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The Vogue for Russia: Modernism and the Unseen in Britain 1900-1930, Caroline Maclean


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Автор: Caroline Maclean
Название:  The Vogue for Russia: Modernism and the Unseen in Britain 1900-1930
ISBN: 9780748647293
Издательство: Bloomsbury Academic
Классификация:




ISBN-10: 0748647295
Обложка/Формат: Hardcover
Страницы: 240
Вес: 0.46 кг.
Дата издания: 20.01.2015
Серия: Literature/Literary Studies
Язык: English
Иллюстрации: 26 b&w illustrations
Размер: 162 x 236 x 14
Читательская аудитория: Professional and scholarly
Ключевые слова: Literary studies: general,Literary studies: fiction, novelists & prose writers
Подзаголовок: Modernism and the unseen in britain 1900-1930
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Поставляется из: Англии
Описание: Explores the influence of Russian mystical aesthetics on British modernists. This book includes unpublished archive materials as well as on periodicals, exhibition catalogues, reviews, diaries, fiction and the visual arts. It also features the importance of Russian aesthetics and Russian discourses of the occult to British modernism.

Beyond Given Knowledge: Investigation, Quest and Exploration in Modernism and the Avant-Gardes

Автор: Harri Veivo, Jean-Pierre Montier, Francoise Nicol, David Ayers, Benedikt Hjartarson, Sascha Bru
Название: Beyond Given Knowledge: Investigation, Quest and Exploration in Modernism and the Avant-Gardes
ISBN: 3110561875 ISBN-13(EAN): 9783110561876
Издательство: Walter de Gruyter
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Цена: 107790.00 T
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Описание: Forschungsinitiativen zum Thema Avantgarde und Moderne nehmen in der europ ischen Forschungslandschaft weiterhin zu. Die experimentellen Literaturen und die K nste in Europa zwischen ca. 1850 und 1950 und ihre Nachwirkungen sind als Lehr- und Forschungsbereiche an den europ ischen Forschungsinstitutionen und in den Lehrpl nen heutzutage nicht mehr wegzudenken. Avantgarde und Moderne haben sich in den letzten Jahrzehnten zu unterschiedlichen, aber mehrfach miteinander verzahnten Forschungsgebieten entwickelt. Innerhalb der franz sischen und deutschen akademischen Welt bleibt der Sammelbegriff "modernism" weniger gel ufig - "die (klassische) Moderne" und "modernit " fungieren hier als nahe liegende quivalente zu demjenigen, was im internationalen Kontext als eine zeitliche und r umliche Ko-Okkurenz k nstlerischer Ausdrucksformen und sthetischer Theorien namhaft gemacht werden kann, die ungef hr zwischen 1850 und 1950 angesiedelt werden kann. Auf hnliche Weise entfaltet die Bezeichnung "Avantgarde" eine Reihe h ufig widerspr chlicher Konnotationen. F r manche bedeutet die Avantgarde den radikalsten experimentellen Bruch der K nste und Literaturen mit den Darstellungs- und Erz hlkonventionen des 19. Jahrhundert: Im fr hen zwanzigsten Jahrhundert zeugen davon Avantgardebewegungen wie Futurismus, Expressionismus, Dada und Surrealismus, d.h. Str mungen, die als die "heroische" Phase der Avantgarde bezeichnet werden k nnen. F r andere geh rt die Avantgarde zu einer kulturellen und konzeptuellen Ordnung, die sich weitgehend von der 'modernistischen' unterscheidet oder sogar abhebt: Die avantgardistischen Experimente ab den f nfziger Jahren des zwanzigsten Jahrhunderts kommen in dieser Hinsicht weitgehend ohne modernistische Begleiterscheinung aus.

Die Buchreihe Studien zur Europ ischen Avantgarde und Moderne m chte der Kompliziertheit der unterschiedlichen europ ischen Forschungstraditionen gerecht werden und strebt danach, die breite linguistische, terminologische und methodologische Vielfalt abzudecken. Anhand einer zweij hrlichen Sammlung von Beitr gen in englischer, franz sischer und deutscher Sprache m chte die Reihe nicht nur die franz sisch-, deutsch- und englischsprachigen, sondern auch die nord-, s d-, zentral- und osteurop ischen Ergebnisse der Avantgarde- und Moderne-Forschung einbeziehen. Die Reihe sammelt die neuesten und ertragreichsten Beitr ge zur Forschung und widmet sich der Erforschung der gesamten europ ischen Avantgarde und Moderne, ihrer Vorl ufer und ihrem Nachklang im Laufe des 19. und 20. Jahrhunderts. Die Studien zur Europ ischen Avantgarde und Moderne f rdern die interdisziplin re und intermediale Erforschung experimenteller sthetiken und Poetiken und setzen es sich zum Ziel, das Interesse an den kulturellen Zusammenh ngen und Kontexten der Avantgarde und der Moderne in Europa anzuregen. Beitr ge werden internationalen Experten zur anonymen Begutachtung vorgelegt.

Chefredakteure: Sascha Bru (Leuven University) und Peter Nicholls (New York University).

Redaktionsausschuss: Jan Baetens (Universit t Leuven), Hubert van den Berg (Universit t Groningen), Benedikt Hjartarson (University of Iceland) undTania rum (Universit t Kopenhagen).

Beratungsausschuss: Dawn Ades (University of Essex), Wolfgang Asholt (Universit t Osnabr ck), Karlheinz Barck (Zentrum f r Literatur- und Kulturforschung Berlin), Henri B har (Paris III, Sorbonne nouvelle), Timothy O. Benson (LACMA), G nter Berghaus (University of Bristol), Stefano Boeri (Multiplicity & Universit luav di Venezia), Endre Bojt r (Central European University, Budapest), Christina von Braun (Humboldt Universit t zu Berlin), Peter B rger (Universit t Bremen), Matei Calinescu (University of Indiana), Claus Cl ver (University of Indiana), Antoine Compagnon (Coll ge de France), Maria Delaperri re (INALCO, Paris), Pascal Dethurens (Universit de Strasbourg), Eva For

Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics During World War II

Автор: Melissa Dinsman
Название: Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics During World War II
ISBN: 1350028452 ISBN-13(EAN): 9781350028456
Издательство: Bloomsbury Academic
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Цена: 40120.00 T
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Описание: As the Second World War raged throughout Europe, modernist writers often became crucial voices in the propaganda efforts of both sides. Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics During World War II is a comprehensive study of the role modernist writers’ radio works played in the propaganda war and the relationship between modernist literary aesthetics and propaganda. Drawing on new archival research, the book covers the broadcast work of such key figures as George Orwell, Orson Welles, Dorothy L. Sayers, Louis MacNeice, Mulk Raj Anand, T.S. Eliot, and P.G. Wodehouse. In addition to the work of Anglo-American modernists, Melissa Dinsman also explores the radio work of exiled German writers, such as Thomas Mann, as well as Ezra Pound’s notorious pro-fascist broadcasts. In this way, the book reveals modernism’s engagement with new technologies that opened up transnational boundaries under the pressures of war.

Wallace Stevens, New York, and Modernism

Автор: Goldfarb Lisa, Eeckhout Bart
Название: Wallace Stevens, New York, and Modernism
ISBN: 0415899109 ISBN-13(EAN): 9780415899109
Издательство: Taylor&Francis
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Цена: 158230.00 T
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Описание: This unique essay collection considers the impact of New York on the life and works of Wallace Stevens. Stevens lived in New York from 1900 to 1916, working briefly as a journalist, going to law school, laboriously starting up a career as a lawyer, getting engaged and married, gradually mixing with local avant-garde circles, and eventually emerging as one of the most exciting and surprising voices in modern poetry. Although he then left the city for a job in Hartford, Stevens never saw himself as a Hartford poet and kept gravitating toward New York for nearly all things that mattered to him privately and poetically: visits to galleries and museums, theatrical and musical performances, intellectual and artistic gatherings, shopping sprees and gastronomical indulgences. Recent criticism of the poet has sought to understand how Stevens interacted with the literary, artistic, and cultural forces of his time to forge his inimitable aesthetic, with its peculiar mix of post-romantic responses to nature and a metropolitan cosmopolitanism. This volume deepens our understanding of the multiple ways in which New York and its various aesthetic attractions figured in Stevens’ life, both at a biographical and poetic level.

Bergson and Russian Modernism: 1900-1930

Автор: Hilary Fink
Название: Bergson and Russian Modernism: 1900-1930
ISBN: 0810128551 ISBN-13(EAN): 9780810128552
Издательство: Mare Nostrum (Eurospan)
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Цена: 38810.00 T
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Описание: Provides a portrait of the early twentieth-century intersection of literature, philosophy, and art, showing how the Russian reception of Bergsonian philosophy helped to define Russian Modernism. By drawing on various works of Russian religious thought, Symbolism, Post-Symbolism, and the absurd, Fink examines Bergson's appeal to Russian modernists interested in breaking free of traditional concepts of time and space.

Modernism and Naturalism in British and Irish Fiction, 1880–1930

Автор: Joyce
Название: Modernism and Naturalism in British and Irish Fiction, 1880–1930
ISBN: 1107445744 ISBN-13(EAN): 9781107445741
Издательство: Cambridge Academ
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Цена: 33790.00 T
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Описание: In this volume, Simon Joyce examines the ways in which readers have come to view canonical modernists such as James Joyce and Virginia Woolf, showing how their work might be read in conjunction with lesser-known Irish and `New Woman` novelists such as George Moore, Sarah Grand, and George Egerton.

Modernism and Naturalism in British and Irish Fiction, 1880–1930

Автор: Joyce
Название: Modernism and Naturalism in British and Irish Fiction, 1880–1930
ISBN: 1107083885 ISBN-13(EAN): 9781107083882
Издательство: Cambridge Academ
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Цена: 95040.00 T
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Описание: In this volume, Simon Joyce examines the ways in which readers have come to view canonical modernists such as James Joyce and Virginia Woolf, showing how their work might be read in conjunction with lesser-known Irish and `New Woman` novelists such as George Moore, Sarah Grand, and George Egerton.

Literary modernism, bioscience, and community in early 20th century britain

Автор: Gordon, Craig A.
Название: Literary modernism, bioscience, and community in early 20th century britain
ISBN: 1403977542 ISBN-13(EAN): 9781403977540
Издательство: Springer
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Цена: 74530.00 T
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Описание: This book examines the relationship between the literary and bioscientific cultures of the period as a means of exploring the ways in which the comprehension and representation of the human body fundamentally shapes a variety of the period`s communal and national visions.

Modernism and the New Spain: Britain, Cosmopolitan Europe, and Literary History

Автор: Rogers Gayle
Название: Modernism and the New Spain: Britain, Cosmopolitan Europe, and Literary History
ISBN: 0190207337 ISBN-13(EAN): 9780190207335
Издательство: Oxford Academ
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Цена: 32200.00 T
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Описание: Drawing on works in a variety of genres, Gayle Rogers reconstructs an archive of cross-cultural exchanges to reveal the mutual constitution of two modernist movements - one in Britain, the other in Spain, and stretching at key moments in between Ireland and the Americas.

Modernism, sex, and gender

Автор: Marshik, Celia (stony Brook University, Usa) Pease
Название: Modernism, sex, and gender
ISBN: 1350020451 ISBN-13(EAN): 9781350020450
Издательство: Bloomsbury Academic
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Цена: 95040.00 T
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Описание: Modernism, Sex, and Gender is an up-to-date and in-depth review of how theories of gender and sexuality have shaped the way modernism has been read and interpreted from its inception to the present day. The volume explores four key aspects of modernist literature and criticism that have contributed to the new modernist studies: women’s contributions to modernism; masculinities; sexuality; and the intersection of gender and sexuality with politics and law. Including brief case studies of such writers as May Sinclair and Radclyffe Hall, this book is a valuable guide for those looking to understand the history of critical thought on gender and sexuality in modernist studies today.

Автор: Pamela Kachurin
Название: Making Modernism Soviet: The Russian Avant-Garde in the Early Soviet Era, 1918-1928
ISBN: 0810131307 ISBN-13(EAN): 9780810131309
Издательство: Mare Nostrum (Eurospan)
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Цена: 38810.00 T
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Описание: Making Modernism Soviet provides a new understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the relationship between power brokers and cultural institutions under conditions of state patronage, Pamela Kachurin lays to rest the myth of the imposition of control from above upon a victimized artistic community. Drawing on extensive archival research, she shows that Russian modernists used their positions within the expanding Soviet arts bureaucracy to build up networks of like-minded colleagues. Their commitment to one another and to the task of creating a socially transformative visual language for the new Soviet context allowed them to produce some of their most famous works of art. But it also contributed to the "Sovietization" of the art world that eventually sealed their fate.

Modernism, Sex, and Gender

Автор: Marshik Celia, Pease Allison
Название: Modernism, Sex, and Gender
ISBN: 1350020443 ISBN-13(EAN): 9781350020443
Издательство: Bloomsbury Academic
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Цена: 28500.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Modernism, Sex, and Gender is an up-to-date and in-depth review of how theories of gender and sexuality have shaped the way modernism has been read and interpreted from its inception to the present day. The volume explores four key aspects of modernist literature and criticism that have contributed to the new modernist studies: women’s contributions to modernism; masculinities; sexuality; and the intersection of gender and sexuality with politics and law. Including brief case studies of such writers as May Sinclair and Radclyffe Hall, this book is a valuable guide for those looking to understand the history of critical thought on gender and sexuality in modernist studies today.

Eardrums: Literary Modernism as Sonic Warfare

Автор: Whitney Tyler
Название: Eardrums: Literary Modernism as Sonic Warfare
ISBN: 0810140217 ISBN-13(EAN): 9780810140219
Издательство: Mare Nostrum (Eurospan)
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Цена: 31770.00 T
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Описание: In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his “sound poems,” which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus—all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire.Eadrums is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science.


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