It has often been claimed that Jews have a penchant for capitalism and capitalist economic activity. With this book, Adam Teller challenges that assumption. Examining how Jews achieved their extraordinary success within the late feudal economy of the eighteenth-century Polish-Lithuanian Commonwealth, he shows that economic success did not necessarily come through any innate entrepreneurial skills, but through identifying and exploiting economic niches in the pre-modern economy—in particular, the monopoly on the sale of grain alcohol.
Jewish economic activity was a key factor in the development of the Polish-Lithuanian Commonwealth, and it greatly enhanced the incomes, and thereby the social and political status, of the noble magnates, including the powerful Radziwi?? family. In turn, with the magnate's backing, Jews were able to leverage their own economic success into high status in estate society. Over time, relations within Jewish society began to change, putting less value on learning and pedigree and more on wealth and connections with the estate owners.
This groundbreaking book exemplifies how the study of Jewish economic history can shed light on a crucial mechanism of Jewish social integration. In the Polish-Lithuanian setting, Jews were simultaneously a despised religious minority and key economic players, with a consequent standing that few could afford to ignore.
The story of the twentieth century is largely the story of the power of science and technology. Within that story is the incredible tale of the human conflict between three men-Robert Oppenheimer, Ernest Lawrence, and Edward Teller-the scientists most responsible for the advent of weapons of mass destruction. How did science, enlisted in the service of the state during the Second World War, become a slave to its patron during the Cold War-and scientists with it? The story of these three men, is fundamentally about loyalty-to the country, to science, and to each other-and about the wrenching choices that had to be made when these allegiances came into conflict.
Gregg Herken gives us the behind-the-scenes account based upon a decade of research, interviews, and new documents. Brotherhood of the Bomb is a vital slice of American history told authoritatively-and grippingly-for the first time.
A cross-media documentation of von Samsonow's project on Freudian primal scenes
This catalog documents the performance project The Parents' Bedroom Show by Austrian artist and philosopher Elisabeth von Samsonow (born 1956), which was captured in 62 photographs by Juergen Teller.
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