Sonic Writing explores how contemporary music technologies trace their ancestry to previous forms of instruments and media. Studying the domains of instrument design, musical notation, and sound recording under the rubrics of material, symbolic, and signal inscriptions of sound, the book describes how these historical techniques of sonic writing are implemented in new digital music technologies. With a scope ranging from ancient Greek music theory, medieval notation, early modern scientific instrumentation to contemporary multimedia and artificial intelligence, it provides a theoretical grounding for further study and development of technologies of musical expression. The book draws a bespoke affinity and similarity between current musical practices and those from before the advent of notation and recording, stressing the importance of instrument design in the study of new music and projecting how new computational technologies, including machine learning, will transform our musical practices.
Sonic Writing offers a richly illustrated study of contemporary musical media, where interactivity, artificial intelligence, and networked devices disclose new possibilities for musical expression. Thor Magnusson provides a conceptual framework for the creation and analysis of this new musical work, arguing that contemporary sonic writing becomes a new form of material and symbolic design--one that is bound to be ephemeral, a system of fluid objects where technologies are continually redesigned in a fast cycle of innovation.
Автор: Robert Strachan Название: Sonic Technologies: Popular Music, Digital Culture and the Creative Process ISBN: 1501310615 ISBN-13(EAN): 9781501310614 Издательство: Bloomsbury Academic Рейтинг: Цена: 147840.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Awarded a Certificate of Merit at the ARSC Awards for Excellence 2018 In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a marker of Web 2.0, the emergence of new music production technologies have had a transformative effect upon 21st Century digital culture. Sonic Technologies examines these issues with a specific focus upon the impact of digitization upon creativity; that is, what musicians, cultural producers and prosumers do. For many, music production has moved out of the professional recording studio and into the home. Using a broad range of examples ranging from experimental electronic music to more mainstream genres, the book examines how contemporary creative practice is shaped by the visual and sonic look and feel of recording technologies such as Digital Audio Workstations.
Автор: Robert Strachan Название: Sonic Technologies: Popular Music, Digital Culture and the Creative Process ISBN: 1501310623 ISBN-13(EAN): 9781501310621 Издательство: Bloomsbury Academic Рейтинг: Цена: 26390.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Awarded a Certificate of Merit at the ARSC Awards for Excellence 2018
In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a marker of Web 2.0, the emergence of new music production technologies have had a transformative effect upon 21st Century digital culture. Sonic Technologiesexamines these issues with a specific focus upon the impact of digitization upon creativity; that is, what musicians, cultural producers and prosumers do. For many, music production has moved out of the professional recording studio and into the home. Using a broad range of examples ranging from experimental electronic music to more mainstream genres, the book examines how contemporary creative practice is shaped by the visual and sonic look and feel of recording technologies such as Digital Audio Workstations.
Автор: Holger Schulze Название: Sonic Fiction ISBN: 1501334786 ISBN-13(EAN): 9781501334788 Издательство: Bloomsbury Academic Рейтинг: Цена: 79200.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Sonic fiction is everywhere: in conversations about vernacular culture, in music videos, sound art compositions and on record sleeves, in everyday encounters with sonic experiences and in every single piece of writing about sound. Where one can find sounds one will also detect bits of fiction.In 1998 music critic, DJ and video essayist Kodwo Eshun proposed this concept in his book “More Brilliant Than The Sun: Adventures in Sonic Fiction”. Originally, he did so in order to explicate the manifold connections between Afrofuturism and Techno, connecting them to Jazz, Breakbeat and Electronica. His argument, his narrations and his explorative language operations however inspired researchers, artists, and scholars since then. Sonic Fiction became a myth and a mantra, a keyword and a magical spell. This book provides a basic introduction to sonic fiction. In six chapters it explicates the inspirations for and the transformations of this concept; it explores applications and extrapolations in sound art and sonic theory, in musicology, epistemology, in critical and political theory. Sonic fiction is presented in this book as a heuristic for critique and activism.
Автор: Barbara Ellison, Thomas Bey William Bailey Название: Sonic Phantoms: Composition with Auditory Phantasmatic Presence ISBN: 1501347020 ISBN-13(EAN): 9781501347023 Издательство: Bloomsbury Academic Рейтинг: Цена: 116160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
In this book, Barbara Ellison and Thomas B. W. Bailey lay out and explore the mystifying and evanescent musical territory of 'sonic phantoms': auditory illusions within the musical material that convey a 'phantasmatic' presence. Structured around a large body of compositional work developed by Ellison over the past decade, sonic phantoms are revealed and illustrated as they arise through a diverse array of musical sources, materials, techniques, and compositional tools: voices (real and synthetic), field recordings, instrument manipulation, object amplification, improvisation, and recording studio techniques. Their larger musical context is also outlined, as sonic phantoms are indeed present in a considerable number of disparate musical traditions (Western and non-Western), techno- historical moments (from ancient/archaic to electronic/computer-age techniques), cultural frameworks (from 'serious' to 'popular'), and fields of interest/expertise (from the psychological to the musical). Somehow inherent in all music--and perhaps in all sound--sonic phantoms lurk and stalk with the promise of mystery and elevation. We just need to conjure them.
Автор: Grimshaw Mark, Garner Tom Название: Sonic Virtuality: Sound as Emergent Perception ISBN: 0199392838 ISBN-13(EAN): 9780199392834 Издательство: Oxford Academ Рейтинг: Цена: 67590.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Sonic Virtuality introduces a new theory of sound that positions it within the framework of virtuality. Authors Mark Grimshaw and Tom Garner build the case for a sonic aggregate as the virtual cloud of potentials created by perceived sound, incorporating a broad array of principles from philosophy to acoustic ecology to virtuality.
Автор: Malcolm James Название: Sonic Intimacy ISBN: 1501320718 ISBN-13(EAN): 9781501320712 Издательство: Bloomsbury Academic Рейтинг: Цена: 73920.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Sonic Intimacy addresses and establishes the new concept of “sonic intimacy” as a key term through which sound, human, and technological relations can be assessed and understood in relation to capitalism: what is sonic intimacy, how it is changing, and what is at stake in its transformation? Analyzing “sonic intimacy” through key case studies of three alternative music technologies of the black Atlantic (sound systems, pirate radio, and YouTube) James addresses in particular the aural transmission of care (intimacies), the internal (intimate) affects of sound and the collective affect of sound (intimacy) and its relation to (intimate) times and spaces. Sonic Intimacy thus explores what is at stake in the development of sonic intimacy for human relations and alternative black and anti-capitalist public politics. This discussion on the transformation of sonic intimacy starts with the sound system. The sound system highlights the affective and political implications of in-time: collective and bass mediated intimacies. Pirate radio permits an exploration of the initial privatization of this intimacy, as bass is scooped out and dialogues established between bedrooms, and over radio infrastructure. An analysis of the YouTube music video then provides insight into sonic intimacy’s further fragmentation as alternative sound waves are commodified, speakers shrunk, distances increased and human relations made out-of-sync. More importantly, however, these case studies also provide the book with latitude for exploring how old intimacies have been retraced and where new intimacies have arisen: the aimless fervour generated through the pirate radio; the immediacy, uncertainty, deferral, multiplication, repetition and mobility of the YouTube music video. Ultimately, Sonic Intimacy outlines the importance of sonic intimacy as an area of study, argues that changes in sonic intimacy are contingent with the shrinking possibilities of alternative public culture, and tentatively identifies potential new sonic intimacies that may provide a resource for the struggle against, and demand beyond, neoliberal capitalism.
Автор: Stephen Kennedy Название: Chaos Media: A Sonic Economy of Digital Space ISBN: 1623567068 ISBN-13(EAN): 9781623567064 Издательство: Bloomsbury Academic Рейтинг: Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The contemporary media landscape might be described in simple terms as a digital terrain where real and virtual worlds collide. Stephen Kennedy investigates the concept of our digital space leading up to the digital turn of the 1990s to fully understand how our perceptions of orientation in space in time was altered. Chaos Media: A Sonic Economy of Digital Space re-thinks the five fundamental paths to our contemporary understanding of the digital age: cultural, political, economic, scientific, and aesthetic, and ties them together to form a coherent whole in order to demonstrate how critical thinking can be reconfigured using a methodological approach that uses 'chaos' and 'complexity' as systematic tools for studying contemporary mediated space. Kennedy introduces the concept of Sonic Economy, a methodology that allows for a critical engagement with the heterogeneous elements of an information society wherein the dispersion of discrete elements is manifest but not always clearly visible.
Автор: Schulze H. Название: The Sonic Persona: An Anthropology of Sound ISBN: 150130545X ISBN-13(EAN): 9781501305450 Издательство: Bloomsbury Academic Рейтинг: Цена: 36950.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In The Sonic Persona, Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with experimental critique, and with disturbing sonic experiences.
From Hermann von Helmholtz to Miley Cyrus, from FLUXUS to the Arab Spring, from Wavefield Synthesis to otoacoustic emissions, from premillennial clubculture to postdemocratic authoritarianism, from signal processing to human echolocation: This book presents a fundamental critique concerning recent sound theories and their anthropological concepts - and proposes an alternate, a more plastic, a visceral framework for research in the field of a cultural anthropology of sounding and listening.
This anthropology of sound takes its readers and listeners on a research expedition to the multitude of alien humanoids and their surprising sonic personae: in dynamic and generative tension between predetermined auditory dispositives, miniscule and not seldomly ignored sound practices, and idiosyncratic sensory corpuses: a critique of the senses.
I'm going to prove the impossible really exists.
Автор: Voegelin, Dr Salome (professor, London College Of Communication, Uk) Название: Sonic possible worlds, revised edition ISBN: 1501367625 ISBN-13(EAN): 9781501367625 Издательство: Bloomsbury Academic Рейтинг: Цена: 26390.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: From its use in literary theory, film criticism and the discourse of games design, Salom Voegelin expands 'possible world theory' to think the worlding of sound in music, in art and in the everyday. The modal logic of possible worlds, articulated principally via David K. Lewis and developed through Maurice Merleau-Ponty's phenomenological life-worlds, creates a view on the invisible slices of the world and reflects on how to make them count, politically and aesthetically. How to make them thinkable and accessible as the possibility of the everyday and of art: to reach a new materialist understanding from the invisible and to develop an ear for the as yet inaudible. This revised edition continues Voegelin's exploration of the sonic possibility of the world into the sonic possibility and impossibility of the body. Listening to work by ine O'Dwyer, Hannah Silva and Jocy de Oliveira, it considers sonic possible worlds' radical power to rethink normative constructions and to fabulate a different body from its sound: Hearing the Continuum Between Plural Bodies; between humans, humanoid aliens, monsters, vampires, plants, things and anything we have no name for yet but which a sonic philosophy might start to hear and call.
Автор: Schulze Holger Название: Sonic Fiction ISBN: 1501334794 ISBN-13(EAN): 9781501334795 Издательство: Bloomsbury Academic Рейтинг: Цена: 23220.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Sonic fiction is everywhere: in conversations about vernacular culture, in music videos, sound art compositions and on record sleeves, in everyday encounters with sonic experiences and in every single piece of writing about sound. Where one can find sounds one will also detect bits of fiction.In 1998 music critic, DJ and video essayist Kodwo Eshun proposed this concept in his book “More Brilliant Than The Sun: Adventures in Sonic Fiction”. Originally, he did so in order to explicate the manifold connections between Afrofuturism and Techno, connecting them to Jazz, Breakbeat and Electronica. His argument, his narrations and his explorative language operations however inspired researchers, artists, and scholars since then. Sonic Fiction became a myth and a mantra, a keyword and a magical spell. This book provides a basic introduction to sonic fiction. In six chapters it explicates the inspirations for and the transformations of this concept; it explores applications and extrapolations in sound art and sonic theory, in musicology, epistemology, in critical and political theory. Sonic fiction is presented in this book as a heuristic for critique and activism.
Автор: Robin James Название: The Sonic Episteme: Acoustic Resonance, Neoliberalism, and Biopolitics ISBN: 1478005785 ISBN-13(EAN): 9781478005780 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 117000.00 T Наличие на складе: Невозможна поставка. Описание: In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy and sound studies to black feminist studies and musicology, James shows how what she calls the sonic episteme—a set of sound-based rules that qualitatively structure social practices in much the same way that neoliberalism uses statistics—employs a politics of exception to maintain hegemonic neoliberal and biopolitical projects. Where James sees the normcore averageness of Taylor Swift and Spandau Ballet as contributing to the sonic episteme's marginalization of nonnormative conceptions of gender, race, and personhood, the black feminist political ontologies she identifies in Beyoncé's and Rihanna's music challenge such marginalization. In using sound to theorize political ontology, subjectivity, and power, James argues for the further articulation of sonic practices that avoid contributing to the systemic relations of domination that biopolitical neoliberalism creates and polices.
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