Thinking Musically, 

Автор: Napolitano Marc
Название: Oliver!: A Dickensian Musical
ISBN: 0199364826 ISBN-13(EAN): 9780199364824
Издательство: Oxford Academ
Рейтинг:
Цена: 36950.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book tells the full story of the genesis and legacy of Lionel Bart`s most famous musical Oliver!, the beloved English musical from the golden age of Broadway.

Автор: Bamberger Jeanne Shapiro
Название: Discovering the Musical Mind
ISBN: 0199589836 ISBN-13(EAN): 9780199589838
Издательство: Oxford Academ
Рейтинг:
Цена: 68640.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Following her distinguished earlier career as a concert pianist and later as a music theorist, Jeanne Bamberger conducted countless case studies analysing musical development and creativity within the classroom environment. `Discovering the musical mind` draws together these classic studies, and offers the chance to revisit and reconsider some of the conclusions she drew at the time.

Автор: Dueck
Название: Musical Intimacies and Indigenous Imaginaries Aboriginal Music and Dance in Public Performance
ISBN: 0199747652 ISBN-13(EAN): 9780199747658
Издательство: Oxford Academ
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Цена: 0.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Musical Intimacies and Indigenous Imaginaries explores several styles performed in the vital aboriginal musical scene in the western Canadian province of Manitoba, focusing on fiddling, country music, Christian hymnody, and step dancing. In considering these genres and the contexts in which
they are performed, author Byron Dueck outlines a compelling theory of musical publics, examines the complex, overlapping social orientations of contemporary musicians, and shows how music and dance play a central role in a distinctive indigenous public culture.

Dueck considers a wide range of contemporary aboriginal performances and venues--urban and rural, secular and sacred, large and small. Such gatherings create opportunities for the expression of distinctive modes of northern Algonquian sociability and for the creative extension of indigenous
publicness. In examining these interstitial sites--at once places of intimate interaction and spaces oriented to imagined audiences--this volume considers how Manitoban aboriginal musicians engage with audiences both immediate and unknown; how they negotiate the possibilities mass mediation affords;
and how, in doing so, they extend and elaborate indigenous sociability.

Musical Intimacies brings theories of public culture from anthropology and literary criticism into musicological and ethnomusicological discussions while introducing productive new ways of understanding North American indigenous engagement with mass mediation. It is a unique work that will appeal to
students and scholars of popular music, musicology, music theory, anthropology, sociology, and cultural studies. It will be necessary reading for students of American ethnomusicology, First Nations and Native American studies, and Canadian music studies.