In the sixteenth century hundreds of thousands of indios—indigenous peoples from the territories of the Spanish empire—were enslaved and relocated throughout the Iberian world. Although various laws and decrees outlawed indio enslavement, several loopholes allowed the practice to continue. In Global Indios Nancy E. van Deusen documents the more than one hundred lawsuits between 1530 and 1585 that indio slaves living in Castile brought to the Spanish courts to secure their freedom. Because plaintiffs had to prove their indio-ness in a Spanish imperial context, these lawsuits reveal the difficulties of determining who was an indio and who was not—especially since it was an all-encompassing construct connoting subservience and political personhood and at times could refer to people from Mexico, Peru, or South or East Asia. Van Deusen demonstrates that the categories of free and slave were often not easily defined, and she forces a rethinking of the meaning of indio in ways that emphasize the need to situate colonial Spanish American indigenous subjects in a global context.
Автор: Didem Havlioglu Название: Mihri Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History ISBN: 0815635494 ISBN-13(EAN): 9780815635499 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 45980.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The early modern Ottoman poet Mihr? Hatun (1460–1515) succeeded in drawing an admiring audience and considerable renown during a time when few women were accepted into the male-dominated intellectual circles. Her poetry collection is among the earliest bodies of women’s writing in the Middle East and Islamicate literature, providing an exceptional vantage point on intellectual history. With this volume, Havliog?lu not only gives readers access to this rare text but also investigates the factors that allowed Hatun to survive and thrive despite her clear departure from the cultural norms of the time. Placing the poet in the context of her era and environment, Havliog?lu finds that the poet’s dramatic, masterful performance and subversiveness are the very reasons for her endurance and acclaim in intellectual history. Hatun performed in a way that embraced her marginal position as a woman and leveraged it to her advantage. Havliog?lu’s astute and nuanced portrait gives readers a fascinating glimpse into the life of a woman poet in a highly gendered society and suggests that women have been part of intellectual history long before the modern period.
Автор: Shнochбin Trнona Nн Название: Singing Ideas: Performance, Politics and Oral Poetry ISBN: 1800731825 ISBN-13(EAN): 9781800731820 Издательство: Berghahn Рейтинг: Цена: 31970.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Considered by many to be the greatest Irish song poet of her generation, M?ire Bhu? N? Laeire (Yellow Mary O’Leary; 1774–1848) was an illiterate woman unconnected to elite literary and philosophical circles who powerfully engaged the politics of her own society through song. As an oral arts practitioner, M?ire Bhu? composed songs whose ecstatic, radical vision stirred her community to revolt and helped to shape nineteenth-century Irish anti-colonial thought. This provocative and richly theorized study explores the re-creative, liminal aspect of song, treating it as a performative social process that cuts to the very root of identity and thought formation, thus re-imagining the history of ideas in society.
In the sixteenth century hundreds of thousands of indios—indigenous peoples from the territories of the Spanish empire—were enslaved and relocated throughout the Iberian world. Although various laws and decrees outlawed indio enslavement, several loopholes allowed the practice to continue. In Global Indios Nancy E. van Deusen documents the more than one hundred lawsuits between 1530 and 1585 that indio slaves living in Castile brought to the Spanish courts to secure their freedom. Because plaintiffs had to prove their indio-ness in a Spanish imperial context, these lawsuits reveal the difficulties of determining who was an indio and who was not—especially since it was an all-encompassing construct connoting subservience and political personhood and at times could refer to people from Mexico, Peru, or South or East Asia. Van Deusen demonstrates that the categories of free and slave were often not easily defined, and she forces a rethinking of the meaning of indio in ways that emphasize the need to situate colonial Spanish American indigenous subjects in a global context.
Автор: Monica Diaz Название: To Be Indio in Colonial Spanish America ISBN: 0826357725 ISBN-13(EAN): 9780826357724 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 104410.00 T Наличие на складе: Невозможна поставка. Описание: Focusing on central Mexico and the Andes, the contributors to this volume deepen scholarly knowledge of colonial history and literature, emphasizing the different ways people became and lived their lives as ""indios"". This book presents new archival research and interpretive thinking, offering new material and a new approach to the subject.
Автор: Back Название: Transcultural Performance ISBN: 1137412429 ISBN-13(EAN): 9781137412423 Издательство: Springer Рейтинг: Цена: 74530.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Featuring interviews, conversations and observations from a multi-sited ethnography of Ecuadorean musicians and their families, this book offers an innovative response to previous analyses of globalization and indigenous languages, demonstrating how transcultural practices can enhance the use and maintenance of indigenous and minority languages.
Автор: Virtanen Juha Название: Poetry and Performance During the British Poetry Revival 1960-1980: Event and Effect ISBN: 3319863509 ISBN-13(EAN): 9783319863504 Издательство: Springer Рейтинг: Цена: 79190.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book examines intersections of poetry and performance during the British Poetry Revival. This book is essential reading for poetry and performance enthusiasts, particularly those interested in innovative British Poetry.
Автор: Berry Francis Название: The Shakespeare Inset: Word and Picture ISBN: 1138010294 ISBN-13(EAN): 9781138010291 Издательство: Taylor&Francis Рейтинг: Цена: 57150.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: What is the relation between the language being heard and the picture being exhibited on the stage ? Typically there is an identity between sound and sight, but often there is a divergence between what the audience hears and what it sees.
Автор: Archibald-Barber Jesse Rae, Irwin Kathleen, Day Moira J. Название: Performing Turtle Island: Indigenous Theatre on the World Stage ISBN: 0889776768 ISBN-13(EAN): 9780889776760 Издательство: Gazelle Book Services Рейтинг: Цена: 98650.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Comprised of multidisciplinary and diverse perspectives, Performing Turtle Island considers theatre as a tool for community engagement, education, and resistance, and examines how communities in turn influence the construction of Indigenous identities through theatre.
Contributors: Megan Davies (York University), Spy D nomm -Welch (Brock University), Floyd Favel (Poundmaker First Nation), Carol Greyeyes (University of Saskatchewan), Michael Greyeyes (Muskeg Lake First Nation), Kahente Horn-Miller (Carleton University), Dione Joseph (Onehunga, New Zealand), Catherine Magowan (Hamilton, ON), Daniel David Moses (Queen's University), Yvette Nolan (University of Saskatchewan), Armand Ruffo (Sagamok Ojibway and Chapleau Cree Fox Lake First Nations, Queen's University), Annie Smith (Grand Prairie Regional College)
Автор: Javon Johnson Название: Killing Poetry: Blackness and the Making of Slam and Spoken Word Communities ISBN: 0813580013 ISBN-13(EAN): 9780813580012 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 25040.00 T Наличие на складе: Невозможна поставка. Описание: Winner of the 2019 Lilla A. Heston Award Co-winner of the 2018 Ethnography Division’s Best Book from the NCA In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in slam and spoken word poetry communities, as well as their ramifications. In Killing Poetry, renowned slam poet, Javon Johnson unpacks some of the complicated issues that comprise performance poetry spaces. He argues that the truly radical potential in slam and spoken word communities lies not just in proving literary worth, speaking back to power, or even in altering power structures, but instead in imagining and working towards altogether different social relationships. His illuminating ethnography provides a critical history of the slam, contextualizes contemporary black poets in larger black literary traditions, and does away with the notion that poetry slams are inherently radically democratic and utopic. Killing Poetry-at times autobiographical, poetic, and journalistic-analyzes the masculine posturing in the Southern California community in particular, the sexual assault in the national community, and the ways in which related social media inadvertently replicate many of the same white supremacist, patriarchal, and mainstream logics so many spoken word poets seem to be working against. Throughout, Johnson examines the promises and problems within slam and spoken word, while illustrating how community is made and remade in hopes of eventually creating the radical spaces so many of these poets strive to achieve.
This book traces the presence of the theater, both as an abstract concept and a literal space, in the plays and poetry of Gertrude Stein and Wallace Stevens as it attempts to explain the parallel depictions of consciousness that are found in both authors' work. Literary modernists inherited a self that was fallible, a self that was seen as an ultimately failed gesture of expression, and throughout much modern literature is a sense of disillusionment with more traditional notions of selfhood. As more conventional ways of thinking about consciousness became untenable, so too did conventional models of artistic expression.This book shows how Stein and Stevens provide powerful examples of this modern attempt to stage the new subject.
Автор: Katrina Phillips Название: Staging Indigeneity: Salvage Tourism and the Performance of Native American History ISBN: 1469662302 ISBN-13(EAN): 9781469662305 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 79420.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. From the Happy Canyon Indian Pageant and Wild West Show in Pendleton, Oregon, to outdoor dramas like Tecumseh! in Chillicothe, Ohio, and Unto These Hills in Cherokee, North Carolina, locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls "salvage tourism"-a set of practices paralleling so-called salvage ethnography, which documented the histories, languages, and cultures of Indigenous people while reinforcing a belief that Native American societies were inevitably disappearing.
Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.
Казахстан, 010000 г. Астана, проспект Туран 43/5, НП2 (офис 2) ТОО "Логобук" Тел:+7 707 857-29-98 ,+7(7172) 65-23-70 www.logobook.kz
