Thinking about Harmony, Damschroder

Название: Thinking Musically
ISBN: 0199844860 ISBN-13(EAN): 9780199844869
Издательство: Oxford Academ
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Цена: 29040.00 T
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Описание: The cornerstone and first volume of the Global Music Series, Thinking Musically incorporates the sounds and traditions of world cultures to establish a conceptual framework for exploring musical diversity. Designed for Introduction to World Music/Ethnomusicology courses and readers with little or no background in music, the book explores the fundamental elements of music-including rhythm, pitch in melodic and harmonic relationships, and form-and examines how theyvary globally from culture to culture.

Автор: Baade
Название: Victory through Harmony The BBC and Popular Music in World War II
ISBN: 0199328056 ISBN-13(EAN): 9780199328055
Издательство: Oxford Academ
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Описание: This book tells the fascinating story of the BBC`s participation in the events of World War II through popular music and jazz broadcasting. Author Christina Baade argues that rather than providing the soundtrack for a unified "People`s War" as its popular broadcast Victory through Harmony promised to do, the BBC`s popular music broadcasting efforts exposed the divergent ideologies, tastes, and perspectives of the nation.

Автор: Macfarren
Название: Six Lectures on Harmony
ISBN: 1108064876 ISBN-13(EAN): 9781108064873
Издательство: Cambridge Academ
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Цена: 25350.00 T
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Описание: Sir George Alexander Macfarren (1813-87) was one of the most prolific composers of the nineteenth century, remembered today for the overture Chevy Chace. Reissued here is the 1882 third edition of six lectures delivered at the Royal Institution in 1867, intended to enhance the amateur listener`s musical appreciation.

Автор: Langner
Название: The Neural Code of Pitch and Harmony
ISBN: 0521697018 ISBN-13(EAN): 9780521697019
Издательство: Cambridge Academ
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Цена: 46470.00 T
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Описание: Introducing the neuronal mechanisms of pitch and harmony, and the role of neuronal oscillations for brain and mind, this unique title demonstrates that musical pitch is a temporal and not a spectral phenomenon, and musical harmony is not a cultural heritage but a mathematical necessity based on neurobiological mechanisms.