Becoming a movement, Daphi, Priska

Автор: Daphi Priska
Название: Becoming a Movement: Identity, Narrative and Memory in the European Global Justice Movement
ISBN: 1786603802 ISBN-13(EAN): 9781786603807
Издательство: Rowman & Littlefield Publishers
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Цена: 56320.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores the role of narratives in building collective identity - a vital element in activists` continued commitment.

Автор: Merrill Samuel, Keightley Emily, Daphi Priska
Название: Social Movements, Cultural Memory and Digital Media: Mobilising Mediated Remembrance
ISBN: 3030328295 ISBN-13(EAN): 9783030328290
Издательство: Springer
Цена: 121110.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This collected volume is the first to study the interface between contemporary social movements, cultural memory and digital media. Establishing the digital memory work practices of social movements as an important area of research, it reveals how activists use digital media to lay claim to, circulate and curate cultural memories.

Автор: Merrill Samuel, Keightley Emily, Daphi Priska
Название: Social Movements, Cultural Memory and Digital Media: Mobilising Mediated Remembrance
ISBN: 3030328260 ISBN-13(EAN): 9783030328269
Издательство: Springer
Рейтинг:
Цена: 121110.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This collected volume is the first to study the interface between contemporary social movements, cultural memory and digital media. Establishing the digital memory work practices of social movements as an important area of research, it reveals how activists use digital media to lay claim to, circulate and curate cultural memories.

Автор: Herda Isabel
Название: Priska Von Martin: Exhibition Catalogue Museum Fьr Neue Kunst Freiburg and Gerhard-Marcks-Haus Bremen
ISBN: 3864423198 ISBN-13(EAN): 9783864423192
Издательство: Неизвестно
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Цена: 45930.00 T
Наличие на складе: Невозможна поставка.
Описание: For Priska von Martin, the catalyst in life was the desire to capture humanity as form. She tried to delineate artistically what constitutes human existence, including isolation, dysfunctionality, pain, but also harmony, wholeness, and beauty. She captured the essence of human existence in animal figures as well as women's bodies and ­torsos. Her art was aimed at the corporeal, the visibly physical--injury, dislocation, displacement--as well as the spiritual, the invisible, the intangible--emotions, instincts, conditions. Who was Priska von Martin? What hopes did she place in bequeath­ing her estate to her native Freiburg, so far away from her place of work in Munich, on the vague chance of being viewed and understood independently? If she was focusing on this (deferred) outside view, why did she scarcely document her oeuvre? Which parts of her life story did she want to leave in the dark? How do we treat the information we have about this artist, who is described as a tactful person?