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Reaction and the Avant-Garde: The Revolt Against Liberal Democracy in Early Twentieth-Century Britain, Tom Villis


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Автор: Tom Villis
Название:  Reaction and the Avant-Garde: The Revolt Against Liberal Democracy in Early Twentieth-Century Britain
ISBN: 9781350176218
Издательство: Bloomsbury Academic
Классификация:
ISBN-10: 1350176214
Обложка/Формат: Paperback
Страницы: 280
Вес: 0.32 кг.
Дата издания: 26.11.2020
Серия: Arts
Язык: English
Размер: 234 x 156 x 15
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: History of art & design styles: from c 1900 -, HISTORY / Europe / Great Britain
Подзаголовок: The revolt against liberal democracy in early twentieth-century britain
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Поставляется из: Англии
Описание: Reaction and the Avant-Garde illuminates a vital facet of right-wing thought in the first decades of the century, which had a powerful hold on Europes intellectual elite. Prominent literary figures, such as Ezra Pound, Hilaire Belloc and the Chestertons, led a revolt against liberal parliamentary democracy in Britain. This group despised parliaments as representing and embodying a nation. Villis examines the literary works, private papers, correspondence and memoirs of the leaders of this anti-Semitic, anti-modern, anti-womens rights movement that formed the intellectual underpinning of European fascism.

Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements

Автор: Erjavec Aleš
Название: Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements
ISBN: 0822358611 ISBN-13(EAN): 9780822358619
Издательство: Mare Nostrum (Eurospan)
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Цена: 117000.00 T
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Описание:

This collection examines key aesthetic avant-garde art movements of the twentieth century and their relationships with revolutionary politics. The contributors distinguish aesthetic avant-gardes —whose artists aim to transform society and the ways of sensing the world through political means—from the artistic avant-gardes, which focus on transforming representation. Following the work of philosophers such as Friedrich Schiller and Jacques Rancière, the contributors argue that the aesthetic is inherently political and that aesthetic avant-garde art is essential for political revolution. In addition to analyzing Russian constructivsm, surrealism, and Situationist International, the contributors examine Italian futurism's model of integrating art with politics and life, the murals of revolutionary Mexico and Nicaragua, 1960s American art, and the Slovenian art collective NSK's construction of a fictional political state in the 1990s. Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements traces the common foundations and goals shared by these disparate arts communities and shows how their art worked towards effecting political and social change.

Contributors. John E. Bowlt, Sascha Bru, David Craven, Aleš Erjavec, Tyrus Miller, Raymond Spiteri, Miško Šuvakovic
 

Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements

Автор: Erjavec Aleš
Название: Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements
ISBN: 0822358727 ISBN-13(EAN): 9780822358725
Издательство: Mare Nostrum (Eurospan)
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Цена: 29220.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

This collection examines key aesthetic avant-garde art movements of the twentieth century and their relationships with revolutionary politics. The contributors distinguish aesthetic avant-gardes —whose artists aim to transform society and the ways of sensing the world through political means—from the artistic avant-gardes, which focus on transforming representation. Following the work of philosophers such as Friedrich Schiller and Jacques Rancière, the contributors argue that the aesthetic is inherently political and that aesthetic avant-garde art is essential for political revolution. In addition to analyzing Russian constructivsm, surrealism, and Situationist International, the contributors examine Italian futurism's model of integrating art with politics and life, the murals of revolutionary Mexico and Nicaragua, 1960s American art, and the Slovenian art collective NSK's construction of a fictional political state in the 1990s. Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements traces the common foundations and goals shared by these disparate arts communities and shows how their art worked towards effecting political and social change.

Contributors. John E. Bowlt, Sascha Bru, David Craven, Aleš Erjavec, Tyrus Miller, Raymond Spiteri, Miško Šuvakovic
 

Cuban Art in the Twentieth Century: Cultural Identity and the International Avant Garde

Автор: Segundo J. Fernandez, Juan A. Martinez, Paul Niell
Название: Cuban Art in the Twentieth Century: Cultural Identity and the International Avant Garde
ISBN: 1889282324 ISBN-13(EAN): 9781889282329
Издательство: Mare Nostrum (Eurospan)
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Цена: 44350.00 T
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Описание: Modern Cuban art emerged in Havana in 1927 and matured during the next two decades. Its inception is mainly defined by a rupture with academic art, the appropriation of European avant-garde formal inventions, and the subjective symbolization of national ethos. In the 1940s a new generation of artists expanded their artistic sources to include popular art and explored new symbols of collective identity. By the 1950s a third generation of modernist artists abandoned figuration, the representation of Cuban themes, and turned to abstraction and introspection.Cuban Art in the Twentieth Century is an historical progression of works by important artists from a complex modern movement described by several discrete periods: Colonial, Early Republic, First Generation, Second Generation, Third Generation, Late Modern, and Contemporary Periods. The Cuban modern art movement consists of a loose group of artists, divided into generations, who counted on the moral support of an intellectual elite and who had minimal economic help from the private and public sectors. In spite of a fragile infrastructure, this art movement, along with similar movements in literature and music, played a major role in defining Cuban culture in the twentieth century.

Foundations: How the Built Environment Made Twentieth-Century Britain

Автор: Wetherell Sam
Название: Foundations: How the Built Environment Made Twentieth-Century Britain
ISBN: 0691193754 ISBN-13(EAN): 9780691193755
Издательство: Wiley
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Цена: 36960.00 T
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An urban history of modern Britain, and how the built environment shaped the nation's politics

Foundations is a history of twentieth-century Britain told through the rise, fall, and reinvention of six different types of urban space: the industrial estate, shopping precinct, council estate, private flats, shopping mall, and suburban office park. Sam Wetherell shows how these spaces transformed Britain's politics, economy, and society, helping forge a midcentury developmental state and shaping the rise of neoliberalism after 1980.

From the mid-twentieth century, spectacular new types of urban space were created in order to help remake Britain's economy and society. Government-financed industrial estates laid down infrastructure to entice footloose capitalists to move to depressed regions of the country. Shopping precincts allowed politicians to plan precisely for postwar consumer demand. Public housing modernized domestic life and attempted to create new communities out of erstwhile strangers. In the latter part of the twentieth century many of these spaces were privatized and reimagined, as their developmental aims were abandoned. Industrial estates became suburban business parks. State-owned shopping precincts became private shopping malls. The council estate was securitized and enclosed. New types of urban space were imported from American suburbia, and planners and politicians became increasingly skeptical that the built environment could remake society. With the midcentury built environment becoming obsolete, British neoliberalism emerged in tense negotiation with the awkward remains of built spaces that had to be navigated and remade.

Taking readers to almost every major British city as well as to places in the United States and Britain's empire, Foundations highlights how some of the major transformations of twentieth-century British history were forged in the everyday spaces where people lived, worked, and shopped.


Polish Avant-Garde in Berlin

Автор: Malgorzata Stolarska-Fronia
Название: Polish Avant-Garde in Berlin
ISBN: 3631780532 ISBN-13(EAN): 9783631780534
Издательство: Peter Lang
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Цена: 71270.00 T
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Описание:

This book presents a historical panorama of the Polish avant-garde in Berlin from 19th century historical avant-garde until the recent art. Looking at specific artistic strategies and development of modernist paradigm both in the pre- and post-Second World War period from the perspective of the migration experience, this book offers a deep insight into mechanisms, relations and identity programmes of particular artists or groups. It also reveals the dynamics of eventual cultural exchange or alternative forms of artistic transformation and message that Polish artists imprinted in the Berlin’s art scene. Whether historical avant-garde or the neo-avant-garde, the component of novelty inscribed in the term itself ceases to be a sheer, one-dimensional slogan and reveals a whole range of cultural projections that artist-migrants are both creators and the subject of. Here the notion of exoticism, wilderness, but also critical and ironical approach often constitute the perception of Polish art in the Berlin milieu.


The Early Avant-Garde in Twentieth-Century Literature and Art

Автор: Bohn, Willard
Название: The Early Avant-Garde in Twentieth-Century Literature and Art
ISBN: 0367504715 ISBN-13(EAN): 9780367504717
Издательство: Taylor&Francis
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Цена: 45930.00 T
Наличие на складе: Невозможна поставка.
Описание: This book focuses on avant-garde literature and art in Europe and America during the first quarter of the twentieth century.


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