Автор: Daniele Comberiati Название: Nessuna citta d`Italia e piu crepuscolare di Roma: Le relazioni fra il cenacolo romano di Sergio Corazzini e i simbolisti belgi ISBN: 2875741551 ISBN-13(EAN): 9782875741554 Издательство: Peter Lang Рейтинг: Цена: 49770.00 T Наличие на складе: Невозможна поставка. Описание: Nessuna citta d’Italia e piu crepuscolare di Roma. Le relazioni fra il cenacolo romano di Sergio Corazzini e i simbolisti belgi propone un’analisi comparata (dal punto di vista semantico, lessicale, tematico e stilistico) fra i quattro principali animatori del cenacolo corazziniano (Corazzini, Martini, Marrone e Tarchiani) e i simbolisti belgi, in particolare Maeterlinck e Rodenbach, senza dimenticare Verhaeren, Gilkin, Elskamp e Van Lerberghe. Risulta esplicito, nella riflessione culturale dei principali esponenti della cerchia corazziniana, come sia necessario diventare «allievi» di una tradizione europea e come, nella ricerca di «maestri» che fornissero dignita e statuto letterario al gruppo, i simbolisti belgi, per affi nita di pensiero, atmosfere e linguaggio poetico, fossero stati individuati quali riferimenti principali. E attraverso la lettura delle loro opere che i membri del gruppo corazziniano maturano una visione «alternativa» di Roma, che se in parte risente anche delle descrizioni di altri scrittori italiani coevi, di fondo evidenzia una distanza dalle immagini classiche della capitale. Roma diviene cosi una citta dell’anima, irreale ma al tempo stesso concreta, con le sue chiese di campagna, le sue vie che ne mostrano i lati non urbani, le visioni notturne di conventi che la fanno assomigliare alle citta nordiche cantate dai simbolisti.
Автор: De Vincenzo, Salvatore Название: Tra Cartagine e Roma ISBN: 3110290197 ISBN-13(EAN): 9783110290196 Издательство: Walter de Gruyter Цена: 99110.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Die Reihe Topoi. Berlin Studies of the Ancient World versammelt Beitrge aus allen altertumswissenschaftlichen Disziplinen, von der Ur- und Frhgeschichte ber die Klassische Archologie bis zur antiken Philosophie, Wissenschaftstheorie und Theologie. Einen Schwerpunkt bilden Monographien und Sammelbnde, in denen die Forschungsergebnisse des Exzellenzclusters Topoi vorgestellt werden. Weitere Schwerpunkte sind in Planung.
Das Exzellenzcluster Topoi untersucht die Formation und Transformation von Raum und Wissen in den antiken Zivilisationen. Topoi wird von der Freien Universitt Berlin und der Humboldt-Universitt zu Berlin gemeinsam getragen. Partner sind die Berlin-Brandenburgische Akademie der Wissenschaften, das Deutsche Archologische Institut, das Max-Planck-Institut fr Wissenschaftsgeschichte und die Stiftung Preuischer Kulturbesitz. Topoi ist darber hinaus mit vielen weiteren universitren und aueruniversitren Einrichtungen vernetzt. Nheres unter www.topoi.org.
Ausgewhlte Titel aus der Reihe Topoi. Berliner Studien der Alten Welt werden gleichzeitig mit dem Erscheinen als Buch auch in digitaler Form im Internet frei zugnglich gemacht. Die Reihe versteht sich als Pilotprojekt fr eine Verbindung des open-access-Gedankens mit der verlegerischen Betreuung von wissenschaftlichen Publikationen.
Автор: Richard Stoneman Название: The Alexander Romance in Persia and the East ISBN: 9491431048 ISBN-13(EAN): 9789491431043 Издательство: Marston Book Services Рейтинг: Цена: 101640.00 T Наличие на складе: Невозможна поставка. Описание: Alexander the Great of Macedon was no stranger to controversy in his own time. Conqueror of the Greek states, of Egypt and of the Persian Empire as well as many of the principalities of the Indus Valley, he nevertheless became revered as well as vilified. Was he a simply a destroyer of the ancient civilizations and religions of these regions, or was he a hero of the Persian dynasties and of Islam? The conflicting views that were taken of him in the Middle East in his own time and the centuries that followed are still reflected in the tensions that exist between east and west today. The story of Alexander became the subject of legend in the medieval west, but was perhaps even more pervasive in the east. The Alexander Romance was translated into Syriac in the sixth century and may have become current in Persia as early as the third century AD. From these beginnings it reached into the Persian national epic, the Shahnameh, into Jewish traditions, and into the Quran and subsequent Arab romance. The papers in this volume all have the aim of deepening our understanding of this complex development. If we can understand better why Alexander is such an important figure in both east and west, we shall be a little closer to understanding what unites two often antipathetic worlds. This volume collects the papers delivered at the conference of the same title held at the University of Exeter from July 26-29 2010. More than half the papers were by invited speakers and were designed to provide a systematic view of the subject; the remainder were selected for their ability to carry research forward in an integrated way.
ROMARD: Research on Medieval and Renaissance Drama is an academic journal devoted to the study of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at Western University (www.uwo.ca). For further details, please visit the ROMARD website at www.romard.org.
Love and Romance in Early Drama Guest Editors: Charlotte Steenbrugge and Alexandra F. Johnston Chief Editor: Mario B. Longtin
Volume 54 of ROMARD, 'Love and Romance in Early Drama', is a special volume, guest-edited by Alexandra F. Johnston and Charlotte Steenbrugge. It features eight contributions by established scholars and early career researchers, looking at the various complex aspects of the representation of human love and the use of the romance genre, from Hrotsvit of Gandersheim to Mucedorus and from Le Poulier six personnages (The Chicken Coop for Six Characters) to The Merchant of Venice. The essays in this volume all demonstrate the significance of romance, both as a genre and a theme, for medieval and early modern drama and will hopefully stimulate greater interest in this multifaceted area of research. We have also included an edition and verse translation of an early modern French farce in the hope that this will encourage scholars, students, and theatre practitioners to stage these fascinating and eminently performable plays that use 'love' in a different, but compelling, way.
