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Eardrums: Literary Modernism as Sonic Warfare, Whitney Tyler


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Автор: Whitney Tyler
Название:  Eardrums: Literary Modernism as Sonic Warfare
ISBN: 9780810140219
Издательство: Mare Nostrum (Eurospan)
Классификация:






ISBN-10: 0810140217
Обложка/Формат: Paperback
Страницы: 240
Вес: 0.36 кг.
Дата издания: 30.05.2019
Серия: Arts
Язык: English
Иллюстрации: 20 black & white images
Размер: 152 x 227 x 21
Читательская аудитория: Professional and scholarly
Ключевые слова: Social & cultural history,History of art & design styles: c 1800 to c 1900,Literary studies: general,Literary companions, book reviews & guides,European history, LITERARY CRITICISM / European / German,ART / History / Modern (late 19th Century to 1945),HI
Подзаголовок: Literary modernism as sonic warfare
Рейтинг:
Поставляется из: Англии
Описание: In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his “sound poems,” which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus—all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire.Eadrums is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science.
Дополнительное описание: Literary studies: general|European history|Social and cultural history|History of art|Literary companions, book reviews and guides


The Sonic Color Line: Race and the Cultural Politics of Listening

Автор: Stoever Jennifer Lynn
Название: The Sonic Color Line: Race and the Cultural Politics of Listening
ISBN: 147989043X ISBN-13(EAN): 9781479890439
Издательство: Mare Nostrum (Eurospan)
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Цена: 74410.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The unheard history of how race and racism are constructed from sound and maintained through the listening ear.  Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe.  Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing  compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.”                  Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.

Eardrums: Literary Modernism as Sonic Warfare

Автор: Tyler Whitney
Название: Eardrums: Literary Modernism as Sonic Warfare
ISBN: 0810140225 ISBN-13(EAN): 9780810140226
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 100320.00 T
Наличие на складе: Невозможна поставка.
Описание: In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his “sound poems,” which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus—all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. Eadrums is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science.


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