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The Seven Tengu Scrolls: Evil and the Rhetoric of Legitimacy in Medieval Japanese Buddhism, Haruko Wakabayashi


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Автор: Haruko Wakabayashi
Название:  The Seven Tengu Scrolls: Evil and the Rhetoric of Legitimacy in Medieval Japanese Buddhism
ISBN: 9780824834166
Издательство: Mare Nostrum (Eurospan)
Классификация:
ISBN-10: 082483416X
Обложка/Формат: Hardcover
Страницы: 224
Вес: 0.59 кг.
Дата издания: 30.04.2012
Серия: Religion/Theology
Язык: English
Иллюстрации: Black & white illustrations, colour plates
Размер: 236 x 155 x 23
Читательская аудитория: Professional and scholarly
Ключевые слова: Buddhism
Подзаголовок: Evil and the rhetoric of legitimacy in medieval japanese buddhism
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Поставляется из: Англии
Описание:

This is a study of visual and textual images of the mythical creature tengu from the late Heian (897-1185) to the late Kamakura (1185-1333) periods. Popularly depicted as half-bird, half-human creatures with beaks or long noses, wings, and human bodies, tengu today are commonly seen as guardian spirits associated with the mountain ascetics known as yamabushi. In the medieval period, however, the character of tengu most often had a darker, more malevolent aspect. Haruko Wakabashi focuses in this study particularly on tengu as manifestations of the Buddhist concept of Māra (or ma), the personification of evil in the form of the passions and desires that are obstacles to enlightenment. Her larger aim is to investigate the use of evil in the rhetoric of Buddhist institutions of medieval Japan. Through a close examination of tengu that appear in various forms and contexts, Wakabayashi considers the functions of a discourse on evil as defined by the Buddhist clergy to justify their position and marginalize others.

Early chapters discuss Buddhist appropriations of tengu during the late twelfth and thirteenth centuries in relation to the concept of ma. Multiple interpretations of ma developed in response to changes in society and challenges to the Buddhist community, which recruited tengu in its efforts to legitimize its institutions. The highlight of the work discusses in detail the thirteenth-century narrative scroll Tengu zōshi (also known as the Shichi Tengu-e, or the Seven Tengu Scrolls), in which monks from prominent temples in Nara and Kyoto and leaders of new Buddhist sects (Pure Land and Zen) are depicted as tengu. Through a close analysis of the Tengu zōshis pictures and text, the author reveals one aspect of the critique against Kamakura Buddhism and how tengu images were used to express this in the late thirteenth century. She concludes with a reexamination of the meaning of tengu and a discussion of how ma was essentially socially constructed not only to explain the problems that plague this world, but also to justify the existence of an institution that depended on the presence of evil for its survival.

Drawing on a wide range of primary sources, Wakabayashi provides a thoughtful and innovative analysis of history and religion through art. The Seven Tengu Scrolls will therefore appeal to those with an interest in Japanese art, history, and religion, as well as in interdisciplinary approaches to socio-cultural history.



The Face of Jizo: Image and Cult in Medieval Japanese Buddhism

Автор: Hank Glassman
Название: The Face of Jizo: Image and Cult in Medieval Japanese Buddhism
ISBN: 0824834437 ISBN-13(EAN): 9780824834432
Издательство: Mare Nostrum (Eurospan)
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Цена: 57290.00 T
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Описание: This is about the role of images in the development of the cult of Jizo Bodhisattva in Japan from the mid-twelfth century to the mid-seventeenth. It places emphasis on the narrative aspects of visual culture, demonstrating that the synergy and negotiation between Buddhist and native traditions was central to the creation and dissemination of the cult in Japan.

Emptiness and Temporality: Buddhism and Medieval Japanese Poetics

Автор: Ramirez-Christensen Esperanza
Название: Emptiness and Temporality: Buddhism and Medieval Japanese Poetics
ISBN: 0804748888 ISBN-13(EAN): 9780804748889
Издательство: Wiley EDC
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Цена: 70930.00 T
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Emptiness and Temporality is an account of classical Japanese poetics based, for the first time, on the two concepts of emptiness (J.k?) and temporality (muj?) that ground the medieval practice and understanding of poetry. It clarifies the unique structure of the collective poetic genre called renga (linked poetry) by analyzing Shinkei's writings, particularly Sasamegoto. This book engages contemporary Western theory, especially Derrida's concepts of diff?rance and deconstruction, to illuminate the progressive displacement that constitutes the dynamic poetry of the renga link as the sequence moves from verse 1 to 100. It also draws on phenomenology, Heidegger's Being and Time, Bakhtin's notion of the dialogical, Gadamer's Truth and Method, hermeneutics, and the concept of translation to delve into philosophical issues of language, mind, and the creative process. Furthermore, the book traces the development of the Japanese sense of the sublime and ineffable (y?gen and its variants) from the identification, by earlier waka poets like Shunzei and Teika, of their artistic practice with Buddhist meditation (Zen or shikan), and of superior poetry as the ecstatic figuration of the Dharma realm. Emptiness and Temporality constitutes a radically new definition of Japanese poetry from the medieval period onward as a symbolist poetry, a figuration of the sacred rather than a representation of nature, and reveals how the spiritual or moral dimension is essential to an understanding of traditional Japanese aesthetic ideals and practices, such as N? performance, calligraphy, and black-ink painting.


Perfumed Sleeves and Tangled Hair: Body, Woman, and Desire in Medieval Japanese Narratives

Автор: Rajyashree Pandey
Название: Perfumed Sleeves and Tangled Hair: Body, Woman, and Desire in Medieval Japanese Narratives
ISBN: 0824875184 ISBN-13(EAN): 9780824875183
Издательство: Mare Nostrum (Eurospan)
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Цена: 23410.00 T
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Описание: Perfumed Sleeves and Tangled Hair explores the possibilities and limits of terms such as ""body,"" ""woman,"" ""gender,"" and ""agency""—categories that emerged within the context of western philosophical, religious, and feminist debates—to analyze texts that come out of altogether different temporal and cultural contexts. Through close textual readings of a wide range of classical and medieval narratives, from well-known works such as the Tale of Genji to popular Buddhist tales, Rajyashree Pandey offers new ways of understanding such terms within the context of medieval Buddhist knowledge. Pandey suggests that ""woman"" in medieval Japanese narratives does not constitute a self-evident and distinct category, and that there is little in these works to indicate that the sexed body was the single most important and overarching site of difference between men and women. She argues that the body in classical and medieval texts is not understood as something constituted through flesh, blood, and bones, or as divorced from the mind, and that in the Tale of Genji it becomes intelligible not as an anatomical entity but rather as something apprehended through robes and hair. Pandey provocatively claims that ""woman"" is a fluid and malleable category, one that often functions as a topos or figural site for staging debates not about real life women, but rather about delusion, attachment, and enlightenment, issues of the utmost importance to the Buddhist medieval world.Pandey's book challenges many of the assumptions that have become commonplace in academic writings on women and Buddhism in medieval Japan. She questions the validity of speaking of Buddhism's misogyny, women's oppression, passivity, or proto-feminism, and points to the anachronistic readings that result when fundamentally modern questions and concerns are transposed unreflexively onto medieval Japanese texts. Taking a broad, interdisciplinary approach, and engaging widely with literature, religious studies, and feminism, while paying close attention to medieval texts and genres, Pandey boldly throws down the gauntlet, challenging some of the sacred cows of contemporary scholarship on medieval Japanese women and Buddhism.

Saicho: The Establishment of the Japanese Tendai School

Автор: Paul Groner
Название: Saicho: The Establishment of the Japanese Tendai School
ISBN: 0824859154 ISBN-13(EAN): 9780824859152
Издательство: Mare Nostrum (Eurospan)
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Цена: 75240.00 T
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Описание: Saicho (767-822), the founder of the Tendai School, is one of the great masters of Japanese Buddhism. This edition, which includes a new preface by the author, makes available again a classic work on this important figure’s life and accomplishments. Groner’s study focuses on Saicho’s founding of the great monastic center on Mount Hiei, the leading religious institution of medieval Japan, and his radical move to adopt for purposes of ordination the Mahayana bodhisattva precepts--a decision that had far-reaching consequences for the future of Japanese Buddhist ethical thought, monastic training and organization, lay-clerical relations, philosophical developments, and Buddhism-state relations.


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