Talking Tools: Faces of Aboriginal Oral Tradition in Contemporary Society, Patrick Scott
Автор: Anna Hoefnagels, Beverley Diamond Название: Aboriginal Music in Contemporary Canada: Echoes and Exchanges ISBN: 0773539514 ISBN-13(EAN): 9780773539518 Издательство: Marston Book Services Рейтинг: Цена: 58080.00 T Наличие на складе: Невозможна поставка. Описание: First Nations, Inuit, and Metis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Contemporary Canada narrates a story of resistance and renewal, struggle and success, as indigenous musicians in Canada negotiate who they are and who they want to be. Comprised of essays, interviews, and personal reflections by Aboriginal and non-Aboriginal musicians and scholars alike, the collection highlights themes of innovation, teaching and transmission, and cultural interaction. Individual chapters discuss musical genres ranging from popular styles including country and pop to nation-specific and intertribal practices such as powwows, as well as hybrid performances that incorporate music with theatre and dance. As a whole, this collection demonstrates how music is a powerful tool for articulating the social challenges faced by Aboriginal communities and an effective way to affirm indigenous strength and pride. Juxtaposing scholarly study with artistic practice, Aboriginal Music in Contemporary Canada celebrates and critically engages Canada`s vibrant Aboriginal music scene. Contributors include Veronique Audet (Universite de Montreal), Columpa C. Bobb (Tsleil Waututh and Nlaka`pamux, Manitoba Theatre for Young People), Sadie Buck (Haudenosaunee), Annette Chretien (Metis), Marie Clements (Metis/Dene), Walter Denny Jr. (Mi`kmaw), Gabriel Desrosiers (Ojibwa, University of Minnesota, Morris), Beverley Diamond (Memorial University), Jimmy Dick (Cree), Byron Dueck (Royal Northern College of Music), Klisala Harrison (University of Helsinki), Donna Lariviere (Algonquin), Charity Marsh (University of Regina), Sophie Merasty (Dene and Cree), Garry Oker (Dane-zaa), Marcia Ostashewski (Cape Breton University), Mary Piercey (Memorial University), Amber Ridington (Memorial University), Dylan Robinson (Sto:lo, University of Toronto), Christopher Scales (Michigan State University), Gilles Sioui (Wendat), Gordon E. Smith (Queen`s University), Beverly Souliere (Algonquin), Janice Esther Tulk (Memorial University), Florent Vollant (Innu) and Russell Wallace (Lil`wat).
Автор: Lee Deborah, Kumaran Mahalakshmi Название: Aboriginal and Visible Minority Librarians: Oral Histories from Canada ISBN: 1442236817 ISBN-13(EAN): 9781442236813 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 118270.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book, the first of its kind in Canada, is a collection of chapters from Aboriginal and visible minority librarians, working in Canada, speaking about the challenges they face in their profession; their strategies to overcome challenges; the support they have received; their professional fulfillment; and their contributions to the profession.
Автор: Bruce Granville Miller Название: Oral History on Trial: Recognizing Aboriginal Narratives in the Courts ISBN: 0774820713 ISBN-13(EAN): 9780774820714 Издательство: Wiley EDC Рейтинг: Цена: 29730.00 T Наличие на складе: Невозможна поставка. Описание: This important book breaks new ground by asking how oral histories might be incorporated into existing text-based, “black letter law” court systems. Along with a compelling analysis of Aboriginal, legal, and anthropological concepts of fact and evidence, Oral History on Trial traces the long trajectory of oral history from community to court, and offers a sophisticated critique of the Crown’s use of Aboriginal materials in key cases. A bold intervention in legal and anthropological scholarship, Oral History on Trial presents a powerful argument for a reconsideration of the Crown’s approach to oral history.
Published through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon Foundation
The general focus in Lakota oral literary research has been on content rather than process within oral traditions. In this groundbreaking study of the characteristics of Lakota oral style, Delphine Red Shirt shows how its composition and structure are reflected in the work of George Sword, who composed 245 pages of text in the Lakota language using the English alphabet. What emerges in Sword’s Lakota narratives are the formulaic patterns inherent in the Lakota language that are used to tell the narratives, as well as recurring themes and story patterns. Red Shirt’s primary conclusion is that this cadence originates from a distinctly Lakota oral tradition.
Red Shirt analyzes historical documents and original texts in Lakota to answer the question: How is Lakota literature defined? Her pioneering work uncovers the epistemological basis of this literature, which can provide material for literary studies, anthropological and traditional linguistics, and translation studies. Her analysis of Sword’s texts discloses tools that can be used to determine whether the origin of any given narrative in Lakota tradition is oral, thereby opening avenues for further research.
Published through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon Foundation
The general focus in Lakota oral literary research has been on content rather than process within oral traditions. In this groundbreaking study of the characteristics of Lakota oral style, Delphine Red Shirt shows how its composition and structure are reflected in the work of George Sword, who composed 245 pages of text in the Lakota language using the English alphabet. What emerges in Sword's Lakota narratives are the formulaic patterns inherent in the Lakota language that are used to tell the narratives, as well as recurring themes and story patterns. Red Shirt's primary conclusion is that this cadence originates from a distinctly Lakota oral tradition.
Red Shirt analyzes historical documents and original texts in Lakota to answer the question: How is Lakota literature defined? Her pioneering work uncovers the epistemological basis of this literature, which can provide material for literary studies, anthropological and traditional linguistics, and translation studies. Her analysis of Sword's texts discloses tools that can be used to determine whether the origin of any given narrative in Lakota tradition is oral, thereby opening avenues for further research.
Delphine Red Shirt (Oglala Sioux) is a lecturer in Native American studies and in the Special Languages Program (Lakota) at Stanford University. She has a PhD in American Indian studies from the University of Arizona and has previously served as chairperson of the nongovernmental organization committee on the International Decade of the World's Indigenous People. Red Shirt is the author of Bead on an Anthill: A Lakota Childhood (Nebraska, 1997) and Turtle Lung Woman's Granddaughter (Nebraska 2002).
An astonishingly rich oral epic that chronicles the early history of a Bedouin tribe, the Sirat Bani Hilal has been performed for almost a thousand years. In this ethnography of a contemporary community of professional poet-singers, Dwight F. Reynolds reveals how the epic tradition continues to provide a context for social interaction and commentary. Reynolds’s account is based on performances in the northern Egyptian village in which he studied as an apprentice to a master epic-singer. Reynolds explains in detail the narrative structure of the Sirat Bani Hilal as well as the tradition of epic singing. He sees both living epic poets and fictional epic heroes as figures engaged in an ongoing dialogue with audiences concerning such vital issues as ethnicity, religious orientation, codes of behavior, gender roles, and social hierarchies.
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