Performing Turtle Island: Indigenous Theatre on the World Stage, Archibald-Barber Jesse Rae, Irwin Kathleen, Day Moira J.

Автор: Thurow, Susanne Julia
Название: Performing indigenous identities on the contemporary australian stage
ISBN: 0367242729 ISBN-13(EAN): 9780367242725
Издательство: Taylor&Francis
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Цена: 148010.00 T
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Описание: Over the past 50 years, Indigenous Australian theatre practice has emerged as a dynamic site for the discursive reflection of culture and tradition as well as colonial legacies, leveraging the power of storytelling to create and advocate contemporary fluid conceptions of Indigeneity.

Название: Thinking Through Theatre and Performance
ISBN: 1472579607 ISBN-13(EAN): 9781472579607
Издательство: Bloomsbury Academic
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Цена: 30610.00 T
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Описание: Thinking Through Theatre and Performance presents a bold and innovative approach to the study of theatre and performance. Instead of topics, genres, histories or theories, the book starts with the questions that theatre and performance are uniquely capable of asking: How does theatre function as a place for seeing and hearing? How do not only bodies and voices but also objects and media perform? How do memories, emotions and ideas continue to do their work when the performance is over? And how can theatre and performance intervene in social, political and environmental structures and frameworks? Written by leading international scholars, each chapter of this volume is built around a key performance example, and detailed discussions introduce the methodologies and theories that help us understand how these performances are practices of enquiry into the world. Thinking through Theatre and Performance is essential for those involved in making, enjoying, critiquing and studying theatre, and will appeal to anyone who is interested in the questions that theatre and performance ask of themselves and of us.

Автор: Archibald-Barber Jesse Rae, Irwin Kathleen, Day Moira J.
Название: Performing Turtle Island: Indigenous Theatre on the World Stage
ISBN: 0889776563 ISBN-13(EAN): 9780889776562
Издательство: Gazelle Book Services
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Цена: 34310.00 T
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Описание: "A valuable and timely collection." — Alan D. Filewod , author of Committing Theatre Following the Final Report on Truth and Reconciliation, Performing Turtle Island investigates theatre as a tool for community engagement, education, and resistance. Understanding Indigenous cultures as critical sources of knowledge and meaning, each essay addresses issues that remind us that the way to reconciliation between Canadians and Indigenous peoples is neither straightforward nor easily achieved. Comprised of multidisciplinary and diverse perspectives, Performing Turtle Island considers performance as both a means to self-empowerment and self-determination, and a way of placing Indigenous performance in dialogue with other nations, both on the lands of Turtle Island and on the world stage. "Brilliantly introduces pedagogies that jump scale; a bundling project for future ancestors revealing knowledges for flight into kinstillatory relationships." — Karyn Recollet , co-author of In This Together: Blackness, Indigeneity, and Hip Hop "An important resource for those who want to introduce or incorporate Indigenous artistic perspectives in their course or work." — Heather Davis-Fisch , author of Loss and Cultural Remains in Performance "A very significant and welcome contribution to the growing body of work on Indigenous theatre and performance in the land now called Canada." — Ric Knowles , author of Performing the Intercultural City

Автор: Julie Burelle
Название: Encounters on Contested Lands: Indigenous Performances of Sovereignty and Nationhood in Quebec
ISBN: 0810138972 ISBN-13(EAN): 9780810138971
Издательство: Mare Nostrum (Eurospan)
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Цена: 83560.00 T
Наличие на складе: Невозможна поставка.
Описание: In Encounters on Contested Lands , Julie Burelle employs a performance studies lens to examine how instances of Indigenous self-representation in Québec challenge the national and identity discourses of the French Québécois de souche—the French-speaking descendants of white European settlers who understand themselves to be settlers no more but rather colonized and rightfully belonging to the territory of Québec. Analyzing a wide variety of performances, Burelle brings together the theater of Alexis Martin and the film L'Empreinte, which repositions the French Québécois de souche as métis, with protest marches led by Innu activists; the Indigenous company Ondinnok's theater of repatriation; the films of Yves Sioui Durand, Alanis Obomsawin, and the Wapikoni Mobile project; and the visual work of Nadia Myre. These performances, Burelle argues, challenge received definitions of sovereignty and articulate new ones while proposing to the province and, more specifically, to the French Québécois de souche, that there are alternative ways to imagine Québec's future and remember its past. The performances insist on Québec's contested nature and reframe it as animated by competing sovereignties. Together they reveal how the ""colonial present tense"" and ""tense colonial present"" operate in conjunction as they work to imagine an alternative future predicated on decolonization. Encounters on Contested Lands engages with theater and performance studies while making unique and needed contributions to Québec and Canadian studies, as well as to Indigenous and settler-colonial studies.

Автор: Burelle Julie
Название: Encounters on Contested Lands: Indigenous Performances of Sovereignty and Nationhood in Quйbec
ISBN: 0810138964 ISBN-13(EAN): 9780810138964
Издательство: Mare Nostrum (Eurospan)
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Цена: 38810.00 T
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Описание: Employs a performance studies lens to examine how instances of Indigenous self-representation in Quebec challenge the national and identity discourses of the French Quebecois de souche - the French-speaking descendants of white European settlers who understand themselves to be settlers no more but rather colonized.

Автор: Theresa May
Название: Salmon is Everything: Community-Based Theatre in the Klamath Watershed
ISBN: 0870719475 ISBN-13(EAN): 9780870719479
Издательство: Mare Nostrum (Eurospan)
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Цена: 16680.00 T
Наличие на складе: Невозможна поставка.
Описание: After a devastating fish kill on the Klamath River, tribal members and theatre artist Theresa May developed a play to give voice to the central spiritual and cultural role of salmon in tribal life. Salmon Is Everything presents the script of that play, along with essays by artists and collaborators that illuminate the process of creating and performing theatre on Native and environmental issues.Salmon Is Everything simultaneously illuminates the logistics of a crisis in the third largest watershed in the Pacific Northwest—the premature death of more than 30,000 salmon on the Lower Klamath River in 2002—and documents what happened when one community decided to use art to amplify the experiences of its members. The fish kill had unprecedented impact throughout the watershed, and for many tribal communities it signified an ongoing loss of traditional cultural practices. But in the political and ecological upheaval that followed, the role of salmon in tribal life went largely unacknowledged, which inspired the collaboration between May and members of the Yurok, Hoopa Valley, and Karuk tribes, as well as farmers, ranchers, and others invested in the Klamath watershed.Salmon is Everything will appeal to readers interested in the environmental and cultural history of the Pacific Northwest and the ecological and civil challenges its communities face. For artists and activists, it’s a useful case study. Salmon is Everything offers a unique interdisciplinary resource for high school and college level courses in environmental studies, Native American studies, and theatre arts education. New materials in this second edition include additional essays by Native faculty and actors, an updated introduction by the author, minor textual corrections throughout, and a new online resource guide.

Автор: Phillips, Katrina
Название: Staging indigeneity
ISBN: 1469662310 ISBN-13(EAN): 9781469662312
Издательство: Mare Nostrum (Eurospan)
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Цена: 25040.00 T
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Описание: As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. From the Happy Canyon Indian Pageant and Wild West Show in Pendleton, Oregon, to outdoor dramas like Tecumseh! in Chillicothe, Ohio, and Unto These Hills in Cherokee, North Carolina, locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls "salvage tourism"-a set of practices paralleling so-called salvage ethnography, which documented the histories, languages, and cultures of Indigenous people while reinforcing a belief that Native American societies were inevitably disappearing.

Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.

Автор: Katrina Phillips
Название: Staging Indigeneity: Salvage Tourism and the Performance of Native American History
ISBN: 1469662302 ISBN-13(EAN): 9781469662305
Издательство: Mare Nostrum (Eurospan)
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Цена: 79420.00 T
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Описание: As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. From the Happy Canyon Indian Pageant and Wild West Show in Pendleton, Oregon, to outdoor dramas like Tecumseh! in Chillicothe, Ohio, and Unto These Hills in Cherokee, North Carolina, locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls "salvage tourism"-a set of practices paralleling so-called salvage ethnography, which documented the histories, languages, and cultures of Indigenous people while reinforcing a belief that Native American societies were inevitably disappearing.

Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.

Автор: McCall Sophie, Reder Deanna, Gaertner David
Название: Read, Listen, Tell: Indigenous Stories from Turtle Island
ISBN: 1771123001 ISBN-13(EAN): 9781771123006
Издательство: Mare Nostrum (Eurospan)
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Цена: 33430.00 T
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Описание: Don't say in the years to come that you would have lived your life differently if only you had heard this story. You've heard it now."" - Thomas King, in this volumeRead, Listen, Tell brings together an extraordinary range of Indigenous stories from across Turtle Island (North America). From short fiction to as-told-to narratives, from illustrated stories to personal essays, these stories celebrate the strength of heritage and the liveliness of innovation. Ranging in tone from humorous to defiant to triumphant, the stories explore core concepts in Indigenous literary expression, such as the relations between land, language, and community, the variety of narrative forms, and the continuities between oral and written forms of expression. Rich in insight and bold in execution, the stories proclaim the diversity, vitality, and depth of Indigenous writing.

Building on two decades of scholarly work to centre Indigenous knowledges and perspectives, the book transforms literary method while respecting and honouring Indigenous histories and peoples of these lands. It includes stories by acclaimed writerslike Thomas King, Sherman Alexie, Paula Gunn Allen, and Eden Robinson, a new generation of emergent writers, and writers and storytellers who have often been excluded from the canon, such as French- and Spanish-language Indigenous authors, Indigenous authors from Mexico, Chicana/o authors, Indigenous-language authors, works in translation, and ""lost"" or underappreciated texts.In a place and time when Indigenous people often have to contend with representations that marginalize or devalue their intellectual and cultural heritage, this collection is a testament to Indigenous resilience and creativity. It shows that the ways in which we read, listen, and tell play key roles in how we establish relationships with one another, and how we might share knowledges across cultures, languages, and social spaces.

Автор: Chansky Dorothy, White Ann Folino
Название: Food and Theatre on the World Stage
ISBN: 1138805475 ISBN-13(EAN): 9781138805477
Издательство: Taylor&Francis
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Цена: 158230.00 T
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Описание: Putting food and theatre into direct conversation, this volume focuses on how food and theatre have operated for centuries as partners in the performative, symbolic, and literary making of meaning. Through case studies, literary analyses, and performance critiques, contributors examine theatrical work from China, Japan, India, Greece, Italy, France, Germany, England, the United States, Chile, Argentina, and Zimbabwe, addressing work from classical, popular, and contemporary theatre practices. The investigation of uses of food across media and artistic genres is a burgeoning area of scholarly investigation, yet regarding representation and symbolism, literature and film have received more attention than theatre, while performance studies scholars have taken the lead in examining the performative aspects of food events. This collection looks across dramatic genres, historical periods, and cultural contexts, and at food in all of its socio-political, material complexity to examine the particular problems and potentials of invoking and using food in live theatre. The volume considers food as a transhistorical, global phenomenon across theatre genres, addressing the explosion of food studies at the end of the twentieth century that has shown how food is a crucial aspect of cultural identity.

Автор: Melissa Trimingham
Название: The Theatre of the Bauhaus: The Modern and Postmodern Stage of Oskar Schlemmer
ISBN: 0415634172 ISBN-13(EAN): 9780415634175
Издательство: Taylor&Francis
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Цена: 56130.00 T
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Описание: Focusing on the work of painter, choreographer and scenic designer Oskar Schlemmer, the "Master Magician" and leader of the Theatre Workshop, this book explains this "theatre of high modernism" and its historical role in design and performance studies; further, it connects the Bauhaus exploration of space with contemporary stages and contemporary ethics, aesthetics and society. The idea of "theatre of space" is used to highlight twentieth-century practitioners who privilege the visual, aural, and plastic qualities of the stage above character, narrative and, themes (for example Schlemmer himself, Robert Wilson, Tadeusz Kantor, Robert Lepage, Pina Bausch). This impressive volume will be of use to students and academics involved in the areas of twentieth-century performance, the history of performance art, the history of avant-garde theatre, modern German theatre, and Weimar-era performance.

Название: The Methuen Drama Companion to Performance Art
ISBN: 1350057576 ISBN-13(EAN): 9781350057579
Издательство: Bloomsbury Academic
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Цена: 137280.00 T
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Описание: The Methuen Drama Companion to Performance Art offers a comprehensive guide to the major issues and interdisciplinary debates concerning performance in art contexts that have developed over the last decade. It understands performance art as an institutional, cultural, and economic phenomenon rather than as a label or object. Following the ever-increasing institutionalization and mainstreaming of performance, the book’s chapters identify a marked change in the economies and labor practices surrounding performance art, and explore how this development is reflective of capitalist approaches to art and event production. Embracing what we perceive to be the 'oxymoronic status' of performance art—where it is simultaneously precarious and highly profitable—the essays in this book map the myriad gestures and radical possibilities of this extreme contradiction.This Companion adopts an interdisciplinary perspective to present performance art’s legacies and its current practices. It brings together specially commissioned essays from leading innovative scholars from a wide range of approaches including art history, visual and performance studies, dance and theatre scholarship in order to provide a comprehensive and multifocal overview of the emerging research trends and methodologies devoted to performance art.