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Aboriginal Music in Contemporary Canada: Echoes and Exchanges, Anna Hoefnagels, Beverley Diamond
Варианты приобретения
Цена:
58080.00T
Кол-во:
о цене
Наличие:
Невозможна поставка.
в Мои желания
Автор:
Anna Hoefnagels, Beverley Diamond
Название:
Aboriginal Music in Contemporary Canada: Echoes and Exchanges
ISBN:
9780773539518
Издательство:
Marston Book Services
Классификация:
Теория музыки и музыковедение
Незападная музыка: традиционная и "классическая"
Коренные народы
ISBN-10: 0773539514
Обложка/Формат: Hardcover
Страницы: 520
Вес: 1.00 кг.
Дата издания: 24.02.2012
Серия: Mcgill-queen`s native and northern series
Язык: English
Иллюстрации: 18 photos, 2 maps, 2 tables, 2 drawings
Размер: 236 x 155 x 38
Читательская аудитория: Professional & vocational
Ключевые слова: Theory of music & musicology, MUSIC / Ethnomusicology,SOCIAL SCIENCE / Ethnic Studies / Native American Studies
Подзаголовок: Echoes and exchanges
Рейтинг:
Поставляется из: Англии
Описание: First Nations, Inuit, and Metis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Contemporary Canada narrates a story of resistance and renewal, struggle and success, as indigenous musicians in Canada negotiate who they are and who they want to be. Comprised of essays, interviews, and personal reflections by Aboriginal and non-Aboriginal musicians and scholars alike, the collection highlights themes of innovation, teaching and transmission, and cultural interaction. Individual chapters discuss musical genres ranging from popular styles including country and pop to nation-specific and intertribal practices such as powwows, as well as hybrid performances that incorporate music with theatre and dance. As a whole, this collection demonstrates how music is a powerful tool for articulating the social challenges faced by Aboriginal communities and an effective way to affirm indigenous strength and pride. Juxtaposing scholarly study with artistic practice, Aboriginal Music in Contemporary Canada celebrates and critically engages Canada`s vibrant Aboriginal music scene. Contributors include Veronique Audet (Universite de Montreal), Columpa C. Bobb (Tsleil Waututh and Nlaka`pamux, Manitoba Theatre for Young People), Sadie Buck (Haudenosaunee), Annette Chretien (Metis), Marie Clements (Metis/Dene), Walter Denny Jr. (Mi`kmaw), Gabriel Desrosiers (Ojibwa, University of Minnesota, Morris), Beverley Diamond (Memorial University), Jimmy Dick (Cree), Byron Dueck (Royal Northern College of Music), Klisala Harrison (University of Helsinki), Donna Lariviere (Algonquin), Charity Marsh (University of Regina), Sophie Merasty (Dene and Cree), Garry Oker (Dane-zaa), Marcia Ostashewski (Cape Breton University), Mary Piercey (Memorial University), Amber Ridington (Memorial University), Dylan Robinson (Sto:lo, University of Toronto), Christopher Scales (Michigan State University), Gilles Sioui (Wendat), Gordon E. Smith (Queen`s University), Beverly Souliere (Algonquin), Janice Esther Tulk (Memorial University), Florent Vollant (Innu) and Russell Wallace (Lil`wat).
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