversial globalization project in an effort to provide fresh insight into China's shifting place in the world.Author Jennifer Hubbert takes the study of soft power policy into the classroom, offering an anthropological intervention into a subject that has been dominated by the methods and analyses of international relations and political science. She argues that concerns about Confucius Institutes reflect broader debates over globalization and modernity and ultimately about a changing global order. Examining the production of soft power policy in situ allows us to move beyond program intentions to see how Confucius Institutes are actually understood and experienced in day-to-day classroom interactions. By assessing the perspectives of participants and exploring the complex ways in which students, teachers, parents, and program administrators interpret the Confucius Institute curriculum, she highlights significant gaps between China's soft power policy intentions and the effects of those policies in practice.China in the World brings original, long-term ethnographic research to bear on how representations of and knowledge about China are constructed, consumed, and articulated in encounters between China, the United States, and the Confucius Institute programs themselves. It moves a controversial topic beyond the realm of policy making to examine the mechanisms through which policy is implemented, engaged, and contested by a multitude of stakeholders and actors. It provides new insight into how policy actually works, showing that it takes more than financial wherewithal and official resolve to turn cultural presence into power.
What happens when the body becomes art in the age of biotechnological reproduction? In Chinese Surplus Ari Larissa Heinrich examines transnational Chinese aesthetic production to demonstrate how representations of the medically commodified body can illuminate the effects of biopolitical violence and postcolonialism in contemporary life. From the earliest appearance of Frankenstein in China to the more recent phenomenon of "cadaver art," he shows how vivid images of a blood transfusion as performance art or a plastinated corpse without its skin—however upsetting to witness—constitute the new "realism" of our times. Adapting Foucauldian biopolitics to better account for race, Heinrich provides a means to theorize the relationship between the development of new medical technologies and the representation of the human body as a site of annexation, extraction, art, and meaning-making.
Автор: Linsun Cheng Название: Art and Literature in China ISBN: 1614729824 ISBN-13(EAN): 9781614729822 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 37890.00 T Наличие на складе: Невозможна поставка. Описание: Introduction to Chinese Literature, Arts, and Architecture, a Berkshire Essential, provides an overview of China’s rich artistic and literary traditions from ancient times to the twenty-first century: from sculptures, paintings, and calligraphy to applied arts and architectural highlights like the Great Wall, and from traditional poetry to modern-day cinema. In these articles, art historians and literary scholars explore how Chinese art and literature has evolved into a diverse and dynamic field drawing from indigenous traditions and extensive contact with other cultures.
Автор: Jennifer Hubbert Название: China in the World: An Anthropology of Confucius Institutes, Soft Power, and Globalization ISBN: 0824878205 ISBN-13(EAN): 9780824878207 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 66880.00 T Наличие на складе: Невозможна поставка. Описание: Confucius Institutes, the language and culture programs funded by the Chinese government, have been established in over 1,500 schools worldwide since their debut in 2004. A centerpiece of China’s soft power policy, they represent an effort to smooth China’s path to superpower status by enhancing its global appeal. Yet Confucius Institutes have given rise to voluble and contentious public debate in host countries, where they have been both welcomed as a source of educational funding and feared as spy outposts, neocolonial incursions, and obstructions to academic freedom. China in the World turns an anthropological lens on this most visible, ubiquitous, and controversial globalization project in an effort to provide fresh insight into China’s shifting place in the world.Author Jennifer Hubbert takes the study of soft power policy into the classroom, offering an anthropological intervention into a subject that has been dominated by the methods and analyses of international relations and political science. She argues that concerns about Confucius Institutes reflect broader debates over globalization and modernity and ultimately about a changing global order. Examining the production of soft power policy in situ allows us to move beyond program intentions to see how Confucius Institutes are actually understood and experienced in day-to-day classroom interactions. By assessing the perspectives of participants and exploring the complex ways in which students, teachers, parents, and program administrators interpret the Confucius Institute curriculum, she highlights significant gaps between China’s soft power policy intentions and the effects of those policies in practice.China in the World brings original, long-term ethnographic research to bear on how representations of and knowledge about China are constructed, consumed, and articulated in encounters between China, the United States, and the Confucius Institute programs themselves. It moves a controversial topic beyond the realm of policy making to examine the mechanisms through which policy is implemented, engaged, and contested by a multitude of stakeholders and actors. It provides new insight into how policy actually works, showing that it takes more than financial wherewithal and official resolve to turn cultural presence into power.
Автор: China Institutes of Contemporary International Relations CICIR Название: Ten Questions: American Misunderstandings about China ISBN: 1844645770 ISBN-13(EAN): 9781844645770 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 87780.00 T Наличие на складе: Нет в наличии. Описание: The rise of China is perhaps the greatest historical event in the contemporary world. Meanwhile, to explore and understand the rise of China is therefore the most important task of the times in today’s world. In the discussion of China’s rise, various theories of “China Threat”, “China Collapse” and “China Responsibility” etc. have emerged in the western world.
Certain specious arguments have filled the US policy circle and the public. Some made simple grafts and bold “revisions” on history, producing the fallacy of “America rebuilding China”. Some purposefully switched the concept, distorting the great historical process of the rejuvenation of the Chinese nation into a well-planned “Hundred-Year Marathon” that aims to replace the US hegemony. While reluctant to judge the above interpretations as fabricated out of thin air, we would rather take them as misunderstanding or misreading due to the lack of in-depth knowledge on “complex China”. Such being the case, what we have done in this essay collection is only to restore the facts as they are, or rather, to at least present opinions from the perspective of Chinese scholars. In doing so, we seek not to persuade or convince anyone, but to make Chinese voice heard in a truthful, objective and rational way. For this purpose, we have selected ten representative China-related discourses that are currently debated in the US government and public, and made thematic and condensed responses in the form of questions and answers – hence the name Ten Questions on China. Because of inadequate expertise and time rush, the answers to the ten questions are far from profound and comprehensive. As a matter of fact, what we do at this stage is to raise the points and look forward to further discussions.
Автор: Claudia Brown Название: Great Qing: Painting in China, 1644-1911 ISBN: 0295747234 ISBN-13(EAN): 9780295747231 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 33440.00 T Наличие на складе: Нет в наличии. Описание:
Addressing the previous lack of a comprehensive English-language study of Qing painting, art historian Claudia Brown’s account ranges from the tumultuous Ming–Qing transition to the end of imperial rule. In response to omissions in previous treatments, she examines major influences shaping the period and explores the relationship between painting and mapmaking, the role of patrons and collectors, printmaking and publishing, religious themes, and Western influences.
With more than two hundred color illustrations, Great Qing highlights fine examples of Qing painting in American museums, works from all regions of China, and paintings by women. Brown’s gorgeous, attentively rendered survey covers three centuries of momentous change and is intended for general audiences as well as art collectors, museum curators, and students and historians of Chinese art, culture, and society.
During the early twentieth century, Shanghai was the center of China's new media culture. Described by the modernist writer Mu Shiying as "transplanted from Europe" and “paved with shadows,” for many of its residents Shanghai was a city without a past paradoxically haunted by the absent past’s traces. In Shadow Modernism William Schaefer traces how photographic practices in Shanghai provided a forum within which to debate culture, ethnicity, history, and the very nature of images. The central modernist form in China, photography was neither understood nor practiced as primarily a medium for realist representation; rather, photo layouts, shadow photography, and photomontage rearranged and recomposed time and space, cutting apart and stitching places, people, and periods together in novel and surreal ways. Analyzing unknown and overlooked photographs, photomontages, cartoons, paintings, and experimental fiction and poetry, Schaefer shows how artists and writers used such fragmentation and juxtaposition to make visible the shadows of modernity in Shanghai: the violence, the past, the ethnic and cultural multiplicity excluded and repressed by the prevailing cultural politics of the era and yet hidden in plain sight.
Clothing and accessories from nineteenth-century China reveal much about women’s participation in the commercialization of textile handicrafts and the flourishing of urban popular culture. Focusing on women’s work and fashion, A Fashionable Century presents an array of visually compelling clothing and accessories neglected by traditional histories of Chinese dress, examining these products’ potential to illuminate issues of gender and identity.
In the late Qing, the expansion of production systems and market economies transformed the Chinese fashion system, widening access to fashionable techniques, materials, and imagery. Challenging the conventional production model, in which women embroidered items at home, Silberstein sets fashion within a process of commercialization that created networks of urban guilds, commercial workshops, and subcontracted female workers. These networks gave rise to new trends influenced by performance and prints, and they offered women opportunities to participate in fashion and contribute to local economies and cultures.
Rachel Silberstein draws on vernacular and commercial sources, rather than on the official and imperial texts prevalent in Chinese dress history, to demonstrate that in these fascinating objects—regulated by market desires, rather than imperial edict—fashion formed at the intersection of commerce and culture.
A Fashionable Century is the winner of the Costume Society of America's Millia Davenport Publication Award and was long-listed for the Textile Society of America's R. L. Shep Award. The judges described the book as "an extraordinary achievement in scholarship working with source materials that are little-known outside of China and not otherwise available in English."
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