Herve Tullet`s Zazazoom!: A Game of Imagination: Mix. Match. Connect. Play.
Автор: Tullet Название: Press Here hc ISBN: 0811879542 ISBN-13(EAN): 9780811879545 Издательство: Abrams Рейтинг: Цена: 11870.00 T Наличие на складе: Есть Описание: PRESS HERE, MIX IT UP!, LET'S PLAY!, and SAY ZOOP! Collect all four interactive books from Herv? Tullet!Press the yellow dot on the cover of this interactive children's book, follow the instructions within, and embark upon a magical journey! Each page of this surprising touch book instructs the reader to push the button, shake it up, tilt the book, and who knows what will happen next! Children and adults alike will giggle with delight as the dots multiply, change direction, and grow in size! Especially remarkable because the adventure occurs on the flat surface of the simple, printed page, this unique interactive picture book about the power of imagination and interactivity will provide read-aloud fun for all ages!
Автор: Guez Herve Название: Positive Finance: A Toolkit for Responsible Transformation ISBN: 1783534559 ISBN-13(EAN): 9781783534555 Издательство: Taylor&Francis Рейтинг: Цена: 34700.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: We have to re-envision the allocation of capital in order to support social and technological innovations, to design and build sustainable infrastructure, and to finance the energy transition. Reinvented, finance could become a powerful lever for setting these transformations in motion. This book is a toolkit for putting money to work in the general interest.
Автор: Castanet, Herve Название: Pierre klossowski ISBN: 3034302096 ISBN-13(EAN): 9783034302098 Издательство: Peter Lang Рейтинг: Цена: 78710.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book examines the many facets of the work of Pierre Klossowski (1905–2001). Klossowski first established himself as a writer and was known and admired by peers such as Bataille, Blanchot, Gide, Foucault, Deleuze and Lacan. But in 1972 he gave up writing to devote himself to his ‘mutism’: painting made up of large coloured drawings. In time he became as famous a painter as he had been a writer and theorist. Klossowski now has two separate groups of commentators: those concerned with his writings and those with his painting, with little overlap between the two. Here, this separation is explicitly removed. Klossowski’s entire ?uvre revolved around the concept of the gaze. Rarely has the gaze been so radically interpreted – as an active, mobile, evanescent object that breaks down the connections between representation and the visible. How is one to see the invisible divinity? This question plagued Klossowski, and he displaced it onto pornographic rituals. The pantomime of spirits is the scene, fixed in silence, where bodies meet – a knotting of desiring body and dogmatic theology. A creator of simulacra, Klossowski attempted to exorcise the ‘obsessive constraint of the phantasm’ that subjugated him in all these scenes. Translated from the French by Adrian Price in collaboration with Pamela King.
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