The story of the twentieth century is largely the story of the power of science and technology. Within that story is the incredible tale of the human conflict between three men-Robert Oppenheimer, Ernest Lawrence, and Edward Teller-the scientists most responsible for the advent of weapons of mass destruction. How did science, enlisted in the service of the state during the Second World War, become a slave to its patron during the Cold War-and scientists with it? The story of these three men, is fundamentally about loyalty-to the country, to science, and to each other-and about the wrenching choices that had to be made when these allegiances came into conflict.
Gregg Herken gives us the behind-the-scenes account based upon a decade of research, interviews, and new documents. Brotherhood of the Bomb is a vital slice of American history told authoritatively-and grippingly-for the first time.
It has often been claimed that Jews have a penchant for capitalism and capitalist economic activity. With this book, Adam Teller challenges that assumption. Examining how Jews achieved their extraordinary success within the late feudal economy of the eighteenth-century Polish-Lithuanian Commonwealth, he shows that economic success did not necessarily come through any innate entrepreneurial skills, but through identifying and exploiting economic niches in the pre-modern economy—in particular, the monopoly on the sale of grain alcohol.
Jewish economic activity was a key factor in the development of the Polish-Lithuanian Commonwealth, and it greatly enhanced the incomes, and thereby the social and political status, of the noble magnates, including the powerful Radziwi?? family. In turn, with the magnate's backing, Jews were able to leverage their own economic success into high status in estate society. Over time, relations within Jewish society began to change, putting less value on learning and pedigree and more on wealth and connections with the estate owners.
This groundbreaking book exemplifies how the study of Jewish economic history can shed light on a crucial mechanism of Jewish social integration. In the Polish-Lithuanian setting, Jews were simultaneously a despised religious minority and key economic players, with a consequent standing that few could afford to ignore.
Juergen Teller's humorous portrait of both artist and subject, together with Francesco Bonami's 50 portraits of Hans Ulrich Obrist
On the occasion of Hans Ulrich Obrist's 50th birthday in 2018, Swiss gallery 107 S-chanf asked fellow curator Francesco Bonami to create a celebratory exhibition. Bonami's initial idea was to invite 50 artists to create 50 portraits of Obrist in an ambitious collaborative homage. Yet the idea proved a little too ambitious, and Bonami decided to create the portraits all by himself. Within just two weeks 50 oil paintings were ready--endearing and humorous works, many of which incorporate artists of the past and present, including Edward Hopper, Ai Weiwei and Georg Baselitz. In January 2019 Juergen Teller was invited to view the exhibition 50 Times Obrist by Bonami, and with characteristic spontaneity he photographed Bonami and Obrist before each portrait. This resulting book, with Teller's photos on the left-hand pages and Bonami's paintings on the right, is an unconventional, tongue-in-cheek portrait of a portrait.
Казахстан, 010000 г. Астана, проспект Туран 43/5, НП2 (офис 2) ТОО "Логобук" Тел:+7 707 857-29-98 ,+7(7172) 65-23-70 www.logobook.kz
