The Face of Jizo: Image and Cult in Medieval Japanese Buddhism, Hank Glassman
Автор: Rajyashree Pandey Название: Perfumed Sleeves and Tangled Hair: Body, Woman, and Desire in Medieval Japanese Narratives ISBN: 0824875184 ISBN-13(EAN): 9780824875183 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 23410.00 T Наличие на складе: Невозможна поставка. Описание: Perfumed Sleeves and Tangled Hair explores the possibilities and limits of terms such as ""body,"" ""woman,"" ""gender,"" and ""agency""—categories that emerged within the context of western philosophical, religious, and feminist debates—to analyze texts that come out of altogether different temporal and cultural contexts. Through close textual readings of a wide range of classical and medieval narratives, from well-known works such as the Tale of Genji to popular Buddhist tales, Rajyashree Pandey offers new ways of understanding such terms within the context of medieval Buddhist knowledge. Pandey suggests that ""woman"" in medieval Japanese narratives does not constitute a self-evident and distinct category, and that there is little in these works to indicate that the sexed body was the single most important and overarching site of difference between men and women. She argues that the body in classical and medieval texts is not understood as something constituted through flesh, blood, and bones, or as divorced from the mind, and that in the Tale of Genji it becomes intelligible not as an anatomical entity but rather as something apprehended through robes and hair. Pandey provocatively claims that ""woman"" is a fluid and malleable category, one that often functions as a topos or figural site for staging debates not about real life women, but rather about delusion, attachment, and enlightenment, issues of the utmost importance to the Buddhist medieval world.Pandey's book challenges many of the assumptions that have become commonplace in academic writings on women and Buddhism in medieval Japan. She questions the validity of speaking of Buddhism's misogyny, women's oppression, passivity, or proto-feminism, and points to the anachronistic readings that result when fundamentally modern questions and concerns are transposed unreflexively onto medieval Japanese texts. Taking a broad, interdisciplinary approach, and engaging widely with literature, religious studies, and feminism, while paying close attention to medieval texts and genres, Pandey boldly throws down the gauntlet, challenging some of the sacred cows of contemporary scholarship on medieval Japanese women and Buddhism.
This is a study of visual and textual images of the mythical creature tengu from the late Heian (897-1185) to the late Kamakura (1185-1333) periods. Popularly depicted as half-bird, half-human creatures with beaks or long noses, wings, and human bodies, tengu today are commonly seen as guardian spirits associated with the mountain ascetics known as yamabushi. In the medieval period, however, the character of tengu most often had a darker, more malevolent aspect. Haruko Wakabashi focuses in this study particularly on tengu as manifestations of the Buddhist concept of Māra (or ma), the personification of evil in the form of the passions and desires that are obstacles to enlightenment. Her larger aim is to investigate the use of evil in the rhetoric of Buddhist institutions of medieval Japan. Through a close examination of tengu that appear in various forms and contexts, Wakabayashi considers the functions of a discourse on evil as defined by the Buddhist clergy to justify their position and marginalize others.
Early chapters discuss Buddhist appropriations of tengu during the late twelfth and thirteenth centuries in relation to the concept of ma. Multiple interpretations of ma developed in response to changes in society and challenges to the Buddhist community, which recruited tengu in its efforts to legitimize its institutions. The highlight of the work discusses in detail the thirteenth-century narrative scroll Tengu zōshi (also known as the Shichi Tengu-e, or the Seven Tengu Scrolls), in which monks from prominent temples in Nara and Kyoto and leaders of "new" Buddhist sects (Pure Land and Zen) are depicted as tengu. Through a close analysis of the Tengu zōshi's pictures and text, the author reveals one aspect of the critique against Kamakura Buddhism and how tengu images were used to express this in the late thirteenth century. She concludes with a reexamination of the meaning of tengu and a discussion of how ma was essentially socially constructed not only to explain the problems that plague this world, but also to justify the existence of an institution that depended on the presence of evil for its survival. Drawing on a wide range of primary sources, Wakabayashi provides a thoughtful and innovative analysis of history and religion through art. The Seven Tengu Scrolls will therefore appeal to those with an interest in Japanese art, history, and religion, as well as in interdisciplinary approaches to socio-cultural history.
Автор: Paul Groner Название: Saicho: The Establishment of the Japanese Tendai School ISBN: 0824859154 ISBN-13(EAN): 9780824859152 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 75240.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Saicho (767-822), the founder of the Tendai School, is one of the great masters of Japanese Buddhism. This edition, which includes a new preface by the author, makes available again a classic work on this important figure’s life and accomplishments. Groner’s study focuses on Saicho’s founding of the great monastic center on Mount Hiei, the leading religious institution of medieval Japan, and his radical move to adopt for purposes of ordination the Mahayana bodhisattva precepts--a decision that had far-reaching consequences for the future of Japanese Buddhist ethical thought, monastic training and organization, lay-clerical relations, philosophical developments, and Buddhism-state relations.
Автор: Ramirez-Christensen Esperanza Название: Emptiness and Temporality: Buddhism and Medieval Japanese Poetics ISBN: 0804748888 ISBN-13(EAN): 9780804748889 Издательство: Wiley EDC Рейтинг: Цена: 70930.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Emptiness and Temporality is an account of classical Japanese poetics based, for the first time, on the two concepts of emptiness (J.k?) and temporality (muj?) that ground the medieval practice and understanding of poetry. It clarifies the unique structure of the collective poetic genre called renga (linked poetry) by analyzing Shinkei's writings, particularly Sasamegoto. This book engages contemporary Western theory, especially Derrida's concepts of diff?rance and deconstruction, to illuminate the progressive displacement that constitutes the dynamic poetry of the renga link as the sequence moves from verse 1 to 100. It also draws on phenomenology, Heidegger's Being and Time, Bakhtin's notion of the dialogical, Gadamer's Truth and Method, hermeneutics, and the concept of translation to delve into philosophical issues of language, mind, and the creative process. Furthermore, the book traces the development of the Japanese sense of the sublime and ineffable (y?gen and its variants) from the identification, by earlier waka poets like Shunzei and Teika, of their artistic practice with Buddhist meditation (Zen or shikan), and of superior poetry as the ecstatic figuration of the Dharma realm. Emptiness and Temporality constitutes a radically new definition of Japanese poetry from the medieval period onward as a symbolist poetry, a figuration of the sacred rather than a representation of nature, and reveals how the spiritual or moral dimension is essential to an understanding of traditional Japanese aesthetic ideals and practices, such as N? performance, calligraphy, and black-ink painting.
Автор: Janet R. Goodwin, Joan R. Piggott Название: Land, Power, and the Sacred: The Estate System in Medieval Japan ISBN: 0824872932 ISBN-13(EAN): 9780824872939 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 81310.00 T Наличие на складе: Невозможна поставка. Описание: From the tenth to sixteenth centuries, landed estates served as sites of de facto government, trade network nodes, developing agricultural technology, and centres of religious practice in Japan. This volume examines the system from three perspectives: the land itself; the power derived from and exerted over the land; and the religious institutions and individuals involved in landholding practices.
Автор: Paul S. Atkins Название: Teika: The Life and Works of a Medieval Japanese Poet ISBN: 0824858506 ISBN-13(EAN): 9780824858506 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 74850.00 T Наличие на складе: Невозможна поставка. Описание: Fujiwara no Teika (1162–1241) was born into an illustrious lineage of poets just as Japan’s ancien régime was ceding authority to a new political order dominated by military power. Overcoming personal and political setbacks, Teika and his allies championed a new style of poetry that managed to innovate conceptually and linguistically within the narrow confines of the waka tradition and the limits of its thirty-one syllable form. Backed by powerful patrons, Teika emerged finally as the supreme arbiter of poetry in his time, serving as co-compiler of the eighth imperial anthology of waka, Shin Kokinshu (ca. 1210) and as solo compiler of the ninth.This first book-length study of Teika in English covers the most important and intriguing aspects of Teika’s achievements and career, seeking the reasons behind Teika’s fame and offering distinctive arguments about his oeuvre. A documentary biography sets the stage with valuable context about his fascinating life and times, followed by an exploration of his “Bodhidharma style,” as Teika’s critics pejoratively termed the new style of poetry. His beliefs about poetry are systematically elaborated through a thorough overview of his writing about waka. Teika’s understanding of classical Chinese history, literature, and language is the focus of a separate chapter that examines the selective use of kana, the Japanese phonetic syllabary, in Teika’s diary, which was written mainly in kanbun, a Japanese version of classical Chinese. The final chapter surveys the reception history of Teika’s biography and literary works, from his own time into the modern period. Sometimes venerated as demigod of poetry, other times denigrated as an arrogant, inscrutable poet, Teika seldom inspired lukewarm reactions in his readers.Courtier, waka poet, compiler, copyist, editor, diarist, and critic, Teika is recognized today as one of the most influential poets in the history of Japanese literature. His oeuvre includes over four thousand waka poems, his diary, Meigetsuki, which he kept for over fifty years, and a fictional tale set in Tang-dynasty China. Over fifteen years in the making, Teika is essential reading for anyone interested in Japanese poetry, the history of Japan, and traditional Japanese culture.
Автор: Melissa Anne-Marie Curley Название: Pure Land, Real World: Modern Buddhism, Japanese Leftists, and the Utopian Imagination ISBN: 0824857755 ISBN-13(EAN): 9780824857752 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 71150.00 T Наличие на складе: Невозможна поставка. Описание: During the war years, economist Kawakami Hajime, philosopher Miki Kiyoshi, and historian Ienaga Saburo seized on modernized images of Shinran in exile and a transcendent Western Paradise to resist the demands of a state that was bearing down on its citizens with increasing force. Pure Land, Real World treats the religious thought of these three major figures in English for the first time.
Автор: Erica Baffelli, Ian Reader Название: Dynamism and the Ageing of a Japanese `New` Religion: Transformations and the Founder ISBN: 1350086517 ISBN-13(EAN): 9781350086517 Издательство: Bloomsbury Academic Рейтинг: Цена: 116160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book examines the trajectory and development of the Japanese religious movement Agonshu and its charismatic founder Kiriyama Seiyu. Based on field research spanning 30 years, it examines Agonshu from when it first captured attention in the 1980s with its spectacular rituals and use of media technologies, through its period of stagnation to its response to the death of its founder in 2016. The authors discuss the significance of charismatic leadership, the 'democratisation' of practice and the demands made by movements such as Agonshu on members, while examining how the movement became increasingly focused on revisionist nationalism and issues of Japanese identity. In examining the dilemma that religions commonly face on the deaths of charismatic founders, Erica Baffelli and Ian Reader look at Agonshu’s response to Kiriyama's death, looking at how and why it has transformed a human founder into a figure of worship. By examining Agonshu in the wider context, the authors critically examine the concept of ‘new religions’. They draw attention to the importance of understanding the trajectories of 'new' religions and how they can become ‘old’ even within their first generation.
Автор: Bernard Faure Название: The Fluid Pantheon: Gods of Medieval Japan Volume 1 ISBN: 0824839331 ISBN-13(EAN): 9780824839338 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 60990.00 T Наличие на складе: Невозможна поставка. Описание: Written by one of the leading scholars of Japanese religion, The Fluid Pantheon is the first installment of a multivolume project that promises to be a milestone in our understanding of the mythico-ritual system of esoteric Buddhism—specifically the nature and roles of deities in the religious world of medieval Japan and beyond. Bernard Faure introduces readers to medieval Japanese religiosity and shows the centrality of the gods in religious discourse and ritual; in doing so he moves away from the usual textual, historical, and sociological approaches that constitute the “method” of current religious studies. The approach considers the gods (including buddhas and demons) as meaningful and powerful interlocutors and not merely as cyphers for social groups or projections of the human mind. Throughout he engages insights drawn from structuralism, post-structuralism, and Actor-network theory to retrieve the “implicit pantheon” (as opposed to the “explicit orthodox pantheon”) of esoteric Japanese Buddhism (Mikky?). Through a number of case studies, Faure describes and analyzes the impressive mythological and ritual efflorescence that marked the medieval period, not only in the religious domain, but also in the political, artistic, and literary spheres. He displays vast knowledge of his subject and presents his research—much of it in largely unstudied material—with theoretical sophistication. His arguments and analyses assume the centrality of the iconographic record, and so he has brought together in this volume a rich and rare collection of more than 180 color and black-and-white images. This emphasis on iconography and the ways in which it complements, supplements, or deconstructs textual orthodoxy is critical to a fuller comprehension of a set of medieval Japanese beliefs and practices. It also offers a corrective to the traditional division of the field into religious studies, which typically ignores the images, and art history, which oftentimes overlooks their ritual and religious meaning. The Fluid Pantheon and its companion volumes should persuade readers that the gods constituted a central part of medieval Japanese religion and that the latter cannot be reduced to a simplistic confrontation, parallelism, or complementarity between some monolithic teachings known as “Buddhism” and “Shinto.” Once these reductionist labels and categories are discarded, a new and fascinating religious landscape begins to unfold.
Автор: Will Tuladhar-Douglas Название: Remaking Buddhism for Medieval Nepal: The Fifteenth-Century Reformation of Newar Buddhism ISBN: 1138878847 ISBN-13(EAN): 9781138878846 Издательство: Taylor&Francis Рейтинг: Цена: 30630.00 T Наличие на складе: Невозможна поставка. Описание: Will Tuladhar-Douglas sheds new light on an important branch of Mahayana Buddhism and establishes the existence, character and causes of a renaissance of Buddhism in the fifteenth century in the Kathmandu Valley of Nepal. He provides the basis for the historical study of Newar Buddhism as one distinct tradition among the many that comprise Indic Buddhism. Through a thorough study of the relevant texts in the classical Himalayan languages (Sanskrit, Newari, Tibetan and Nepali), the book puts forward a new thesis about how the Newars legitimated and reinvented their tradition by devising new concepts of canonicity, as such it will appeal to scholars of the history and philology of Buddhism.
Автор: Cheeyun Lilian Kwon Название: Efficacious Underworld: The Evolution of Ten Kings Paintings in Medieval China and Korea ISBN: 0824856023 ISBN-13(EAN): 9780824856021 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 60190.00 T Наличие на складе: Нет в наличии. Описание: The Ten Kings hanging scrolls at Tokyo's Seikad? Bunko Art Museum are among the most resplendent renderings of the Buddhist purgatory extant, but their origin and significance have yet to be fully explored. Cheeyun Kwon unfurls this exquisite set of scrolls within the existing Ten Kings painting tradition while investigating textual, scriptural, archaeological, and visual materials from East Asia to shed light on its possible provenance. She constructs a model scheme of the paintings' evolution based on more than five hundred works and reveals channels of popularization, mass production, and agglomeration.The earliest images of the Ten Kings are found in the tenth-century s?tra The Scripture of the Ten Kings, known to be the work of the monk Zangchuan. By the mid-twelfth century, typological conventions associated with the Ten Kings were widely established, and paintings depicting them, primarily large-scale and stand-alone, became popular export commodities, spreading via land and sea routes to the Korean peninsula and the Japanese archipelago. An examination of materials in Korea suggests a unique development path for Ten Kings subject matter, and this—in conjunction with a close analysis of the Seikad? paintings—forms the core of Kwon's book. Among the Korean works discussed is a woodblock edition of The Scripture of the Ten Kings from 1246. It is markedly different from its Chinese counterparts and provides strong evidence of the subject's permutations during the Kory? period (918–1392), when Northern Song (960–1127) visual art and culture were avidly imported. In the Seikad? paintings, Northern Song figural, architectural, landscape, and decorative elements were acculturated to the Kory? milieu, situating them in the twelfth to early thirteenth centuries and among the oldest and most significant surviving examples of Kory? Buddhist painting.Efficacious Underworld fills major lacunae in Korean, East Asian, and Ten Kings painting traditions while illuminating Korea's contribution to the evolution of a Buddhist theme on its trajectory across East Asia. With its rich set of color reproductions and detailed analysis of textual and visual materials, this volume will invite significant revision to previously held notions on Kory? painting.
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