Polish Avant-Garde in Berlin, Malgorzata Stolarska-Fronia
Автор: Adam, Hans-christian Название: Berlin, Portrait of a City ISBN: 3822814458 ISBN-13(EAN): 9783822814451 Издательство: Taschen Рейтинг: Цена: 53130.00 T Наличие на складе: Есть Описание: The most comprehensive photographic study of an extraordinary city, Berlin, Portrait of a City offers some 560 pages of aerial views, street scenes, portraits, and more to trace the city from the Roaring Twenties to the ruins of war to its rebirth as political and cultural capital. Quotes from famed Berlin icons and connoisseurs, from Marlene...
Название: Avant-garde and Propaganda Books and Magazines in Soviet Russia (English and Spanish Edition) ISBN: 841776917X ISBN-13(EAN): 9788417769178 Издательство: TBS/GBS Рейтинг: Цена: 56100.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book compiles a selection of publications - photobooks and magazines, along with other related documents - demonstrating the great flowering of typography, photomontage and photobooks in the Soviet Union in the period between 1913 and 1941. Art applied to book and magazine production achieved its most magnificent expression through the avant-garde movements at the beginning of the 20th century and gained a particular importance in the Soviet Union, as clearly shown in this spectacular book. All thanks to the rise of artistic movements such as Suprematism and constructivism, and also due to the partnership between Russian artists and graphic designers, and their close ties to the poetic and literary circles. The book, which exquisitely reproduces an enormous quantity of documents, coincides with the exhibition of the same name hosted by the Cнrculo de Bellas Artes in Madrid. All of the material included in the Avant-garde and Propaganda exhibition and catalogue comes from the Lafuente Archive, whose extensive collection of Russian avant-garde and Soviet realism work includes more than 1,300 pieces.
It is the catalogue to an enormous exhibition currently on show at the Circulo de Bellas Artes in Madrid.
Автор: Pack Susan Название: Film Posters of the Russian Avant-Garde (Bibliotheca Universalis) ISBN: 383655948X ISBN-13(EAN): 9783836559485 Издательство: Taschen Рейтинг: Цена: 14170.00 T Наличие на складе: Невозможна поставка. Описание: Back in the USSR 250 film posters capture the cultural energy of the pre-Stalin era
At the intersection of the visual, graphic, and cinematic arts, film posters are a unique and thrilling record of a particular cultural Zeitgeist. This book brings together 250 posters from the pre-Stalin Soviet Union of the 1920s and 1930s to explore the energy and invention of this period, before Soviet Realism became the official art doctrine.
Drawn from the private collection of connoisseur Susan Pack, the selection includes the work of 27 different artists. From bold figuration to architectural elements, each artist displays a distinct style and aesthetic, as much as they collectively eschew the glamour of Hollywood for more stark, striking, even challenging images, often marked by unusual angles, dynamic compositions, and startling close-ups.
About the series: Bibliotheca Universalis-- Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia. Bookworm's delight -- never bore, always excite
Text in English, French, and German
Автор: Adam J. Goldwyn Название: Brill`s Companion to the Reception of Classics in International Modernism and the Avant-Garde ISBN: 9004276505 ISBN-13(EAN): 9789004276505 Издательство: Brill Цена: 167360.00 T Наличие на складе: Нет в наличии. Описание: Brill’s Companion to the Reception of Classics in International Modernism and the Avant-Garde examines how the writers and artists who lived from roughly the last quarter of the nineteenth century to the middle of the twentieth sought to build a new world from the ashes of one marked by two world wars, global economic depression, the rise of nationalism, and the collapse of empires. By surveying the modernist appropriation of Ancient Greece and Rome, the fourteen chapters in this volume demonstrate how the Classics, as foundational texts of the old order, were nevertheless adapted to suit the stylistic innovation and formal experimentation that characterized modernist and avant-garde literature and art.
Автор: Cottington David Название: Avant Garde: A Very Short Introduction ISBN: 0199582734 ISBN-13(EAN): 9780199582730 Издательство: Oxford Academ Рейтинг: Цена: 10550.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: For over a hundred years `the avant-garde` has been the most influential concept in modern art; its impact on the history of modern culture has been profound. In this Very Short Introduction, David Cottington explores why the avant-garde carries so much authority, and places it within the context of western modernity and capitalist culture.
Futurism was Russia's first avant-garde movement. Gatecrashing the Russian public sphere in the early twentieth century, the movement called for the destruction of everything old, so that the past could not hinder the creation of a new, modern society. Over the next two decades, the protagonists of Russian Futurism pursued their goal of modernizing human experience through radical art. The success of this mission has long been the subject of scholarly debate. Critics have often characterized Russian Futurism as an expression of utopian daydreaming by young artists who were unrealistic in their visions of Soviet society and na?ve in their comprehension of the Bolshevik political agenda. By tracing the political and ideological evolution of Russian Futurism between 1905 and 1930, Iva Glisic challenges this view, demonstrating that Futurism took a calculated and systematic approach to its contemporary socio-political reality. This approach ultimately allowed Russia's Futurists to devise a unique artistic practice that would later become an integral element of the distinctly Soviet cultural paradigm. Drawing upon a unique combination of archival materials and employing a theoretical framework inspired by the works of philosophers such as Lewis Mumford, Karl Mannheim, Ernst Bloch, Fred Polak, and Slavoj ?i?ek, The Futurist Files presents Futurists not as blinded idealists, but rather as active and judicious participants in the larger project of building a modern Soviet consciousness. This fascinating study ultimately stands as a reminder that while radical ideas are often dismissed as utopian, and impossible, they did—and can—have a critical role in driving social change. It will be of interest to art historians, cultural historians, and scholars and students of Russian history.
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