Lees Mallarm? and Wagner: Music and Poetic Language 9781138265325

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Автор: Lees
Название: Mallarm? and Wagner: Music and Poetic Language
ISBN: 9781138265325
Издательство: Taylor&Francis
Классификация:

Музыка

Романтическая музыка (с 1830 до 1900)

ISBN-10: 1138265322
Обложка/Формат: Paperback
Страницы: 272
Вес: 0.50 кг.
Дата издания: 15.11.2016
Язык: English
Размер: 158 x 267 x 21
Читательская аудитория: General (us: trade)
Ключевые слова: Romantic music (c 1830 to c 1900), MUSIC / General
Основная тема: Romantic Music (1830-1900)
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: This book challenges and replaces the existing view of Mallarmes mission to re-possess music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poets life, and sprang from a belief in Mallarmes sudden awakening to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarmes early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making musics performance-language of effect the ground of his poetic expression. Integral to the argument is Mallarmes reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris TannhA¤user, while the second arrived in the mid-1880s, and gave birth to the Revue Wagnerienne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarme exhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composers gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner really said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagners important French text, the Lettre sur la musique. It also re-examines Baudelaires classic Wagner-brochure, and reveals its authors surprisingly firm grasp of Wagners musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarmes repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarmes best-known texts, hitherto judged difficult by those who have failed to appreciate the extent of the poets heroic descent through the surface of words in search of la Musique.

Mallarm? and Wagner: Music and Poetic Language, Lees