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The Bloomsbury Handbook of Sonic Methodologies, Marcel Cobussen, Michael Bull


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Автор: Marcel Cobussen, Michael Bull
Название:  The Bloomsbury Handbook of Sonic Methodologies
ISBN: 9781501338755
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1501338757
Обложка/Формат: Hardcover
Страницы: 848
Вес: 1.67 кг.
Дата издания: 10.12.2020
Серия: Bloomsbury handbooks
Язык: English
Размер: 25.40 x 17.81 x 4.45 cm
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Acoustic & sound engineering,Music,Theory of music & musicology, MUSIC / Reference,SCIENCE / Acoustics & Sound,TECHNOLOGY & ENGINEERING / Acoustics & Sound
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Поставляется из: Англии
Описание: The field of Sound Studies has changed and developed dramatically over the last two decades involving a vast and dizzying array of work produced by those working in the arts, social sciences and sciences. The study of sound is inherently interdisciplinary and is undertaken both by those who specialize in sound and by others who wish to include sound as an intrinsic and indispensable element in their research. This is the first resource to provide a wide ranging, cross-cultural and interdisciplinary investigation and analysis of the ways in which researchers use a broad range of methodologies in order to pursue their sonic investigations. It brings together 49 specially commissioned chapters that ask a wide range of questions including; how can sound be used in current academic disciplines? Is sound as a methodological tool indispensable for Sound Studies and what can sound artists contribute to the discourse on methodology in Sound Studies? The editors also present 3 original chapters that work as provocative ‘sonic methodological interventions’ prefacing the 3 sections of the book.

The Sonic Persona: An Anthropology of Sound

Автор: Schulze H.
Название: The Sonic Persona: An Anthropology of Sound
ISBN: 150130545X ISBN-13(EAN): 9781501305450
Издательство: Bloomsbury Academic
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Цена: 36950.00 T
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Описание: In The Sonic Persona, Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with experimental critique, and with disturbing sonic experiences.

From Hermann von Helmholtz to Miley Cyrus, from FLUXUS to the Arab Spring, from Wavefield Synthesis to otoacoustic emissions, from premillennial clubculture to postdemocratic authoritarianism, from signal processing to human echolocation: This book presents a fundamental critique concerning recent sound theories and their anthropological concepts - and proposes an alternate, a more plastic, a visceral framework for research in the field of a cultural anthropology of sounding and listening.

This anthropology of sound takes its readers and listeners on a research expedition to the multitude of alien humanoids and their surprising sonic personae: in dynamic and generative tension between predetermined auditory dispositives, miniscule and not seldomly ignored sound practices, and idiosyncratic sensory corpuses: a critique of the senses.

I'm going to prove the impossible really exists.

Sonic possible worlds, revised edition

Автор: Voegelin, Dr Salome (professor, London College Of Communication, Uk)
Название: Sonic possible worlds, revised edition
ISBN: 1501367625 ISBN-13(EAN): 9781501367625
Издательство: Bloomsbury Academic
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Цена: 26390.00 T
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Описание: From its use in literary theory, film criticism and the discourse of games design, Salom Voegelin expands 'possible world theory' to think the worlding of sound in music, in art and in the everyday. The modal logic of possible worlds, articulated principally via David K. Lewis and developed through Maurice Merleau-Ponty's phenomenological life-worlds, creates a view on the invisible slices of the world and reflects on how to make them count, politically and aesthetically. How to make them thinkable and accessible as the possibility of the everyday and of art: to reach a new materialist understanding from the invisible and to develop an ear for the as yet inaudible. This revised edition continues Voegelin's exploration of the sonic possibility of the world into the sonic possibility and impossibility of the body. Listening to work by ine O'Dwyer, Hannah Silva and Jocy de Oliveira, it considers sonic possible worlds' radical power to rethink normative constructions and to fabulate a different body from its sound: Hearing the Continuum Between Plural Bodies; between humans, humanoid aliens, monsters, vampires, plants, things and anything we have no name for yet but which a sonic philosophy might start to hear and call.

Sonic Fiction

Автор: Schulze Holger
Название: Sonic Fiction
ISBN: 1501334794 ISBN-13(EAN): 9781501334795
Издательство: Bloomsbury Academic
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Цена: 23220.00 T
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Описание: Sonic fiction is everywhere: in conversations about vernacular culture, in music videos, sound art compositions and on record sleeves, in everyday encounters with sonic experiences and in every single piece of writing about sound. Where one can find sounds one will also detect bits of fiction.In 1998 music critic, DJ and video essayist Kodwo Eshun proposed this concept in his book “More Brilliant Than The Sun: Adventures in Sonic Fiction”. Originally, he did so in order to explicate the manifold connections between Afrofuturism and Techno, connecting them to Jazz, Breakbeat and Electronica. His argument, his narrations and his explorative language operations however inspired researchers, artists, and scholars since then. Sonic Fiction became a myth and a mantra, a keyword and a magical spell. This book provides a basic introduction to sonic fiction. In six chapters it explicates the inspirations for and the transformations of this concept; it explores applications and extrapolations in sound art and sonic theory, in musicology, epistemology, in critical and political theory. Sonic fiction is presented in this book as a heuristic for critique and activism.

Sonic Warfare: Sound, Affect, and the Ecology of Fear

Автор: Goodman Steve
Название: Sonic Warfare: Sound, Affect, and the Ecology of Fear
ISBN: 0262013479 ISBN-13(EAN): 9780262013475
Издательство: MIT Press
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Цена: 25370.00 T
Наличие на складе: Нет в наличии.
Описание: An exploration of the production, transmission, and mutation of affective tonality--when sound helps produce a bad vibe.

Sonic Possible Worlds: Hearing the Continuum of Sound

Автор: Salom? Voegelin
Название: Sonic Possible Worlds: Hearing the Continuum of Sound
ISBN: 1623567041 ISBN-13(EAN): 9781623567040
Издательство: Bloomsbury Academic
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Цена: 84480.00 T
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Описание: Inspired by its use in literary theory, film criticism and the discourse of game design, Salome Voegelin adapts and develops “possible world theory” in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco Lopez resound in the visual worlds of Louise Bourgeois.

Dark Sound: Feminine Voices in Sonic Shadow

Автор: D Ferrett
Название: Dark Sound: Feminine Voices in Sonic Shadow
ISBN: 1501325795 ISBN-13(EAN): 9781501325793
Издательство: Bloomsbury Academic
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Цена: 31670.00 T
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Описание: Dark sound carries the dense cultural weight of darkness; it is the undertow of music that embodies melancholy, desire, grief, violence, rage, pain, loss and longing. Compelling and unnerving, dark sound immerses bodies in the darkest moments and delves into the depths of our hidden inner selves. There is a strangely perverse appeal about music that conjures intense affective states and about sound that can move its listeners to the very edge of the sayable. Through a series of case studies that include Moor Mother, Anna Calvi, Bjork, Chelsea Wolfe and Diamanda Galas, D Ferrett argues that the extreme limits and transgressions of dark sound not only imply the limits of language, but are moreover tied to a cultural and historical association between darkness and the feminine within music and music discourse. Whilst the oppressive and violent associations between darkness and femininity are acknowledged, the author challenges their value to misogynistic, racist, capitalist and patriarchal power, showing how dark sound is charged with social, creative and political momentum.

Chaos Media: A Sonic Economy of Digital Space

Автор: Stephen Kennedy
Название: Chaos Media: A Sonic Economy of Digital Space
ISBN: 1623567068 ISBN-13(EAN): 9781623567064
Издательство: Bloomsbury Academic
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Цена: 126720.00 T
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Описание: The contemporary media landscape might be described in simple terms as a digital terrain where real and virtual worlds collide. Stephen Kennedy investigates the concept of our digital space leading up to the digital turn of the 1990s to fully understand how our perceptions of orientation in space in time was altered. Chaos Media: A Sonic Economy of Digital Space re-thinks the five fundamental paths to our contemporary understanding of the digital age: cultural, political, economic, scientific, and aesthetic, and ties them together to form a coherent whole in order to demonstrate how critical thinking can be reconfigured using a methodological approach that uses 'chaos' and 'complexity' as systematic tools for studying contemporary mediated space. Kennedy introduces the concept of Sonic Economy, a methodology that allows for a critical engagement with the heterogeneous elements of an information society wherein the dispersion of discrete elements is manifest but not always clearly visible.

Sonic possible worlds, revised edition

Автор: Voegelin, Dr Salome (professor, London College Of Communication, Uk)
Название: Sonic possible worlds, revised edition
ISBN: 1501367617 ISBN-13(EAN): 9781501367618
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 100320.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From its use in literary theory, film criticism and the discourse of games design, Salom Voegelin expands 'possible world theory' to think the worlding of sound in music, in art and in the everyday. The modal logic of possible worlds, articulated principally via David K. Lewis and developed through Maurice Merleau-Ponty's phenomenological life-worlds, creates a view on the invisible slices of the world and reflects on how to make them count, politically and aesthetically. How to make them thinkable and accessible as the possibility of the everyday and of art: to reach a new materialist understanding from the invisible and to develop an ear for the as yet inaudible. This revised edition continues Voegelin's exploration of the sonic possibility of the world into the sonic possibility and impossibility of the body. Listening to work by ine O'Dwyer, Hannah Silva and Jocy de Oliveira, it considers sonic possible worlds' radical power to rethink normative constructions and to fabulate a different body from its sound: Hearing the Continuum Between Plural Bodies; between humans, humanoid aliens, monsters, vampires, plants, things and anything we have no name for yet but which a sonic philosophy might start to hear and call.

Sonic Rupture: A Practice-led Approach to Urban Soundscape Design

Автор: Jordan Lacey
Название: Sonic Rupture: A Practice-led Approach to Urban Soundscape Design
ISBN: 1501309978 ISBN-13(EAN): 9781501309977
Издательство: Bloomsbury Academic
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Цена: 126720.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Sonic Rupture applies a practitioner-led approach to urban soundscape design, which foregrounds the importance of creative encounters in global cities. This presents an alternative to those urban soundscape design approaches concerned with managing the negative health impacts of noise. Instead, urban noise is considered to be a creative material and cultural expression that can be reshaped with citywide networks of sonic installations.

By applying affect theory the urban is imagined as an unfolding of the Affective Earth, and noise as its homogenous (and homogenizing) voice. It is argued that noise is an expressive material with which sonic practitioners can interface, to increase the creative possibilities of urban life. At the heart of this argument is the question of relationships: how do we augment and diversify those interconnections that weave together the imaginative life and the expressions of the land?

The book details seven sound installations completed by the author as part of a creative practice research process, in which the sonic rupture model was discovered. The sonic rupture model, which aims to diversify human experiences and urban environments, encapsulates five soundscape design approaches and ten practitioner intentions. Multiple works of international practitioners are explored in relation to the discussed approaches.

Sonic Rupture provides the domains of sound art, music, creative practice, urban design, architecture and environmental philosophy with a unique perspective for understanding those affective forces, which shape urban life. The book also provides a range of practical and conceptual tools for urban soundscape design that can be applied by the sonic practitioner.

Dark Sound: Feminine Voices in Sonic Shadow

Автор: D Ferrett
Название: Dark Sound: Feminine Voices in Sonic Shadow
ISBN: 1501325809 ISBN-13(EAN): 9781501325809
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 100320.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Dark sound carries the dense cultural weight of darkness; it is the undertow of music that embodies melancholy, desire, grief, violence, rage, pain, loss and longing. Compelling and unnerving, dark sound immerses bodies in the darkest moments and delves into the depths of our hidden inner selves. There is a strangely perverse appeal about music that conjures intense affective states and about sound that can move its listeners to the very edge of the sayable. Through a series of case studies that include Moor Mother, Anna Calvi, Bjork, Chelsea Wolfe and Diamanda Galas, D Ferrett argues that the extreme limits and transgressions of dark sound not only imply the limits of language, but are moreover tied to a cultural and historical association between darkness and the feminine within music and music discourse. Whilst the oppressive and violent associations between darkness and femininity are acknowledged, the author challenges their value to misogynistic, racist, capitalist and patriarchal power, showing how dark sound is charged with social, creative and political momentum.

Sonic Intimacy

Автор: Malcolm James
Название: Sonic Intimacy
ISBN: 1501320726 ISBN-13(EAN): 9781501320729
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 23220.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Sonic Intimacy addresses and establishes the new concept of “sonic intimacy” as a key term through which sound, human, and technological relations can be assessed and understood in relation to capitalism: what is sonic intimacy, how it is changing, and what is at stake in its transformation? Analyzing “sonic intimacy” through key case studies of three alternative music technologies of the black Atlantic (sound systems, pirate radio, and YouTube) James addresses in particular the aural transmission of care (intimacies), the internal (intimate) affects of sound and the collective affect of sound (intimacy) and its relation to (intimate) times and spaces. Sonic Intimacy thus explores what is at stake in the development of sonic intimacy for human relations and alternative black and anti-capitalist public politics. This discussion on the transformation of sonic intimacy starts with the sound system. The sound system highlights the affective and political implications of in-time: collective and bass mediated intimacies. Pirate radio permits an exploration of the initial privatization of this intimacy, as bass is scooped out and dialogues established between bedrooms, and over radio infrastructure. An analysis of the YouTube music video then provides insight into sonic intimacy’s further fragmentation as alternative sound waves are commodified, speakers shrunk, distances increased and human relations made out-of-sync. More importantly, however, these case studies also provide the book with latitude for exploring how old intimacies have been retraced and where new intimacies have arisen: the aimless fervour generated through the pirate radio; the immediacy, uncertainty, deferral, multiplication, repetition and mobility of the YouTube music video. Ultimately, Sonic Intimacy outlines the importance of sonic intimacy as an area of study, argues that changes in sonic intimacy are contingent with the shrinking possibilities of alternative public culture, and tentatively identifies potential new sonic intimacies that may provide a resource for the struggle against, and demand beyond, neoliberal capitalism.

The Sonic Episteme: Acoustic Resonance, Neoliberalism, and Biopolitics

Автор: Robin James
Название: The Sonic Episteme: Acoustic Resonance, Neoliberalism, and Biopolitics
ISBN: 1478006641 ISBN-13(EAN): 9781478006640
Издательство: Mare Nostrum (Eurospan)
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Цена: 29220.00 T
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Описание: In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy and sound studies to black feminist studies and musicology, James shows how what she calls the sonic episteme—a set of sound-based rules that qualitatively structure social practices in much the same way that neoliberalism uses statistics—employs a politics of exception to maintain hegemonic neoliberal and biopolitical projects. Where James sees the normcore averageness of Taylor Swift and Spandau Ballet as contributing to the sonic episteme's marginalization of nonnormative conceptions of gender, race, and personhood, the black feminist political ontologies she identifies in Beyoncé's and Rihanna's music challenge such marginalization. In using sound to theorize political ontology, subjectivity, and power, James argues for the further articulation of sonic practices that avoid contributing to the systemic relations of domination that biopolitical neoliberalism creates and polices.


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